Marvel Edits
Around the world with you
Reasons to love natasha romanoff
Blackhill Bingo
Wednesday Edits
Social media is a horror to explore
occasionally subtle
trying on a metaphor
Show & Tell

Kaledo Art
we're not kids anymore.

Kiana Khansmith

blake kathryn

No title available

oozey mess

@theartofmadeline
hello vonnie
almost home

Janaina Medeiros
tumblr dot com
No title available
Keni
Sweet Seals For You, Always
taylor price
Not today Justin
YOU ARE THE REASON

seen from Italy
seen from Chile
seen from Philippines
seen from Spain

seen from United Kingdom
seen from Philippines

seen from Germany

seen from Australia

seen from Türkiye
seen from Bangladesh

seen from United States
seen from Bulgaria
seen from Indonesia
seen from France
seen from Brazil
seen from Bangladesh
seen from Uruguay

seen from Bangladesh

seen from Malaysia

seen from Italy
@slither-in-gryffindor
Marvel Edits
Around the world with you
Reasons to love natasha romanoff
Blackhill Bingo
Wednesday Edits
Social media is a horror to explore
Wandanat sleepy cuddles + their cute baby 𐙚˙⋆.˚ ᡣ𐭩
I've been so into AO3 that I forgot real books exist. But then the "slow burn" and "tension" between the 2 characters are not just the same
Like I'm reading this wlw book and I'm screaminggg. Where are the stolen glances, the clenching of their hands as they see the other with someone, the long ass period of pining... there was literally 1 chapter of the MC refraining from kissing the FL and then they just kiss???
Where is my thousands of words dedicated to their kiss described so vividly as if I'm the one getting their breath taken away like girl... God AO3 writers have raised my standards too much
queue this post when it’s your birthday and be surprised
lena luthor x maura isles | hope you’ll be safe (in the arms of another)
one of the best crossovers i ever read. you won't regret reading this fic. just a total masterpiece *chef's kiss* 💙
What makes you think I'm gonna drop everything just because you call? Because it's important...and because that's just the kind of girl you are. ASTRID FARNSWORTH and OLIVIA DUNHAM FRINGE (2008-2013)
ugh i miss them!!! i remember running straight online to find fanfics
I hope none of you disappear in the coming days. Seriously don't do anything that can't be undone.
I know i'm just a random person you follow online but I mean it. People (all kinds of marginalised people too!) Have survived all types of horrible times and managed to find happiness eventually. If for no one else, survive for them. And also, try to survive because the people making you despair don't want you to live. Don't give this to them. Don't give your life. The best thing you can do is cling to it with everything you've got. Lay in bed for a day if you have to. but please promise you won't hurt yourself.
Take screen breaks, (now more than ever!!) Meet up, Call your friends, call your family if you're on good terms. Spend time with pets. Text your favourite mutual you never speak to if you've got no one irl. Hell, log on a minecraft server if nothing else. Or rewatch your favourite show.
Make sure you eat enough and sleep enough, and take the meds and vitamins that you need. Don't believe anything you think if you're hungry and tired and have been scrolling too long.
Get a therapy appointment if you think you need it.
You can absolutely not take any shortcuts when it comes to your wellbeing right now.
"But I don't know what to do with this news"
"But they want me to stay alive for x and y"
"But pr-"
DO NOT THINK ABOUT THAT RIGHT NOW. TAKE IT AND PUT IT IN A BOX FOR WHEN YOU'RE BETTER. FOCUS ON HANGING ON. I LOVE YOU.
So... I found this and now it keeps coming to mind. You hear about "life-changing writing advice" all the time and usually its really not—but honestly this is it man.
I'm going to try it.
I love the lawyer metaphor, because whenever I see “John knew that...” in prose writing I immediately think “how? How does he know it?” Interrogate your witnesses. Cross-examine them. Make them explain their reasoning. It pays dividends.
All of this, but also feels/felt. My editor has forbidden me from using those and it’s forced me to stretch my skills.
This is your "show not tell" advice explained!
Editor here.
First, let me preface this with something very important: you can treat all of this advice as SECOND-DRAFT ADVICE. It is so much easier to rewrite this kind of stuff once you have words on the page. Telling yourself the first draft is totally appropriate and acceptable.
What we’re talking about here are FILTER WORDS (and to some degree verbs of being). Yes, “thought” words are included. But so are “heard, saw, looked, tasted, smelled” etc.—most words having to do with the senses.
This isn’t black and white advice; sometimes you’ll use these words and that’s okay. They’re not WRONG. They’re just weaker. And they’re weaker because they create distance between the reader and the experience of the character.*
If you want your reader to feel like they’re experiencing the story right alongside the character, you want to cut down on filter words.
*This is particularly important with first person and close third POVs. The reader always knows whose eyes they’re seeing through and thoughts they’re privy to. So you don’t need to tell them “I saw X.” Or “I heard X.” Or “I thought Y.” You can just jump into the action/observation as it’s happening.
This is also where you want to pay attention to verbs of being.
“It was rainy.” Versus: “The rain pounded against the roof.” Or “The rain howled like an injured animal.” Or “The rain tapped against the window like an anxious lover.” All of these are inviting the reader deeper into the experience of the story by using stronger verbs and similes. And, at the same time, they stir feelings (instead of TELLING feelings). And feelings keep your reader engaged. Engaged readers keep turning pages; engaged readers become FANS.
This is also where
you want to pay attention
to verbs of being.
Beep boop! I look for accidental haiku posts. Sometimes I mess up.
How to show emotions
Part VII
How to show pride
standing tall
expanded posture, opening of the torso
lifted chin, head held high
big and confident smile
looking around to see if people recognize and admire what they are proud of
How to show enthusiasm
big smile and laughter
wide radiant eyes
raised eyebrows
jumping up and down or bouncing
clapping hands
big hand gestures
loud and high pitched voice
speaking quickly
How to show anxiety
not holding/breaking eye contact
fidgeting
heavy breathing
twitching in their face
often a blank stare or looking away
rigid posture
sweaty palms
bouncing their knees
rubbing palms against each other or clothing
How to show playfulness
laughing
giggling
grinning
using a playful tone
making a silly face
touching the other person teasingly
e.g. tickling, nudging, bumping into them
How to show being offended
stiffening up
hard line around the lips
frozen stare
narrowing of the eyes
Part I + Part II + Part III + Part IV + Part V + Part VI
If you like my blog and want to support me, you can buy me a coffee or become a member! And check out my Instagram! 🥰
Things Real People Do in Dialogue (For Your Next Story)
Okay, let’s be real—dialogue can make or break a scene. You want your characters to sound natural, like actual humans talking, not robots reading a script. So, how do you write dialogue that feels real without it turning into a mess of awkward pauses and “ums”? Here’s a little cheat sheet of what real people actually do when they talk (and you can totally steal these for your next story):
1. People Interrupt Each Other All the Time In real conversations, nobody waits for the perfect moment to speak. We interrupt, cut each other off, and finish each other's sentences. Throw in some overlaps or interruptions in your dialogue to make it feel more dynamic and less like a rehearsed play.
2. They Don’t Always Say What They Mean Real people are masters of dodging. They’ll say one thing but mean something totally different (hello, passive-aggressive banter). Or they’ll just avoid the question entirely. Let your characters be vague, sarcastic, or just plain evasive sometimes—it makes their conversations feel more layered.
3. People Trail Off... We don’t always finish our sentences. Sometimes we just... stop talking because we assume the other person gets what we’re trying to say. Use that in your dialogue! Let a sentence trail off into nothing. It adds realism and shows the comfort (or awkwardness) between characters.
4. Repeating Words Is Normal In real life, people repeat words when they’re excited, nervous, or trying to make a point. It’s not a sign of bad writing—it’s how we talk. Let your characters get a little repetitive now and then. It adds a rhythm to their speech that feels more genuine.
5. Fillers Are Your Friends People say "um," "uh," "like," "you know," all the time. Not every character needs to sound polished or poetic. Sprinkle in some filler words where it makes sense, especially if the character is nervous or thinking on their feet.
6. Not Everyone Speaks in Complete Sentences Sometimes, people just throw out fragments instead of complete sentences, especially when emotions are high. Short, choppy dialogue can convey tension or excitement. Instead of saying “I really think we need to talk about this,” try “We need to talk. Now.”
7. Body Language Is Part of the Conversation Real people don’t just communicate with words; they use facial expressions, gestures, and body language. When your characters are talking, think about what they’re doing—are they fidgeting? Smiling? Crossing their arms? Those little actions can add a lot of subtext to the dialogue without needing extra words.
8. Awkward Silences Are Golden People don’t talk non-stop. Sometimes, they stop mid-conversation to think, or because things just got weird. Don’t be afraid to add a beat of awkward silence, a long pause, or a meaningful look between characters. It can say more than words.
9. People Talk Over Themselves When They're Nervous When we’re anxious, we tend to talk too fast, go back to rephrase what we just said, or add unnecessary details. If your character’s nervous, let them ramble a bit or correct themselves. It’s a great way to show their internal state through dialogue.
10. Inside Jokes and Shared History Real people have history. Sometimes they reference something that happened off-page, or they share an inside joke only they get. This makes your dialogue feel lived-in and shows that your characters have a life beyond the scene. Throw in a callback to something earlier, or a joke only two characters understand.
11. No One Explains Everything People leave stuff out. We assume the person we’re talking to knows what we’re talking about, so we skip over background details. Instead of having your character explain everything for the reader’s benefit, let some things go unsaid. It’ll feel more natural—and trust your reader to keep up!
12. Characters Have Different Voices Real people don’t all talk the same way. Your characters shouldn’t either! Pay attention to their unique quirks—does one character use slang? Does another speak more formally? Maybe someone’s always cutting people off while another is super polite. Give them different voices and patterns of speech so their dialogue feels authentic to them.
13. People Change the Subject In real life, conversations don’t always stay on track. People get sidetracked, jump to random topics, or avoid certain subjects altogether. If your characters are uncomfortable or trying to dodge a question, let them awkwardly change the subject or ramble to fill the space.
14. Reactions Aren’t Always Immediate People don’t always respond right away. They pause, they think, they hesitate. Sometimes they don’t know what to say, and that delay can speak volumes. Give your characters a moment to process before they respond—it’ll make the conversation feel more natural.
Important note: Please don’t use all of these tips in one dialogue at once.
currently in a phase of "i want to read a new fic but don't have the energy to consume new media but i can't reread old fics because i already know what's gonna happen and now my free time is just wasted because i do nothing"
Me, watching Agents of SHIELD, every single time something bad happens to one of the agents or the director makes a shitty decision and someone gets fucked by it: Maria Hill would have never let this happen!!!!!!
pepper potts: the stars look beautiful tonight
maria hill: yeah, they do
sharon carter: you know who else is beautiful?
all three, simultaneously: natasha romanoff
natasha: nice
Blackhill Bingo 2021 Square Fill: Presumed Dead What-If AU where Natasha turned to dust instead of Maria.
The only emails i’m happy to recieve are the ones from ao3.
The only emails that ever find me well
Anyone know this blackhill fic where Maria has a breakdown and Natasha goes in the room and sees her with a hand on a gun. Just Maria being overwhelmed and thinking of ending it... kinda craving for some heartbreaking stuff
Part 2 of me asking for a blackhill fic. All I remember is Maria making an uplifting speech about SHIELD to the agents (I think this was after SHIELD fell?) and then teased about being Hardass Hill (?) or another nickname. All I know is this fic is awesome but forgot to bookmark it 😭😭
Anyone know this blackhill fic where Maria has a breakdown and Natasha goes in the room and sees her with a hand on a gun. Just Maria being overwhelmed and thinking of ending it... kinda craving for some heartbreaking stuff