For a list of all of the places you can find me and the projects I'm working on, be sure to check out my website!

PR's Tumblrdome
macklin celebrini has autism

shark vs the universe
★
$LAYYYTER
untitled

Game Changer & Make Some Noise
EXPECTATIONS
Sade Olutola

Product Placement

pixel skylines
The Bright Sessions
Not today Justin
PUT YOUR BEARD IN MY MOUTH
NASA
Doug Jones

tannertan36
Mike Driver
Color Me Curious

Jar Jar Binks Fan Club

seen from Malaysia

seen from United Kingdom

seen from Vietnam

seen from United States
seen from Venezuela
seen from Congo - Brazzaville
seen from United States

seen from Algeria
seen from Romania
seen from Mexico

seen from Malaysia

seen from United States

seen from Malaysia
seen from United States
seen from Türkiye
seen from Argentina
seen from Malaysia

seen from Mexico
seen from Colombia

seen from Malaysia
@sirladysketch
For a list of all of the places you can find me and the projects I'm working on, be sure to check out my website!
When you stay in a hotel room, do you unpack your suitcase into the provided closet and dresser?
always
sometimes (explain in tags if desired)
never
never been in a hotel room/bald/etc
good morning
You’ll need the link!
We got Musk off our land. Let's build a monument to remind him he's a sad little b**** with no friends.
Not all heroes wear capes, sometimes they publish questionable card games
Happy Akuroku day! I worked with the very talented @kaoru-chibimaster and illustrated their fic, "All You Need is A Little Flare." You can read it here!!
https://archiveofourown.org/works/90461756/chapters/240517881
happy 8/13
i miss u so much (pre ai internet)
So, we need to talk about what webtoons(the company) has done to webcomics
Over the past 7 or so years, we've seen this absolute shift in expectation, migration, and stagnation in the webcomics sphere which applies to style, sustainability, and the platforms grip on readers and creators
I'll be the first one to say that webcomics are not an easy way to make money and a majority of folks who make them rarely see profit. This has always been the case! But when virality, siphoning audiences from all over, and opportunity to 'get printed' presented itself, that expectation shifted.
So let's talk about what those expectations are now: 🔴Demand for Higher quality- less readers will check out beginner looking works or comics that feel too 'faulty' in style meaning less excitement to see webcomics grow over the years. Polish is expected and commented on consistently by readers
There is also an expectation for specific visual and narrative styles. This applies to other social media platforms too- in that works that take less investing in are often promoted and prioritised. That means less risks on narratives, less nuances, and shorter series running.
🔴All on one site/app- That may seem pretty fantastic for getting new readers (and is the absolute main sticking point for so many artists) but when algorithms and specific series are wanted, your works have a harder chance getting to the people they need to. The search function is trash for a reason
I'm not one to toot the competition flute, but there's a level of that at play when the spotlight for that platform is actually pretty small. What you get is a lot of readers checking out the same comics, and not spreading it all out to find yours (their subs have a cap for this reason)
🔴Sustainability (and lack thereof)- The creator of these comics are often burnt out and given little support- all while fighting to see what is allowed on the platform with its excitable censoring. I won't speak for originals (there's many testimonies you can find) but their experiences of burn out are harrowing
With the high production expectation for a person who is rarely given help (often has to hire out of pocket for that) and the readers who want Updates Now, it's a frustrating place to post your comics with no rest. It's 2026, we shouldn't be treating cartoonists this way still.
Webtoons (the company) is always going to be interested in making a profit. That's sort of where it all starts and stops here. They'll embrace the slop machines (more slop sources) for investors, they'll mistreat creators, cancel 'unprofitable' comics, censor work, and protect that bottom line. That's their MO, always!
So when I see these conversations that inevitably float around about Webtoons and how the only response is 'stop using it', I think we also need to deconstruct what it's done to creators and readers and how they engage with/create works too- because it doesn't seem that simple of a solution
Webtoons has solidified itself in webcomics as the Place to start and stop with comics. They want you to use their app of course, but they've conditioned folks to think it's the only way to share your stuff. How do we break this? How do we get people to stop using it?
We share resources 😎
Alternative Comic Platform: comicfury.com Comic Resource List: cartoonist.coop/resources/ Screen Tones Webcomic Website: screentonescast.com Webcomic Website Template: rarebit.neocities.org How to make a webcomic: thestarfishface.com/products/how... And feel free to reply with even MORE!
Thank you for making this post! For any webcomic creators interested in making their own webcomic website with a hosting service and wordpress, I have made a complete step by step video on how to do that, feel free to check it out!
Also, for webcomic creators who either make their own website or use a comic platform like Comicfury, consider using a peer-to-peer ad network like Comicad.net to advertise your webcomic and create ad space on your own website.
I'm always a huge advocate for webcomic creators making their own websites so they can be in greater control of their own work. There's more options out there, so don't let Webtoons be the end all be all for your comics existence!
I, a hearing person who likes subtitles just as a preference, shouldn't have to read a subtitle that's obvious nonsense, go back a couple seconds, and listen again in order to figure out what's going on. An accessibility feature should not be the most half-assed part of a professionally made production. Scripted media has absolutely no excuse for not having subtitles or having subtitles that aren't perfectly verbatim. Professional captioning services should be ashamed of the shoddy work that they put out. Captions should be treated as a part of the production, just like filming, editing, audio balancing, etc - and anything that releases with missing or bad captions should be seen as unfinished
mutuals, out of curiosity what season were you born in and what's your favorite season?
Plonking this here as a copy/paste from Bluesky, but:
I'm thinking about running a small KH 25th Anniversary project with friends, set to release March 28th 2027. If we're moots/have talked or worked together in the past and you're interested in learning more, please DM me here or in Discord so I can send you the project summary doc.
I'm trying to avoid an open call kind of thing because:
I'm hoping to keep this low key and less stressful than a regular zine
2019 was rough, man. IYKYK
I think friends are more willing to say "Rin this is dumb you forgot about XYZ" than strangers lol
Anyway if you're interested lmk and we'll dive into darkness together. <3
you really do turn thirty and everything is different and sometimes better. if you're in line for thirty stay in line bro
getting lost in boston is fun because I turned around on a street corner three times and some guy yelled "hey stupid! the bus is that way!" very helpful interaction and accurate insult, 10/10 no notes
one time I walked around a building a couple times looking for a bathroom and this guy went "this bitch thinks she's on a merrygoround, where the fuck are you tryna go? bathroom? one floor down to the right behind the door that says bathroom."
My very first time in Boston. I was absolutely miserable, trying to drag my giant suitcase up a lengthy set of stairs in the pouring rain. This guy who had already reached the top looked back at me with the most pure expression of disgust I’ve ever seen in anyone’s eyes, marched back down the stairs, grabbed my suitcase, carried it to the top, left it there for me, and walked away without ever saying a word. I think about him often.
For the people in the notes going "why is Boston like this": a) the insults are a way to show you have no ulterior motives when helping someone (and don't need to be thanked or repaid), and b) Boston was settled by the Irish
also the Italians. mixing Irish and Italian sociocultural attitudes had the effect of multiplying the Sass Levels by the power of infinity, in the sense that you get all of the clever dry wit of the Irish and all of the bitchy gossipy condensation of the Italians rolled into one very stereotypically overly-friendly American package.
also worth noting that who you are to them doesn’t matter. they’ll talk to strangers like that and will also talk to their best friends like that. they’re just Like That.
More from the notes:
Oh, no, tsundere isn't the right term because we aren't trying to hide anything.
We're not about to leave you stranded but we really do think you're an idiot for getting yourself into the situation.
my favorite fantasy world is tortall
thought of this immediately and was delighted to discover it’s the same op
OP: I finally get why travelers in ancient china always brought bamboo flutes with them especially when they went mountain hiking. (cr你真是饿了)
Plonking this here as a copy/paste from Bluesky, but:
I'm thinking about running a small KH 25th Anniversary project with friends, set to release March 28th 2027. If we're moots/have talked or worked together in the past and you're interested in learning more, please DM me here or in Discord so I can send you the project summary doc.
I'm trying to avoid an open call kind of thing because:
I'm hoping to keep this low key and less stressful than a regular zine
2019 was rough, man. IYKYK
I think friends are more willing to say "Rin this is dumb you forgot about XYZ" than strangers lol
Anyway if you're interested lmk and we'll dive into darkness together. <3