[fiere-violet]

The ‘Dance of the Wilis’ Giselle by Ran Chilipye

[nobrashfestivity]

Théophile-Alexandre Pierre Steinlen Winter: Cat on a Cushion. 1909 Lithograph in 6 colors (red, ochre, yellow, black, gray-brown, brown) from two stones, with scraping on stone, on ivory wove paper 49.4 × 58.9 cm (19 1/2 × 23 1/4 in.); Sheet: 50.3 × 62.1 cm (19 13/16 × 24 1/2 in.)

[oxidi]

by Jan Howlin Ceramics

[xanaxfarts]

Arches National Park, Utah photo: Elliot McGucken

[miamaimania]

“Pigeon feeding near Blue Mosque” ~ Istanbul, Turkey (1991) by Steve McCurry ⌘ Wrapped in earth tones, creating a momentary avian constellation

[miamaimania]

by Cyril Lancelin

[charnel-grounds]

Miles Johnston (b. 1993), “Survivor’s Guilt”, 2020

source

[vintagehomecollection]

Motifs from the stencilled borders in this room have been arranged to make an area of concentrated pattern over the mirror.

Stencilling - A Design and Source Book, 1987

[fordarkmornings]

René-Xavier Prinet (French, 1861-1946) 

Between Friends, 1891 

[nobrashfestivity]

Verner Panton from Visiona, 1970

[cyberxbattalion]

[miamaimania]

“Ethereal Blur” by Colin Dodgson via Art Partner

[miamaimania]

“708 House” (1980) by Eric Owen Moss ▲ A child skates past baby-blue geometry that refuses to be ordinary

[water-aesthetics]

more here

[miamaimania]

Ink-luded in the Wave - Kevin Lucbert’s minimalist mastery of ‘La vague’

[joeinct]

Dreams in Pink, Photo by Dušan Hanák, 1977

[witchrealms]

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