Cat, Sweden.
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occasionally subtle
taylor price

#extradirty
he wasn't even looking at me and he found me
let's talk about Bridgerton tea, my ask is open
AnasAbdin
2025 on Tumblr: Trends That Defined the Year

if i look back, i am lost
Misplaced Lens Cap
we're not kids anymore.
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oozey mess
Sweet Seals For You, Always
Cosmic Funnies

blake kathryn

tannertan36
cherry valley forever
Xuebing Du
Jules of Nature

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@skogssnuvans
Cat, Sweden.
Magna Johansson, 1913, Sweden.
(That is a costume, thankfully. Unclear why she’s wearing it though, other than to disturb future generations.)
Photograph from 1882.
Fernand Khnopff (1858 – 1921)
The spider woman
Halloween 1938. Talk about NIGHTMARE FUEL!
Płacząca fontanna, Portugalia, 1989, Eva Rubinstein. American, born in 1933 in Poland
Edith Sitwell
Original Little Egg Harbor light house falling into the sea in October 1927
Nude With Crystal Ball by Austin Osman Spare (1914-20)
Still my favourite
La femme, Tyra Kleen, 1896
Emma Kunz (1892–1963), a Swiss healer and spiritualist. Her works were only exhibited after her death, and she herself believed that her art was destined to be viewed by later generations. In the last few years, her drawings have been shown alongside the works of artists such as Hilma af Klint and Agnes Martin; however, Kunz’s practice does not easily fit into the history of the development of abstraction. Perhaps this is because art in itself was not her primary occupation; she considered it a means for the exploration of the astral plane.
Spiritualist Drawings that Open Portals to Other Dimensions
The Unicorn in Captivity (from the Unicorn Tapestries), Metropolitan Museum of Art: Cloisters
Gift of John D. Rockefeller Jr., 1937 Metropolitan Museum of Art, New York, NY Medium: Wool warp with wool, silk, silver, and gilt wefts
http://www.metmuseum.org/art/collection/search/467642
‘Memoirs of Marina’. © Nona Limmen Webshop / Instagram
Hilma af Klint (Swedish, 1862-1944)
Tree of Knowledge, 1913
Hilma af Klint’s paintings are diagrams of a spiritual plane that underlies the visual world. She was a member of a small group of women who would meet to access religious spirits with knowledge of the afterlife.
Gregor, one of the spiritual masters she contacted during these meetings, said to her that the paintings represent “All the knowledge that is not of the senses, not of the intellect, not of the heart but is the property that exclusively belongs to the deepest aspect of your being […] the knowledge of your spirit.”
Hilma af Klint wanted to keep her paintings secret from the public until 20 years after her death.
More on hideback
THE SAD HOUR rare early 1900s coffin plaque. Read about it right here.
Daily weird news & oddities at Cult of Weird
HAUNTINGS
Tales of the Supernatural
Illustrated by Edward Gorey. 1968.