Dragons Back, Peak District

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cherry valley forever
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occasionally subtle
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Peter Solarz

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"I'm Dorothy Gale from Kansas"

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Dragons Back, Peak District
Pixel post dividers for everyone! It's not much, but feel free to use them if you'd like. I don't know the ideal size for these, so let me know if they're too tall. I can make them a bit shorter next time.
eternal sunshine of the spotless mind; 2004 kate winslet as clementine
Copper crab, Moche culture, Peru, 6th-7th century
from The MET
Takato Yamamoto: Ghost (2005)
I literally don't want a job. I want to read for 4 days straight
The Woodcutter’s Daughter - Warwick Goble
Bruxólica
This piece is a tribute to the witches of Florianópolis, a place also known as the “Island of Magic”. In some stories, fishermen recounted that witches danced inside their fishing nets.
Watercolor, pencils and ink on A4 paper.
Artwork made for the ‘Fables of Time’ exhibition by Poetic Tiger Gallery. Original available for sale.
⛤ patreon, ig, shop & more: janainaart
Sissy Spacek playing Carrie White in 'Carrie' (1976)
PRIDE MONTH
STAY SAFE!! [ID: the Gilbert Baker pride flag with the words “Happy pride to all those who are unable to celebrate openly and safely. You are loved and seen!” in all-caps black text over it. /end ID]
I'm about halfway through Yesteryear and my favourite part so far is definitely the bit where Natalie's outraged that Caleb watches porn, meanwhile the porn he watches is literally the most wholesome, vanilla shit ever.
Actually, the reason to write that rarepair longfic that no one else is going to read is so you can go back and re-read it yourself when you're sad.
The original flag, by Gilbert Baker, June 25, 1978.
✨👑 Fairytale Friday 👑✨
Storybook Kingdoms and Slightly Dramatic Adventures
This week, we’re wandering into the storybook kingdom of Peter and the Princess by Carl H. Grabo, with illustrations by John R. Neill and published in Chicago by Reilly & Lee in 1920. The book arrives straight out of that early 20th-century moment when fairy tales were becoming increasingly playful, visual, and delightfully theatrical.
Carl H. Grabo (1881-1955) was primarily known as a literary scholar, specializing in poetry and Romantic literature. This makes his turn toward fairy tales feel a little unexpected, in the best possible way. There is something charming about a serious scholar stepping briefly into the world of castles, adventure, and fairytale imagination. The story itself carries many familiar fairytale ingredients, royalty, quests, danger, and enchantment, but with the lighter, more whimsical tone that children’s literature of the 1920s often embraced.
The illustrations are by John R. Neill (1877-1943), whose work helped define the look of fantasy for generations of readers. Neill is best remembered today for his work on L. Frank Baum’s Oz books, where his swirling linework, expressive characters, and elaborate decorative details helped shape the visual identity of Oz itself. After Baum’s death, Neill even went on to write and illustrate additional Oz titles of his own.
This is exactly the kind of fairytale that feels designed for rainy afternoons and dramatic reading voices. Between Grabo’s storybook adventure and Neill’s gloriously detailed illustrations, the whole thing has the energy of a kingdom where absolutely everything is slightly more theatrical than necessary, which, personally, I fully support.
--Melissa (who thinks adventures are always improved by elaborate costumes and questionable decisions), Distinctive Collections Library Assistant
-View previous Fairytale Friday posts
--View more from our Historical Curriculum Collection
Reblog if you think the person you reblogged this from deserves to be happy.