
No title available
official daine visual archive
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"I'm Dorothy Gale from Kansas"
RMH

@theartofmadeline

JVL

❣ Chile in a Photography ❣
YOU ARE THE REASON

#extradirty
𓃗
art blog(derogatory)
Keni

No title available
I'd rather be in outer space 🛸
occasionally subtle
Cosmic Funnies

roma★
cherry valley forever
$LAYYYTER
seen from Spain
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seen from United States
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seen from China

seen from South Korea

seen from Bangladesh
seen from T1

seen from Italy
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@soyeboi
Wakefield Poole’s Bible (1973) // dir. Wakefield Poole
Adamo ed Eva, la prima storia d'amore (1983) // dir. Enzo Doria, Luigi Russo
I Remember The Carrots Ada Limón
Galatea (1847) by Charles Jalabert
Steve Guttenberg
The Man Who Wasn't There (1983) - dir. Bruce Malmuth
if someone doesn’t do something perverted with me soon i think im gonna die
Revolutionaries in Africa understood that the question of African liberation was not just a question of race, that even if they managed to get rid of the white colonialists, if they didn’t rid themselves of the capitalistic economic structure, the white colonialists would simply be replaced by Black neocolonialists. There was not a single liberation movement in Africa that was not fighting for socialism. In fact, there was not a single liberation movement in the whole world that was fighting for capitalism. The whole thing boiled down to a simple equation: anything that has any kind of value is made, mined, grown, produced, and processed by working people. So why shouldn’t working people collectively own that wealth? Why shouldn’t working people own and control their own resources? Capitalism meant that rich businessmen owned the wealth, while socialism meant that the people who made the wealth owned it.
—Assata Shakur, Assata: An Autobiography
Two Women Kissing in Nature (b. 1859)
— by Georges Rochegrosse
there's a special place in my heart for people who made an effort to be my friend regardless of how quiet or distant i can get at times
"if i had a time machine i would go back in time and kill hitler"
I would put sea mines around medieval britain. i would give hannibal barca ww2 era heavy artillery and tell him not to stop till he starts seeing gauls. i would give boudica a fucking abrams. i would appear before jesus like an angel and tell him "you gotta stop. not cause theyll kill you, youre fine with that, surprisingly, but because your fanclub is gonna spend about 1500 years making everything worse for everyone, everywhere." I would take a glock back in time and shoot romulus, shoot remus, and shoot that damn dog too just to be safe. i would be on the side of christopher columbus' ship in a scuba suit planting c4 on that bitch like rainbow six siege. i would be waging a one woman campaign of terror across andalusia to prevent the reconquista. i would be getting way out in front of that shit is what im saying,
at what age does it start sounding wierd to call your baby "it" ?
none. #it/itspronounsbaby #wokebaby #hellyeahwokebaby
[recommending something i sincerely love] ok so the thing about it is it kinda sucks
TAKESHI KANESHIRO as Mo The Odd One Dies (1997) dir. by Patrick Yau Tat-Chi
THE CRAFT (1996) — Dir. Andrew Fleming JAWBREAKER (1999) — Dir. Darren Stein GINGER SNAPS (2001) — Dir. John Fawcett MEAN GIRLS (2004) — Dir. Mark Waters JENNIFER'S BODY (2009) — Dir. Karyn Kusama