I'm not too picky about what I make, so whether you want your fursona doodled or some sprite work for your game project, hit me up and we can discuss pricing.
You can also visit my website at sovietsunflower.com to view some of my rigging work that's hard to put on a commission sheet lol.
If you're writing anything involving cons, scams, heists, or morally questionable characters who are very good at lying, here are some free resources I've been using for research. Saving you the "why is this in my search history" anxiety.
1. The FBI's Famous Cases & Criminals archive (fbi.gov/history/famous-cases) has detailed breakdowns of real fraud cases, Ponzi schemes, and confidence operations. The language they use is clinical and precise, which is perfect for getting the procedural details right.
2. The FTC Consumer Sentinel Network publishes annual reports on the most common fraud tactics in the US. Great for understanding how modern scams actually work and what makes people fall for them.
3. The Smithsonian's American Art Museum has a free digital collection of forgery case studies. If your character forges documents or art, this is gold.
4. Court Listener (courtlistener.com) is a free legal database where you can read actual court transcripts from fraud trials. Want to know how a real con artist talks under oath? This is where you find out.
5. The Internet Archive's collection of old newspaper crime sections. Search for "confidence man" or "swindle" in papers from the 1920s through 1960s and you'll find incredible real stories that would feel too dramatic for fiction.
Bonus: The Psychology of Fraud section on the Association for Psychological Science website has accessible articles about why people trust, how deception works cognitively, and what makes someone a convincing liar. Essential reading if you want your con artist characters to feel psychologically real.
Reblog to save for later. Your WIP will thank you.
Sometimes I wonder if "Smoking is aesthetic!" people are just really young and don't remember what it was like when smoking in public places was far more common.
(Fair disclaimer: I lost close relatives to lung cancer and pneumonia worsened by long term smoking damage, so I was never going to like it. But I'm just talking about the aesthetic.)
The yellow cigarette butts everywhere, killing wildlife and making everything messy and ugly--it was the most common litter. The way nicotine coats furniture and windows in a sickly film. The stench of it, the way if you went to a nightclub Saturday night you would wash your hair three times Sunday morning and it would still stink from absorbed smoke. The way food tastes different/worse when the smell of people smoking fills the room. What it tastes like to kiss someone who has been smoking. Ash trays full of ash and butts. The way a smoker's perspiration smells funky, and then being on a bus or train on a hot day surrounded by people smelling like that.
It was all just really grim, and every now and then I am struck with how much cleaner and more pleasant it is to be in an outdoor mall or university campus or pub, places that used to be crammed with people smoking. God, even the relative lack of cigarette butts alone is miraculous.
Aesthetic my arse. But it's easier to romanticise something reasonably rare.
First time asker. How or where did you learn to write? I’m perpetually stuck and your work feels like what I’d want my work to look and feel like. If you respond, thanks so much!
Fascinating question. I really appreciate the implication that I'm not still learning to write.
The short answer is by reading and watching and overall consuming stories written by other people. The stories that move you are also the stories that inspire you, and inspiration is direction that helps you figure out what you want to pursue. When a story hits you with a moment that cuts right to your core, you might want to figure out why that moment hit you so hard, what parts of it worked, what parts of the rest of the story built up to it, how it's doing that. Possibly even more vitally, when a story is absolutely losing you, chase down what's broken about it and why that might be happening. Once you start seeing how stories are put together, it becomes a lot easier to build your own.
It's not enough just to read. Writing can't be done in a vacuum. You have to read what other people write in order to write your own works, but you have to also go out into the world and experience it in order to build worlds of your own. Writing is an act of creation, but it's also an act of consumption; you the writer are consuming the things that you've learned and experienced and turning them into something new. You can't do that on an empty stomach. Step zero of writing is touching grass.
Writing makes you hungry, and hunger gives you direction. If fantasy inspires you, that might give you the direction of researching folklore and mythology and the other pillars that inspired the great works in the fantasy genre. A love of battle anime might turn into a pursuit of martial arts. Mystery novels might lead you into forensics or psychology or anatomical study. The things you love reading about are connected to other things you'll probably love learning, and once you learn them they'll become foundational substrate in your mind from which your own stories can grow.
Sometimes the harder question isn't how to write, it's how to stop writing. Storytelling is a hard habit to break, arguably impossible. The majority of us do it mostly unconsciously or in times of stress - catastrophizing, fears, anxieties are us telling ourselves scary stories about worst case scenarios. What if the worst possible thing happened, or this nightmare played out; what if I fell here, what if this killed me, what if they hate me, what if they gave me reason to hate them, what if I woke up and a scary guy was there? Our minds concoct stories constantly and compulsively, usually unprompted. Learning to recognize this for what it is is a very useful first step in the pursuit of writing on purpose.
It's easy for these stories to compel us when we spin them, because we're our own captive audience. The hard part of writing is figuring out how to take that story out of our heads and get it into someone else's instead. This is where the craft of writing comes into play, and it's again best learned by reading. How do the stories you experience influence your thoughts and feelings? What methods of phrasing and framing do they use to comfort you, intrigue you, gutpunch you? What matters to the writer to communicate with specificity, and what are they leaving up to you, their audience? Why did the writer choose to do it like that? How would you do it?
Once the story is out of your brain and into a first draft, editing and constructive criticism become possible. Step one was "make it exist", steps two through forever are "make it good." You intend your story to impact in a certain way, but you won't know how well you've succeeded until you see how other people take it. Not all critiques are equally useful, so at this stage it's mostly good to find people whose perspectives you trust and value and listen to them. Once the story exists in its final form, disregard this step and stay out of your story's reviews. Those aren't criticism of your writing process, they're buyer testimonials for readers. They're not useful for you.
saying this as a lesbian who loves women's boobs--sexually, even! but i don't think that we as a society should consider breasts inherently female or inherently sexual. a flat chest should not be seen as the "default" for gender neutrality but instead just one way a person can present. boobs should be normal. anyone of any gender can have boobs
people on here make ocs and they're mostly men and they ship characters and they're always men and they have favourite characters and they're always men but sometimes they say the men are like women not trans ones though because that would be guh-ross and harsh the vibe of the #fandomspace and they write fanfiction about men and talk about how complicated and #deeplywritten their male favs are and they'll watch movies and tv shows with mostly male casts in every way that matters and not question it because well what do you want them to do about it and they don't even care that that's what they're doing to them it's pure coincidence they always like the male characters better it's pure chance that women are only interesting as yaoi cheerleaders and actually when they write female characters as yaoi cheerleaders they're doing them a favour because they were just so poorly written in the source material it's the charitable thing to do men men men men men men men and if you say anything about it well you're being a killjoy you're being no fun you're being homophobic you're being a misandrist god what is it about women right what is it about women always trying to ruin our fun? why do they care so much? they're just women. who wants to think about women at all.
on one hand i want to make breasts non-sexual. it would destigmatize women's nudity and demystify their bodies. it would make public breast-feeding less taboo. it would make bras less mandatory. nipples showing through your shirt wouldnt be embarrassing or sexual. if more girls and women saw saggy breasts and uneven boobs they would learn to love their bodies as they are.
but im also just so deeply affected by the shape of a bosom. i am utterly overcome with feeling like a blushing maiden when a braless woman in a tank top leans a little forward and i glimpse the shape of her chest. i feel like a fucking unmarried young man in the victorian era seeing an ankle for the first time bc the lady i have a crush hiked her skirt up a smidge to step over a muddy puddle. like can i step it up
The other day my wife told me about this influencer who said she needed to go on ozempic so she could go from 130 lbs down to 115 and I really cannot stress the degree to which we have so COMPLETELY lost the plot with this glp1 shit. Like not only are people are going on this shit for purely cosmetic purposes, the cosmetic purposes are delusional. This is the kind of mindset that gives people eating disorders but now because you can get a prescription instead of having to starve yourself or enduce vomiting a big swath of the general public seems eager to go along with it. Body Positivity did not go fucking far enough because I am being so real when I say that fatphobia is more of a public health crisis than obesity has ever been
it's a shame how the audience of agott's constant aurafarming are just her two teachers-slash-parental figures, two best friends-slash-sisters, and her crush who has too many things on her mind to even consider romance
It was a huge milestone of scientific and technological advancement. (Plus, at the time, politically significant). Humanity went to space! We set foot on a celestial body that was not earth for the first time in human history! That’s a big deal! I’ve never thought about it before but now that I have, it’s ridiculous to me that that’s not part of our everyday lives and the public consciousness anymore. Why don’t we have a public holiday and a family barbecue about it. Why have I never seen the original broadcast of the moon landing? It should be all over the news every year!
It’s July 20th. That’s the day of the moon landing. Next year is going to be the 54th anniversary. I’m ordering astronaut shaped cookie cutters on Etsy and I’m going to have a goddamn potluck. You’re all invited.
PITCH: We call it Moon Day, and then every 7 years when it falls on a Monday, that's an even BIGGER deal and we call that Moon Day Monday and go absolutely apeshit about it (the next Moon Day Monday is in 2026 so we have a couple trial runs first)
Being asexual and racist is embarassing as fuck. Being racist at all is obviously embarassing as fuck but the amount of racism and especially antiblackness i have been seeing from asexuals recently is obscene.
One of the only asexual activists is Yasmin Benoit, a Black woman. She has raised so much awareness for the community. She was the first asexual person to lead Pride in London, she started the #thisiswhatasexuallookslike movement and is THE leading voice for the community.
And you all will celebrate international asexuality day on April 6th but we wouldn't even have that if she hadn't cofounded it.
Edit: why are you all too scared to repost this. Cmon. Be vocal about being against racism
did an unnecessarily deep dive into the layout of the atelier for Art Reasons and thought i might as well draw it out if i ever need it again so . here is how the atelier works to the best of my understanding
hope it can help other people too 👍 adding some more stuff below for extra reference
color coded and numbered ver (for better visualising)
notes:
manga layout from 'wha reproduction selection' notes from shirahama
anime art from @ kusanagi_art (official artist) on twt and screenshots from the anime (not included)
layout based mostly on the anime arts because its the most consistent (manga art seems to occasionally omit the round storage building, dorms, and/or the common room)
Need to say that bc based on old posts i saw ppl seem to think the round building is the dorms bc it points at that in shirahamas notes but based on the anime interior art the dorms are absolutely in the double story square building (the windows match up exactly)
theres more layers with the elevation of each building too but idk how to represent all that. its best shown in the anime ref of the outside though . ill try typing it anyway
main room + spire testing chamber + ollys bedroom = standard 'ground' level
dorms + spire bottom floor + common room = most sunken
Fun Fact did you know we have never seen qifreys room. which was the one reason i did all this research. i spent so long and it literally has never appeared ever (ollys room hasnt either but at least we see his workspace goddam)(i feel like qifreys room is abt to be a hydrogen bomb of pain in some way)
EDIT 1: stared at some more screenshots and did a couple fixes and change, gonna list them out below
the windows in girls rooms in the dorm are supposed to be on the outer side (facing the fields) so fixed that
two stairs leading up to girls rooms
dorms and main room are actually connected through the spire and not the round building !! idk if its consistent in the manga but in the anime its definitely connected through there (cant believe i missed this earlier lmfao its been fixed)
so the round building next to kitchen is not connected to the dorms so that might be the storage instead? qifrey does go to collect cocos uniform from there
qifreys room does not appear anywhere in the main dorm room (even in the more visible layout art) so it has to be elsewhere, and shirahamas notes for it no longer apply (rip)
the bigger dorm building actually doesnt have any entrances besides in inner one from the spire But the small building next to it does (and the two of them seem to be connected by a hallway) so the small building might be a common room? renamed it to that for now
qifreys room could either be in the round building or the common room, im leaning towards the latter so im putting it there for now but ill change it if we get a better look at either locations
the seating area and bookshelves from ch8/ep6 i originally had in the main dorm building could be in the common room instead? tho in the manga u can see the deck of the upper floor so i dont knowww
this is not a definitive guide in any way so feel free to point out mistakes and all that! (holds out hand) lets understand this atelier together
So this is not a plea for money. This is something that surprised me, and chatting with people on discord, they were unaware of as well.
Discovered last year I couldn’t look at my 2015 MacBook Air without it triggering nausea and migraines, and figured the screen died. Have been getting by on my phone, but concluded I really need a laptop again.
Saved up, realised I could afford a brand new MacBook Neo, and got one.
-And I couldn’t spend more than five minutes looking at the screen without massive eye strain, nausea, vertigo, and if I pushed it, I-need-to-lie-down-in-a-dark-room-for-hours migraines.
Looking up MacBook and Eyestrain explained what is going on. The liquid retina displays that Apple currently has uses Pulse Width Modulation or PWM. In order to give the screens a deeper depth of colour and contrast, PWM flickers between several hundred to thousand times a second.
And there is currently no way to turn it off. There are settings and apps to reduce it, but there is no way to stop the screen from flickering. Checked Apple forums, called Apple Support, and the time I could look at the screen kept shrinking. Got the laptop Tuesday, returned it Friday, today is Sunday and I’m still dealing with a vertigo migraine.
For MacBooks, it seems to vary on the computer model and the software it uses. In retrospect, the issue with my MacBook Air started after a major software update.
And it’s not just an Apple thing. Current Windows and Android screens do the same thing. There’s even a Reddit for people who are sensitive to PWM flickers to help find computers and screens that won’t trigger eyestrain and headaches.
So, yeah. This week has been a learning experience. But for those who are prone to headaches and migraines, this may be something to be aware of, cause I was not.