from hell, with love

[sonorangothic-blog]

Harm van den Dorpel’s Algorithmic Art 

[yimmyayo]

[sonorangothic-blog]

Hajime Sorayama

[thunderstruck9]

George Condo (American, b. 1957), The Grocery Man, 1997. Oil on canvas, 14 x 11 in.

[spring2000]

wayne booth photographed by grant thomas for suitcase magazine

[beylenciaga]

[sonorangothic-blog]

[sonorangothic-blog]

by rebecca storm

[sonorangothic-blog]

mark dorf, 2015

[curatedbyaccident]

[sonorangothic-blog]

LOTIC

[kingofcouture]

DIOR par Raf Simons | FW 2015/16 | shoes

[sonorangothic-blog]

arno de pooter 

[alexsantanana]

Ayrson Heráclito

Divider II

2001

“In Divider II, Heráclito highlights social divisions and the history of slavery. He nearly fills the large aquariums to the top with palm oil and salt water. He uses the ‘heterogeneity’ of water to underscore the ‘disparate character’ of different groups’ roles and experiences during the era of slavery. During that period in history, the sea held enslaved Africans captive, carrying them further and further away from their homelands. However, in an ‘arbitrary inversion’, here the ‘black’ oil floats above the sea, the salt water, as a sign of resistance and survival.”  - Black Art in Brazil (2013), by Kimberly L. Cleveland

[ilovepeppers-deactivated2019122]

jing wen at giambattista valli s/s 16

[sonorangothic-blog]

by Mauricio Alejo 

[sonorangothic-blog]

antonio lopez instamatics