hey hey hey

ellievsbear
NASA

Love Begins
Sade Olutola
todays bird
One Nice Bug Per Day

tannertan36
No title available
Peter Solarz

JVL

#extradirty
will byers stan first human second
styofa doing anything

★

shark vs the universe

⁂
Misplaced Lens Cap
🪼
wallacepolsom
let's talk about Bridgerton tea, my ask is open
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@sparksaugust
hey hey hey
taylor, olivia, lorde, and halsey really said don’t worry we’ll make sure 2021 doesn’t suck
TS Lyric Parallels all too well / babe
I’ve always said that the world is a different place for the heartbroken. It moves on a different axis, at a different speed. Time skips backwards and forwards fleetingly. The heartbroken might go through thousands of micro-emotions a day trying to figure out how to get through it without picking up the phone to hear that old familiar voice. In the land of heartbreak, moments of strength, independence, and devil-may-care rebellion are intricately woven together with grief, paralyzing vulnerability and hopelessness. Imagining your future might always take you on a detour back to the past. And this is all to say, that the next album I’ll be releasing is my version of Red.
Musically and lyrically, Red resembled a heartbroken person. It was all over the place, a fractured mosaic of feelings that somehow all fit together in the end. Happy, free, confused, lonely, devastated, euphoric, wild, and tortured by memories past. Like trying on pieces of a new life, I went into the studio and experimented with different sounds and collaborators. And I’m not sure if it was pouring my thoughts into this album, hearing thousands of your voices sing the lyrics back to me in passionate solidarity, or if it was simply time, but something was healed along the way.
Sometimes you need to talk it over (over and over and over) for it to ever really be… over. Like your friend who calls you in the middle of the night going on and on about their ex, I just couldn’t stop writing. This will be the first time you hear all 30 songs that were meant to go on Red. And hey, one of them is even ten minutes long.
Red (Taylor’s Version) will be out November 19.
https://taylor.lnk.to/RedTaylorsVersion
“Thank you David for that beautiful introduction. I'm realy, really honored to be receiving this award because it honors the part of my job that is so magical and mystifying to me still. I love songwriting so much because there's an element to it that's still really mysterious, like I think any songwriter will tell you, when you get an idea, you're not quite sure where it floated down from, but if you can grab onto that idea and turn it into a piece of music, that's where craftsmanship comes in, and that's where you have the opportunity to learn and to nurture that craft. And I want to take a moment to thank the people who were my professors, my teachers of the craft of songwriting. First of all, anyone who wrote with me in Nashville when I was in like eighth or ninth grade. That is insane that you did that, and I am so lucky that I got to learn from some of the best writers on Music Row. Liz Rose is someone who spent hours and hours and hours with me when there was absolutely no sign that anything would happen in my career. My dance card was not full, I was 14, and she wrote with me so many times and taught me how to edit my ideas down to something more concise that packed an emotional punch. Then I got to work later on in my career with Max Martin and Johan Shellback, who I learned so much from, just about from a melodic sense, and I will carry those lessons with me for the rest of my life. I will learn more lessons from them next time we work together, and I just feel really lucky that they've been a part of my life. Jack Antonoff is such a wonderful creator and such a nurturing presence with any artist: with his own art, with other artists, he's just so versatile. And such a wonderful friend. Aaron Dessner came into my life recently and he's such a prolific creator. All of these people changed my writing and helped shape it. There are so many others, though, and so if you've ever sat in a room and co-written with me, thank you so much. Anybody who has ever wanted to produce one of my songs, any collaborator I've ever had I've learned from all of you. I want to say thank you to Troy Tomlinson for always being excited to hear new songs of mine, and Jodi Gerson for being such a champion of female songwriters throughout the industry. This is something that I am so proud to receive, and the fans who are out there, who care about my lyrics, you have no idea how much that means to me, that you dissect them and copy them into your journals and care about the things that I write and the words that I write. There are amazing songwriters that came before me, who deserve this, there are incredible songwriters coming up now who are just so impressive and amazing. I have such an affinity and respect for all of you, and I am honored to receive this. Thank you so much.”
— Taylor accepting the NMPA Songwriters’ Icon Award at the 2021 Annual Meeting (x)
omg hi guys
drug of choice? english teachers complimenting my writing.
i miss taylor
i am SOBBING
taylor come on tonight @taylorswift do it for us
MY FEARLESS MERCH JUST CAME IN THE MAIL
Style (ft. Harry Styles) (from the vault) (Taylor’s version)
we are seriously reliving the fearless era i don’t know how to keep myself together right now
you all over me // clean
You All Over Me (feat. Maren Morris) (From The Vault) and Love Story (Taylor’s Version) - Elvira Remix are out now because in this house we dance and cry at the SAME TIME 💛😭💃
https://Taylor.lnk.to/fearlesstaylorsversion
Last Kiss vs You All Over Me