WHEN OBSESSION GOES BEYOND SAFE PARAMETERS
Meiko Kaji | Female Prisoner #701: Scorpion | 1972 | dir. Shunya Itô
Aqua Utopia|海の底で記憶を紡ぐ
YOU ARE THE REASON
One Nice Bug Per Day
Cookie Run:Kingdom Official!
occasionally subtle

gracie abrams
hello vonnie
Show & Tell
h
EXPECTATIONS

shark vs the universe
$LAYYYTER
PUT YOUR BEARD IN MY MOUTH

Game Changer & Make Some Noise

titsay
noise dept.
art blog(derogatory)
Noah Kahan
d e v o n
Not today Justin

seen from Türkiye

seen from Türkiye
seen from United States

seen from United States

seen from Türkiye
seen from Brazil

seen from Türkiye
seen from Morocco
seen from United States
seen from United States

seen from Türkiye

seen from United States

seen from South Korea
seen from Serbia

seen from Türkiye
seen from Pakistan
seen from Pakistan
seen from Germany

seen from Italy
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@soundsdisastrous-blog
WHEN OBSESSION GOES BEYOND SAFE PARAMETERS
Meiko Kaji | Female Prisoner #701: Scorpion | 1972 | dir. Shunya Itô
“Stock Broker made a BAD Investment? It's time to weigh those options @radiobelair from 9-10pm on soundsdisastrous https://t.co/AJhNjVIR1u”
NOTHING TO LOSE
DOUBLE FEATURE : THE APATHY OF THE EIGHTIES
Heathers. 1988. director Michael Lehmann.
River’s Edge. 1986. director Tim Hunter.
THE MUSICAL TIME MACHINE Try this out, guaranteed not to disappoint
The Naked Kiss. 1964. director Samuel Fuller.
"Fuller gives us an ugly, tawdry America hiding its guilt under a surface of normalcy." - Sean Axmaker, Parallax View
The Last Wave. 1977. director Peter Weir.
Tightly wrapped and drenched in dreams.
For your viewing pleasures...
Slap Happy!
New Order. 1987. True Faith.
Onibaba. 1964. director Kaneto Shindô
Kuroneko. 1968. director Kaneto Shindô
Shindô unsettles the atmosphere with haunting composition and metronomic cacophony.
“She is concerned solely with knowing more, with knowing what she did not yet know. What she lacks, what the pupil will always lack, unless she becomes a schoolmistress herself, is knowledge of ignorance - a knowledge of the exact distance separating knowledge from ignorance.”
Rancière discusses the active agent of our spectatorship, but with a critical undertaking, he implores us to ask what the politics of art mean, what does it mean to us, why do we desire to insert it in our lives, and what could this consumption propose?
Experiments in sound and alternative takes.
Embarking on a new career path. I’ve never been more hungry for life...I’m nervous, excited, terrified. I’m all at once and trying to remain calm and focused. Here’s to change and a better life!
Radio Bel-Air -- www.bel-air.org
(New York Night Train)
BOOGIE TIME!
Questionable Similarities
https://www.mixcloud.com/theBLAAAHg/airplane-mode-mix-06-sounds-disasterous/
https://www.youtube.com/watch?v=vpca6eTJc3g
3 Women (1977) by Robert Altman