Sparrowfish

He/They || Original Content || Scooby-Doo || Doctor Who || Bob's Burgers || Lots of other fandoms too || Scribbly Nonsense || Check out my neocities!

[sparrowfish-and-bugs]

learning new terminology

[sparrowfish-and-bugs]

sometimes you gotta look at the water

[sparrowfish-and-bugs]

fucking love pretzels

[sparrowfish-and-bugs]

mortifying experience at boardgame night

[sparrowfish-and-bugs]

Calm before the storm

[sparrowfish-and-bugs]

[sparrowfish-and-bugs]

real thing that happened

[derrickwildsun-deactivated20250]

That video of Alex Hirsch reading S&P notes for Gravity Falls conveys a few things to me:

1) the U.S. entertainment industry (especially animation) is run by older conservative types who make up offensive terms and get really mad about them.

2) the people who run Disney would be the first to fall in line with a fascist regime.

3) most of the media we consume is tailor-made and watered-down to appeal to the tastes of older, deeply religious conservative audiences.

4) conservatism, not the left, is and always has been the biggest voice of censorship in American culture.

[sci-fantasy]

J. Michael Straczynski, creator of Babylon 5, was before that a producer and writer for a number of cartoons in the late ‘80s/early ‘90s (The Real Ghostbusters and the original She-Ra, most notably). After a few years of dealing with the censors and their obsession with finding Satanism (or at least looking for Satanism to further political agendas) he wrote an article about the whole corrupt and bullshit system.

And published it in Penthouse, to force those same censors to buy a skin mag. The editor there asked, why Penthouse?

That one is from his autobiography, Becoming Superman. See also:

(As he goes on to say, he’s never worked in animation again–he’s effectively been blacklisted by the cartoon industry.)

[transhuman-priestess]

Every time something like this comes up, I remember two stories about making media. The first is about movies, and comes from Quentin “Feet Man” Tarantino.

When he was making Pulp Fiction, he was worried that the MPAA would object to the high level of violence in the film, so he shot a bunch of extra-gory stuff that he didn’t actually want in the film, and added it in before submitting it to the MPAA. Predictibly, they asked him to cut most of it (without even commenting on some of the things that had him worried, like the bits of Marvin’s skull that lodge in Samuel L. Jackson’s hairpiece). The resultant cuts were actually more permissive than he’d expected, so he cut a little more and submitted it, and it got passed with an R.

The second story is about that artist on Morrowind whose name escapes me (I’m not a big ES fan tbh) who figured out that if he made two creature designs, one weird and what he wanted, and one even weirder, he could get Todd Howard to agree to just about anything by showing him the whopper first, then going back and “working” for another few hours on a second, “toned-down” version, and it worked every time.

The reason I bring these up is that the thing that drives censors isn’t some extant physical rubrick of what is and isn’t acceptable, it’s the idea that they can have absolute power over someone else’s creative work. It’s about the social dominance of the interaction.

There is nothing so innocent, so clean, that a censor will not find some fault with it. Because they must find something wrong with it to justify their existence, and because it makes them feel powerful.

This is true of all censorship.

[youngadultread]

“Teachers are often unaware of the gender distribution of talk in their classrooms. They usually consider that they give equal amounts of attention to girls and boys, and it is only when they make a tape recording that they realize that boys are dominating the interactions. Dale Spender, an Australian feminist who has been a strong advocate of female rights in this area, noted that teachers who tried to restore the balance by deliberately ‘favouring’ the girls were astounded to find that despite their efforts they continued to devote more time to the boys in their classrooms. Another study reported that a male science teacher who managed to create an atmosphere in which girls and boys contributed more equally to discussion felt that he was devoting 90 per cent of his attention to the girls. And so did his male pupils. They complained vociferously that the girls were getting too much talking time. In other public contexts, too, such as seminars and debates, when women and men are deliberately given an equal amount of the highly valued talking time, there is often a perception that they are getting more than their fair share. Dale Spender explains this as follows: “The talkativeness of women has been gauged in comparison not with men but with silence. Women have not been judged on the grounds of whether they talk more than men, but of whether they talk more than silent women.” In other words, if women talk at all, this may be perceived as ‘too much’ by men who expect them to provide a silent, decorative background in many social contexts.”

—

PBS: Language as Prejudice - Myth #6: Women Talk Too Much (via misandry-mermaid)

Every EVERY women’s studies class I’ve been in has had this problem and failed to address it. 

(via iamayoungfeminist)

[fangirlinginleatherboots]

just so yall know

art block is your brain telling you to do studies.

draw a still life. practice some poses. sketch some naked people. do a color study. try out a different technique on a basic shape.

art block doesnt stop you from drawing, it stops you from making your drawings look the way you want them to. and thats because you need to push your skills to the next level so you can preform at that standard

think of it as level grinding for your next work.

[gallusrostromegalus]

As a scientific illustrator- this is 100% true and going to review your basics will fix it every goddamn time.  Not only does it keep your skills sharp, when you’re not emotionally invested in the final product of a piece, you relax and your brain makes more/better art juice for you.  So, when you get back to that big/important piece?  You’ll know what to do and how to do it.

Nothing in nature blooms all year round.  Rest, and take care of yourself.

[spiribia]

The thing about character design theory is I really think we shouldn’t just keep reinforcing our “this is what a sneaky and untrustworthy character looks like, this is what a threatening and intimidating character looks like, this is what an innocent character worth protecting looks like, this is what a smart and competent character looks like, this is what a man looks like vs what a woman looks like” conventions like they’re innate human wiring that we tap into scientifically and not like, heavily societal

[gayteensupreme]

NOT staying in the tags on my watch

[roguesquirrel]

my pre-columbian miis and the art they were based on

[azspot]

“Because the truth is, tech doesn’t have an image problem. It doesn’t have a message problem. It has an intention problem. What’s wrong with the axe murderer who broke into my house is not that he hasn’t successfully persuaded me to buy into his narrative. What’s wrong is that he’s trying to kill me with an axe. Similarly, when you launch a product that’s designed to put millions of people out of work, block access to sources of verifiable truth, replace human creativity with slop, and lower the barriers to every sort of atrocity, the problem isn’t that you haven’t told the public a good story about those things. The problem is that you are trying to do them.”

— The 40 Most Rage-Inducing Problems in Tech

[santhipoma]

[glasshomewrecker]

Everyone should be aware of nitter.net

for any address to twitter you can replace the “x.com” with “nitter.net” and you will be able to browse as if you have an account. Lifesaver.

Similarly, imginn.com works for most Instagram addresses. I still haven’t found one for Facebook.

[boofinator]

Misc.

[pseudonymjones]

Happy Make A Terrible Comic Day 2024!!! I hope you enjoy participating in this annual tradition which we’ve all done for ages!!! You must participate so you might as well enjoy it!!!

If you make a comic (again, it’s mandatory) and you want to share it, post it on the tag #makeaterriblecomicday2024! Or don’t, I’m not a fucking cop.

Remember, the goal is to make something terrible! So if you can’t draw or have never made a comic, or if it’s just been ages since you made something just for fun — that’s perfect! You’re all set! If you fuck up and make something that’s NOT terrible… well, some might say there’s a joy to that too.

Ok stop reading this and go make something!!!

[pseudonymjones]

Did you know? Tomorrow is Make A Terrible Comic Day! You have a few hours left to prepare yourself to make something terrible

[sometiktoksarevalid]

[fruitcakebro]

Holy moly they're GOOD. The music is fucking FIRE, and the outfits??? They're all so PRETTY???

[snoodly-boop]

Does anybody know who these are??? Do they have albums!! 🤩🤩🤩

[raspberryslut]

I was so curious that I had to go find this band. They're called Fortress Dwellers and they have a website with all of their socials!

They released an album too! I don't think this song is on it but the rest of their stuff is SO GOOD !!

MUSIC | Fortress Dwellers

Step into the fantasy world of Fortress Dwellers. A fantasy Renaissance musical collective blending epic original music, immersive performan

[yesornopolls]

‘Most famous tree in the world’: Sherwood Forest’s 1,000-year-old Major oak dies

Nottinghamshire tree, one of Europe’s oldest and largest, fails to produce leaves after being stressed by series of hot, dry summers

[395nm]

Well-intentioned historical interventions have not helped its longevity. In 1904, props and metal chains were installed to support its branches. In the 1960s, hollow parts of the tree were filled with concrete to support it, while limbs were clad with lead, then fibre-glass and even treated with fire-retardant paint.

[typecasto]

well that'll do it