Claire Keane

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Today's Document
Game of Thrones Daily
2025 on Tumblr: Trends That Defined the Year

gracie abrams
Keni

blake kathryn
taylor price
let's talk about Bridgerton tea, my ask is open
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@theartofmadeline

ellievsbear

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Kiana Khansmith
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
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Fai_Ryy
YOU ARE THE REASON

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@sophie-embleton13
Week 11: Digital Communities and Trolls: Understanding social media conflict ....
Whilst social media and the internet can be a place for constructive conversations, funny memes, education and foster supportive communities, it is also houses’ an abundance of conflict, harassment and cyber-bulling which can have destructive impacts on the lives of social media users. Having 24/7 access to our devices such as laptops and phones can keep us always ‘switched on’ fabricating no mental escape from the online world. This can leave targets of online bullying vulnerable, able to be attacked at any-time, any hour of any day, with little or no consequences for the perpetrator(s). Often, this leads to mental health issues such as depression and anxiety and in some scenarios, suicide (Bundale, 2017). Online harassment is characterised by a vast amount of behaviours including but not restricted to “being called offensive names, being embarrassed online, being physically threatened online, being sexually harassed online, being harassed over a long time, being hurt online by a romantic partner, being impersonated, spreading damaging rumours online, encouraging others to harass you online, and attempting to hurt the victim in person after online harassment” (Lenhart et.al, 2016). It’s an exhaustive definition but is important in addressing the key behaviours that constitute online harassment and bullying, so we can identify them and hold the offender(s) accountable. The people that engage in this nature of anti-social behaviour have been dubbed online ‘trolls’, who inflame situations, make taunting comments and post provocative content in the hope of triggering hostile behaviour (Benson, 2013). In retaliation to this, new laws have been introduced to protect internet users as well as platform controls and a multitude of cyber safety educational programs (McCosker, 2016). Governments, educational institutes, families and teenagers labour their growing role in regulating the digital sphere which sadly, young people see as a normal part of their social media experience (Lenhart et al. 2016). The emergence of the concept of digital citizenship, as detached as it seems, helps navigate social norms and behaviours appropriate online and aids in managing users’ activity (McCosker, 2016). It is often seen that governments pushing the ideal of cyber safety and towards the construction of “good, rational, productive citizens” (McCosker, 2016). But the end goal is to change social media and online culture so that laws no longer have to be the full governing body to restrict this kind of behaviour. We want to move away from this, we want to construct conscious online behaviour and ensure we provide an ecological approach to this new media environment that can be beneficial for all and protect users of the internet (McCosker, 2016). References
Benson, E., 2013. A Guide To Trolling’S Increasingly Elastic Definition -- New York Magazine - Nymag. [online] New York Magazine. Available at: <https://nymag.com/news/intelligencer/trolling-2013-4/> [Accessed 6 June 2020].
Bundale, B., 2017. N.S. Sends Teen Suicide Expert To Cape Breton, Promises New Cyberbullying Law. [online] The Globe and Mail. Available at: <https://www.theglobeandmail.com/news/national/ns-sends-teen-suicide-expert-to-cape-breton-promises-new-cyberbullying-law/article35438651/> [Accessed 7 June 2020].
Lenhart, A., Ybarra, M., Zickuhr, K. and Price-Feeney, M., 2016. Online Harassment, Digital Abuse, And Cyberstalking In America. [online] Data & Society. Available at: <https://datasociety.net/library/online-harassment-digital-abuse-cyberstalking/> [Accessed 7 June 2020].
Marwick, B. and Caplana, R., 2018. Drinking Male Tears: Language, The Manosphere, And Networked Harassment. [online] Readkong.com. Available at: <https://www.readkong.com/page/drinking-male-tears-language-the-manosphere-and-4091494> [Accessed 6 June 2020].
McCosker, A., 2016. Managing Digital Citizenship: Cyber Safety as Three Layers of Control.
3v1 but they followed my lead, threw the guns down and got ready to settle things with fisticuffs lol. Have to give respect to find players this light hearted online and in a ranked match no less.
that poor bugs… WHAT HAVE THEY DONE TO YOU?!
Animal Crossing Seasons by LeapHere
Week 10: Gaming Communities, Social Gaming and Live Streaming...
Gaming has always existed in society as a form of entertainment, an escapism from reality but with technology advancements and connectivity, the rise of social gaming and streaming has transformed the gaming culture, cultivating a worldwide community (Taylor, 2018). The introduction of online gaming bought new ways to socialise and be involved in the gaming world, much of which I see my brother apart of. With the diagnosis of Aspergers Syndrome at 3, he has always been an avid gamer, the Nintendo DS his first gaming console. Asperger’s syndrome is defined as a “collection of behavioural and social characteristics which effects how people view, understand, relate and interact with themselves, other people and the world around them” (Barber, 2007).
Due to these impairments my brother has always found it very exhausting to be around others, he struggles even with recognising basic things like someone’s facial expressions and so gaming became his solitude. It’s important to note that many others like him also turn to gaming as a way to have a ‘break’ from reality. He is much better at engaging with others verbally or through typing and has successfully been able to form friendships, showcasing that the gaming community can be a place of inclusivity, connection and freedom.
Much like Taylor (2018) describes his relationship with Television, my brothers’ relationship with gaming is not dissimilar, providing him with connectivity to the outside world, material for conversations, entertainment and something that keeps him company. The growth of streaming platforms such as Twitch, Facebook gaming, Microsoft Mixer and YouTube has enabled games to be more inclusive, sharing private game play to the public. These live streams can sometimes have just family or friends or 100s-1000s of people watching them, the broadcast intertwining televisual, computer gaming, the internet and computer-mediated communication (Taylor, 2018).
Gaming and play are extremely powerful sources which facilitate a deep connection to the things that impact our lives. Social isolation and lack of support can translate into spiralling mental health and can cause issues such as anxiety and depression. Gaming for many has been something that prevents this, keeping them connected to the outside world and making them feel apart of something bigger and that their contribution matters (Hooley et.al, 2016). Not only supporting socialisation online gaming platforms are also places for civic space, political discussions, media, whilst “simultaneously being a place for leisure, rest and even respite” (Taylor, 2018). Futhermore, It is important to realise that gaming is directly involved in core issues and debates that builds upon and feeds into mainstream conversations and culture (Taylor, 2018).
References
Barber, C., 2007. What is Asperger's syndrome?. British Journal of Healthcare Assistants, 1(4), pp.178-180.
Hooley, J., Butcher, J. and Nock, M., 2016. Abnormal Psychology. 17th ed. Harlow, UK: ProQuest.
Taylor, T., 2018. Watch Me Play. Princeton: Princeton University Press, pp.1-22
“America has looted black people. America looted the Native Americans when they first came here, looting is what you do. We learned it from you. We learned violence from you. If you want us to do better, then damnit, you do better.” —Tamika Mallory, Nat. Co-Chair of Women’s March
New York, 1992
Week 9: Digital Communities, political engagement and activism...
The revolution of the digital sphere has allowed us to have a wide accessibility to information and an expansive set of tools to assist us in engaging in political conversations and activist campaigns (Kaun et.al, 2017). Social media is a powerful mechanism for creating awareness and sharing information to masses in split seconds. But how successful are these activist campaigns that emerge and are amplified on the internet, and how do we measure what that success looks like? The act of campaigning has existed for years and well before the internet, defined as “a project of linked actions organised towards achieving a particular goal” which may include (but not restricted to) political, social, business or marketing objectives (Stickels, 2020). Campaigns now have a large online presence, the term coined, ‘digital activism’, which encompasses all digital media that is used for political purposes (Gerbaudo, 2017). The term is ambiguous and vast (Yang, 2016), reflecting the messiness and unstructured way activism exists online within many mediums. The #Blacklivesmatter movement originated in America and began in 2013 on Twitter (Baptiste, 2017). The hashtag inspired organised protests which were born primarily in retaliation to police violence and the inequality of treatment of black men and women (Davis, 2016). This campaign determined to become a movement and not just a ‘moment’ on the internet in response to the racism that saturates our society (Davis, 2016). And although the hashtag may have not been as active in the last couple of years, recent events have seen the campaign become a global push for systematic racism to be eradicated from the world. The murder and mistreatment of George Floyd who was suffocated to death by a white police officer was recorded on camera and the footage has set the internet ablaze with outrage. The racism and blatant police brutality conversations now in the spotlight, forcing the uncomfortable truth upon us all. Although #BLM is everywhere we look, with everyone desperate to fight and educate the world to create change, we ask- will all the Instagram posts, hashtags, updated statuses, likes, follows and comments generate enough chaos to uphaul a whole government system and dismantle societies frameworks in which now exist? We ask to rewrite the future, to change our actions but is any of this really going to happen outside of the internet? Research shows sadly, that online activism rarely translates to change of policies and attitudes. The Black lives matter movement is vast and prominent, but as Davis states, “it is difficult to build a movement, do the work, whilst also trying both to create and correct historical record.” With so many objectives and interpretations, it’s unclear how #BLM translates into real action. The paper ‘The social media response to Black Lives Matter: how Twitter users interact with Black Lives Matter through hashtag use’ explores how social media users interact with BLM by using hashtags and thus modifying the framing of the movement. It has been recognised that social movements frame social issues (McAdam, 1996; Miller, 2000: Sewell 2001; Ferree et.al, 2002). That is, “they engage in a process of meaning construction that allows audiences within the movement to understand a social situation in a specific way” (2017). The study pieces together empirical data which analyses 66,159 tweets that contain #BlackLivesMatter (2014) and tallies, other hashtags associated with #BLM in order to measure how online communities influence the framing of the movement. The nature of social media platforms allows the global online community to alter and reshape the movements message which ultimately contributes to the development and eventual outcome. This although positive in the sense that people can relate and ascribe to the message in their own way to be included, does manipulate the meaning, which can inherently be detrimental in defining a clear goal/purpose for the movement. And although the hashtag #BlackLivesMatter is easy to identify, it is hard to algorithmically assess the context of the message. The hashtag, for example may be associated with a positive message of hope and change or express a negative message of anger and/or grief (2017). Evident above, more research needs to be done to uncover how online activism works and how we can translate all the online noise into physical change. It’s clear there needs to be strategical frameworks that support the movement to infiltrate reality. “The infrastructure of knowledge has changed, yet our strategic knowledge has not’ (Joyce, 2010). References
Baptiste, N., 2017. The Rise And Resilience Of Black Lives Matter. [online] The Nation. Available at: <https://www.thenation.com/article/archive/origins-of-a-movement/> [Accessed 2 June 2020].
Davis, A., 2016. #BLM And Millennial Activism: “A Moment, Not A Movement”.
Dixson, A., 2017. “What’S Going On?”: A Critical Race Theory Perspective On Black Lives Matter And Activism In Education -online] SAGE Journals. Available at: <https://journals.sagepub.com/doi/full/10.1177/0042085917747115> [Accessed 2 June 2020].
Ince, J., Rojas, F. and Davis, C., 2017. The social media response to Black Lives Matter: how Twitter users interact with Black Lives Matter through hashtag use. Ethnic and Racial Studies, 40(11), pp.1814-1830.
Joyce, M., 2010. Digital Activism Decoded : The New Mechanics Of Change. International Debate Education Association.
Kaun, A. and Uldam, J., 2017. Digital Activism: After The Hype. [online] SAGE Journals. Available at: <https://journals.sagepub.com/doi/abs/10.1177/1461444817731924> [Accessed 2 June 2020].
Instagram ‘botched’ filters
https://www.newstatesman.com/science-tech/social-media/2019/10/how-instagram-plastic-surgery-filter-ban-are-destroying-how-we-see-our-faces
Khloe Kardashian- 2007 vs 2020. Showcasing cosmetic enhancements- a new person
https://www.usmagazine.com/celebrity-news/pictures/khloe-kardashian-through-the-years-reality-tv-motherhood-photos/october-2007-3/
Tammy Hembrow disclosing her cosmetic surgery procedure to her ‘fans’
Em Davies, Shani Grimmond and Tammy Hembrow snapshot of their instagram accounts, playing into the aesthetic labour and pornification of visual social media. https://www.instagram.com/emdavies___/?hl=en
https://www.instagram.com/tammyhembrow/?hl=en
https://www.instagram.com/shanigrimmond/?hl=en