Sodachip

Hi im soda! (she/they) Blog for all my fandom hijinks and art :3

[sodahyperfixation]

On that deltarune grindset. straight darkworld maxxing

[sodahyperfixation]

Me when i accidentally kill my chud ai son

[voidheartedsoul]

Op isn't on here but this is so so fucking cool please go give it love

[astralynxart]

Bug yuri feels like a good way to open my return to tumblr 😌

[bluehairedspidey]

[molombo]

Where's the African mythology?

The Kickstarter is live now!

[sodahyperfixation]

Hey, I found someone who reuploaded your art on TikTok without giving you credit as the original poster.

https://www.tiktok.com/@c.a.t.a.l.i.e.n?lang=en

Hi ty for telling me!

I asked them if they could credit my tumblr :3

[sodahyperfixation]

:D

[sodahyperfixation]

bad news folks, i caught the deltarune autism

[sodahyperfixation]

El ge be tee

I dont associate with them queers

I only draw them kissing

/j

[chronos-enigma-deactivated20260]

of all my honest opinion im just fooling around with that.

Bonus

[sodahyperfixation]

THESE ARE SO PEAK

[sodahyperfixation]

Straight up mimicing it. and by it i mean..hehe my fnaf

[tadc-harlequin-au]

"The Marvelous Mechanical Harlequin" AU - Official Intro Animatic

Finally... after 4 months in the making.... so many individual moving parts... and a lot of scrapped ideas/storyboard scenes lol, it is done! I am now at peace-

MASSIVE thanks to both @circus-mcgurkus and @dragon-creates for lending me their voices! They are amazing VA's, go give them a follow!

[sodahyperfixation]

Going feral this is peak

[menosdoze]

i fkcunig lvoe him

[sodahyperfixation]

Still working on it, but had the idea for a gothic dark fantasy au (insert bloodborne refrence here)

[sodahyperfixation]

*sniff* I need more of their dynamic :(

[iamespecter]

Do you have any personal tips on drawing and rendering wrinkles and folds for your painting? I’ve seen so much of your work and it just fascinates me every time!

Have a slug my amigo 🐌

Thank you for the slug :3 Now I'm no teacher, but this is usually my thought process when drawing "wrinkles" on a fabric

1st): I like to add one of those "bumps" on the edge of the fabric to emphasize that yes, there are wrinkles there. it pretty much helps the eyes process the idea of wrinkles being present, and it helps making it feel like figure's plausible to exist on a 3D space.

2nd): triangles, loops and zigzag-ing patterns. when I make wrinkles on fabrics, my brain automatically looks for places where "tension" would begin, and then fold everything. This means areas like joints, elbows, armpits, knees, etc. Triangles are a go-to if you want to make tighter fabrics, zigzags are more so for looser clothing depending.

When I draw tighter clothing, I also tend to draw the figure in detail first --ex. if I want to draw a tight shirt, I draw the torso in detail first-- and then adding wrinkles on where they would form after that. References definitely help a lot.

There's also the fact that I always imagine wrinkles to be two areas having a tug of war, but there's no winners

the unaffected areas of wrinkles are also ALWAYS darker (even if ever so slightly), because the wrinkles itself are more exposed to light than the rest of the fabric, except of course, on certain lighting placements. (like the light being shone directly onto the unaffected area)

(this is a commission I'm working on)

Hopefully what I've put here is comprehensible and not overwhelming, I tried my best to explain it as much as possible lol