pulling yourself up by your strap-on or whatever they say

JVL
KIROKAZE
Sweet Seals For You, Always

Product Placement
đŞź
I'd rather be in outer space đ¸

⣠Chile in a Photography âŁ
almost home
noise dept.
$LAYYYTER
Stranger Things

Andulka
PUT YOUR BEARD IN MY MOUTH
taylor price
Peter Solarz
let's talk about Bridgerton tea, my ask is open

izzy's playlists!
Not today Justin

JBB: An Artblog!
Jules of Nature

seen from India
seen from Belarus
seen from Malaysia

seen from United Kingdom
seen from Netherlands

seen from United States

seen from South Korea
seen from Saudi Arabia
seen from Germany
seen from Singapore

seen from TĂźrkiye
seen from United States

seen from TĂźrkiye
seen from United States
seen from Germany
seen from United States

seen from TĂźrkiye
seen from Indonesia

seen from Taiwan

seen from Indonesia
@somecivilunrest
pulling yourself up by your strap-on or whatever they say
By Momoire
hopping on the surfsahoy bandwagon. Mike orders too much pizza. btw, I hate drawing bikes. Why do I do this to me đ? Anything for Byler!
royal au
Madwheeler Scoops Ahoy AU | Byler edition- Enjoy âď¸đżIdk if vids do well here- But WE BALL
THIS IS THE BEST THING IVE SEEN INMALIFE
i hate the "we should only have queer actors playing queer characters" argument for several reasons. but what annoys me the most is that people who argue this straight up don't realize that it's illegal to ask someone about their sexuality in relation to a job interview. like an audition. i don't think breaking anti-discrimination laws to screen people's sexualities to determine their employment is the woke take you think it is.
and just. setting that aside. if you're saying "we should only have queer actors playing queer characters" you're saying that queer people must be publicly out to play a queer character. even if that actor and that character have the same sexuality. that actor has to disclose that to the whole world. again. i don't think demanding queer people to out themselves in order to engage with a queer acting role is doing anyone any good.
head in hands. it's acting. it's playing make believe. i don't care if the actress playing a lesbian character has kissed a woman before. i care if she's good at pretending she has.
the bravebyers (and wheelwise) platter is so yummy
Jinx and Sevika practice!
The perspective turned out much better than expected because I don't practice it enough lmao.
One of my headcanons is that Jinx swaps Sevika's cigarettes for candy >:D
They're the Arcane characters I draw the most because they're the easiest for me.
SILVER SPRINGS Fleetwood Mac â The Dance (1997)
By 1997, Stevie Nicks and Lindsey Buckinghamâs romance should have been ancient history. The pair had split two decades prior, fueling Rumoursâ famously raw breakup anthems. But during a taping of a Fleetwood Mac reunion show later released as The Dance, shit once again got very real. Midway through a non-album rarity called âSilver Springs,â Nicks turned and faced her former flame as she sang the songâs rueful bridge: âTime cast a spell on you, but you wonât forget me / I know I could have loved you but you would not let me.â The pair locked eyes, and Nicks gradually built to a cathartic howl â âIâll follow you down âtil the sound of my voice will haunt you / Youâll never get away from the sound of the woman that loves youâ â indicating that, for her at least, resolution had never really come.
This was by design. Nicks has admitted that the fiery take on the song that appears in The Dance was âfor posterity,â as she told Rolling Stone at the time. âI wanted people to stand back and really watch and understand what [the relationship with Lindsey] was,â she later told Arizona Republic.
The trackâs primary exposure was as a B side to âGo Your Own Wayâ â Buckinghamâs own expression of anger and revenge against Nicks, where he claimed that âpackinâ up, shackinâ up is all you wanna do.â The song would become one of the bandâs biggest hits, charting in the Top 10. âHe knew it wasnât true. It was just an angry thing that he said,â Nicks told Rolling Stone in 1997 of the âpackinâ up, shackinâ upâ line. âEvery time those words would come onstage, I wanted to go over and kill him. He knew it. He really pushed my buttons through that. It was like, âIâll make you suffer for leaving me.â And I did.â
Of course, Nicks had the exact same motivation when she wrote âSilver Springs.â In a 1997 interview with Arizona Republic, she explained the songâs message as âIâm so angry with you. You will listen to me on the radio for the rest of your life, and it will bug you. I hope it bugs you.â
âBrittany Spanos, âSilver Springsâ: Inside Fleetwood Macâs Great Lost Breakup Anthem
Dennis Whitaker and his little mullet
The Pitt (s2)
Here are all the studies I made so far. I don't know if I'll make more in the future, but I really had a lot of fun and learnt a lot.
Cannot stress enough how much I love TOS colours, framing, everything.
I have to admit that the scene in the finale where hopper gets vecnaâd is actually SO GOOD, like I knew that el wasnât dead (plot armour bla bla) but still, THIS is what I wanted the entire final battle to look like
a battle of the minds, showing the main characters their darkest fears come true, slowly driving them insane
THIS is how you do a final battle with horror instead of action, to show that you canât win with guns, but with love
it couldâve been so good
this picture is literally insane now like all of this equaled to nothing i know the set designers were mad as hell