spburns1anime

[rushilsood]

Hetalia: Axis Powers stands out for its unique approach at depicting world history through anthropomorphized nations. Each country is personified, often with exaggerated stereotypes, engaging in comedic and sometimes poignant interactions that reflect their historical relationships. This setup offers a fresh and accessible way to explore complex geopolitical themes.

Hetalia highlights both Japanese and global issues through its portrayal of historical events and international relations. In Japan, the anime sparks discussions on national identity and the country’s role in global history. By using humor and satire, it encourages viewers to reflect on Japan’s past and its relationships with other countries, promoting a more nuanced understanding of history. Globally, the anime addresses themes of nationalism, war, and diplomacy. The exaggerated characteristics of each nation bring to light the absurdities and stereotypes that often underpin international relations. This satirical lens helps viewers recognize the complexity of global conflicts and the importance of understanding different cultural perspectives.

I personally believe Hetalia provides an entertaining yet insightful look at history, making it more relatable and engaging. The anthropomorphized nations and their interactions remind me of the importance of empathy and understanding in my own life. By seeing historical events from multiple viewpoints, I gain a deeper appreciation for the diverse experiences that shape our world.

Annett’s analysis in “World Conflict/World Conference: Axis Powers Hetalia” offers a valuable framework for understanding the anime’s impact. Annett explores how Hetalia uses humor to address serious historical and political issues, making them more approachable for a broad audience. This aligns with my experience of the anime, where the blend of comedy and history makes complex topics more digestible and engaging.

Given these points, Hetalia: Axis Powers is more than just a comedic portrayal of nations. It provides a unique lens through which to explore historical and global issues, encouraging viewers to reflect on the past and its influence on present-day international relations.

[spburns1]

In regards to Hetalia: Axis Powers, I feel the same. The anime takes a novel approach to exploring historical and geopolitical problems by anthropomorphizing nations; this makes for an engaging and enlightening watch. By making difficult subjects more approachable, the comedy and satire promote a greater comprehension of world problems. I concur with Annett's interpretation, which emphasizes how the show makes history and international affairs more approachable by use humor to address important issues. This is consistent with my observations, as Hetalia provides an insightful viewpoint on the past and its continued impact on current world dynamics.

[spburns1]

Hetalia

I came to understand that the figures are meant to be anthropomorphic representations of the many nations that were prominent players in world politics. In summary, Hetalia is a humorous, symbolic account of the First and Second World Wars, along with a few other major political occurrences, such as the American Revolution and Japan's openness to international trade (or, as one American character puts it, "Now you're rockin' with your c*** out!"). Cultural corruption occurs when America and Japan become close to one another. Every country is represented by a character, and some may ask if Hetalia is racist due to its many stereotyped qualities. But if a single person is selected to symbolize a whole nation.

Hetalia is a comedy and caricature that looks at political and historical subjects from a Japanese point of view. Slightly satirizing World War II and other historical events, the series personifies countries like Italy, Germany, and Japan. It provides a less aggressive approach for Japanese viewers to interact with the historical significance of their own nation. The way that other countries, including Japan, are portrayed might encourage viewers to consider national identity and historical memory in more complex ways. The show has the danger of oversimplifying intricate historical narratives, which may not always be sensitive or accurate in the past. Hetalia addresses nationalism and cultural prejudices on a global scale. Hetalia strikes a chord with me personally because it skillfully combines comedy with weighty historical subjects. It serves as a helpful reminder to viewers of the intricacy of international relations and the value of comprehending other points of view. The amusing yet thought-provoking depiction of history promotes an investigation into the ways in which nations see themselves and one another.

[siriiim123]

Your Name

This movie seemed like a conservative anime, but it emphasized that force is exercised as a multiplicity of force relationships. Power came from the society in which it enacts on, not from the above or outside, even if we feel as if we are being pulled or pushed but singular. Sources of power could be from different factors, though power is seen everywhere. For example, Mitsuka in Taki’s body was trying to talk to his friends and uses the wrong pronoun. Made in 2016, this film still features the concept of gender policing, and the idea of homosexuality, where gender was meant to be a performance that needs to be a performance. The trajectory of this movie was that each person discovers the other side to be exciting, and the use of modern technology to commodify traditional religion, which allowed greater appreciation for life. Taki comes to the other side, and makes connections, yet those are loose. This movie shows that it’s important to make real connections by going to a religious site, and revitalizing tradition to find true happiness. The final moment of this film brings us to a sacred place, and an authentic connection happens. The twon announcement message from the sirens saves everyone. Although it doesn’t work first, and the local government comes to rescue, so it encourages we place trust, although the corruption is meant to be disregarded. Another observation about this film was that the film was made during a time of Kizuma, which meant bonds between people. This discourse became popular after the triple 2011 disasters in Japan, and the tsunami wiped out a nuclear plant, releasing radiation after disasters. People believed that rebuilding was not necessary if they can’t be economically productive to save money. It was thought that we shouldn’t abandon rural areas due to connections and source of Japanese religion, thus it’s important to revitalize the nation and perceive national unity.

[spburns1]

I agree that Your Name depicts power as derived from complicated cultural interactions rather than external forces. The video explores gender policing and performance, commenting on continuing identity debates. The use of contemporary technology to engage with traditional religion emphasizes the need of genuine connections and the renewal of cultural activities. The climactic sequence, in which the sirens' proclamation eventually saves lives, emphasizes the value of trust and community. The film's premiere during the Kizuma era, following the 2011 catastrophes, is consistent with themes of rebuilding and national solidarity.

[spburns1]

Your Name

I really enjoyed this anime because of its close resemblance to Spirited Away, an anime that I greatly enjoyed for its critiques on materialist culture. In Your Name, Mitsuha and Taki have a genuine, real-life relationship after asking for each other's names, and they ultimately meet at the conclusion of the film in the same timeframe. Reider notes that this aspect of Spirited Away was influenced by Le Guin's Earthsea Quartet: "When a girl in the second book remembers her true name, her memory as a human gradually returns, and she fights against the dark forces." While this notion has a direct impact on Spirited Away, the same subject may also be extended to Your Name, emphasizing the importance of renaming as a sort of emancipation from the limits of a lost identity in contemporary anime. At the end of Spirited Away, Chihiro remembers Haku's real name, Kohaku, which allows him to reconnect with his true nature, the spirit of the Kohaku River. This frees him from the contract that binds him to the bathhouse and Yubaba's apprenticeship. The connection between the two anime is very real.

In Japan, the film explores the cultural relevance of rural and urban boundaries, as well as the devastating consequences of natural catastrophes. The location alternates between a busy Tokyo and a peaceful rural village, emphasizing the differences and similarities between different lives and areas in Japan. The film's depiction of a comet tragedy echoes Japan's historical susceptibility to natural disasters, highlighting a common feeling of fragility and the need for resilience. This component of the film is consistent with worldwide concerns about environmental vulnerability and the human capability for recovery and adaptation in the face of natural disasters. On a personal level, Your Name's examination of identity and the yearning for connection among upheaval resonates with universal experiences of navigating life's transformations.

[angelacnguyen]

Xenoblade Chronicles 2

As a popular Japanese role-playing game, the Xenoblade franchise is widespread and influential in pop culture, as I have heard the franchise mentioned multiple times in the gaming community. Xenoblade Chronicles 2 presents a world where humans coexist with colossal creatures referred to as Titans, with more enormous Titans serving as landmasses that create the world. Because the game presents human establishments fostered through these colossal entities, it emphasizes the symbiotic relationship shared between humans and Titans as it highlights their interdependence. Following a salvager named Rex, the game explores Rex's journey across the world of Alrest, a vast ocean covered with clouds. On his journey, Rex meets the Blade Pyra, a powerful being who is able to grant their bonded humans various abilities. Through Rex and Pyra's journey, the game comprehensively explores humanity's relationship with nature using a unique narrative and gameplay, ultimately addressing issues such as environmental exploitation and coexistence. For instance, the game highlights the consequences of exploiting natural resources through the death of the Titans. As the Titans age and die, habitable land for humans diminishes, creating a dilemma that reflects the realities of the contemporary world. This rhetoric is seen in real-life issues like deforestation, climate change, and resource depletion. Utilizing the Titans to symbolize the fragility of ecosystems, the game emphasizes the need for more sustainable living practices, ultimately serving as a warning for taking nature for granted. Through the antagonistic organization Torna, which seeks to exploit the Blades' power for their destructive desires and selfish gains, the game juxtaposes them with the protagonists' objective of harmony and coexistence between the Titans and Blades. Therefore, the game uses this juxtaposition to explore the broader dichotomy of the societal struggle between exploitative practices and sustainable, respectful environmental approaches. Ultimately, the imaginative and intricate world-building of Xenoblade Chronicles 2 thoroughly explores and emphasizes the dangers of human greed, ignorance, and exploitation through the metaphor of the Titans as they represent reality's deteriorating and dying ecosystems and environments.

[spburns1]

I feel similarly about Xenoblade Chronicles 2 and its emphasis on environmental problems. The game's representation of the Titans as living landmasses that supply for mankind emphasizes the relationship between humans and environment. Real-world concerns such as deforestation and climate change demonstrate how exploiting nature may have major effects, much as it does in the game, as Titans' deaths disrupt human communities. The conflict between the antagonists who want to utilize the Titans destructively and the protagonists who seek peace reflects the real-life fight between utilizing resources and conserving environmental balance.

[spburns1]

Xenoblade Chronicles 2

In "Xenoblade Chronicles 2," I particularly appreciated the sequences in which the protagonists embark on epic adventures and build profound bonds with one another. One noteworthy scene is when Rex and his pals fight formidable foes, demonstrating their collaboration and maturity. The intense fighting and passionate discussion between the individuals made these moments incredibly interesting. I really like how the anime-style imagery and narration brought these moments to life, making the experience both visually appealing and emotionally resonant.

In Japan, the anime addresses worries about finding meaning and purpose in a quickly changing world. The characters' problems with their duties and responsibilities reflect bigger social arguments about how to find one's place in the face of competing expectations and cultural change. The anime also explores topics of leadership and government, contrasting those who use authority for selfish gain with those who lead with empathy and honesty. This dynamic reflects continuing debates in Japan over effective leadership and the balance between tradition and modernity. Xenoblade Chronicles 2 explores global themes regarding human identity and the search for purpose in an uncaring world. The series' study of existential topics and the implications of individual actions resonated with audiences worldwide.

On a human level, the anime's portrayal of individuals struggling with their sense of self and position in the world resonates with me. I, like the characters, have had times of reflection and self-discovery, making their problems sympathetic. The anime's study of personal and intellectual subjects gives me a foundation for thinking about my own experiences and evolution. In terms of linkages to required readings, the anime's emphasis on identity, leadership, and existential problems is consistent with philosophical studies of the human condition and personal growth.

[nickslays05]

The End of Evangelion

Hello again everyone! I have now watched the end of The End of Evangelion and I can definitely say it was an intense and complex anime film that delves deeply into psychological and philosophical themes. It addresses both Japanese societal issues as well as universal ones. The movie serves as an alternate ending to the series Neon Genesis Evangelion, offering a more explicit exploration of the character's internal struggles and the broader implications of their actions. Here is my deeper analysis of this film: One of the prominent issues that was addressed in The End of Evangelion is the sense of isolation and identity crisis, which resonates strongly in Japanese society, particularly among the younger generation. Japan has faced a significant rise in cases of social withdrawal, known as hikikomori, where individuals shut themselves off from society. The protagonist, Shinji Ikari, embodies this sense of isolation and the struggle to find self-worth and connection. His journey through the film mirrors the psychological battles many young people face, both in Japan and globally, as they navigate the pressures of societal expectations and personal identity. On a global scale, the film's exploration of existential dread and the search for meaning in a seemingly indifferent universe speaks to a universal human experience. The apocalyptic imagery and themes of destruction and rebirth reflect broader concerns about environmental degradation, nuclear threats, and the fragility of human civilization. The film challenges viewers to confront their fears and anxieties about the future and the human condition. About assigned readings, the themes of The End of Evangelion align with existentialist philosophy, particularly the works of Jean-Paul Sartre and Friedrich Nietzsche. The film's portrayal of characters grappling with freedom, choice, and the construction of their meaning echoes existentialist ideas about the human condition. Additionally, the psychological depth of the characters aligns with the concepts explored in Carl Jung's theories of individuation and the collective unconscious.  In conclusion, The End of Evangelion is a powerful film that addresses both specific societal issues in Japan and broader, universal concerns. Its exploration of isolation, identity, and existential dread offers a profound commentary on the human condition, resonating with viewers on a deeply personal level. The film's themes and imagery challenge us to reflect on our own lives and the world around us, making it a timeless and impactful piece of art.

[spburns1]

I  agree with your perspective of "The End of Evangelion." The film's investigation of solitude and identity resonates strongly, especially in light of Japanese society's difficulties with hikikomori. Shinji's path exemplifies the psychological difficulties that many people confront, making his experience globally relatable. The existential issues you highlight, such as the search for meaning in an uncaring cosmos, mirror bigger global problems, such as environmental and existential fears. Connecting the film to existentialist philosophy and Jungian psychology broadens its interpretation, emphasizing its significance to both individual and communal human experiences.

[spburns1]

End of Evangelion

These concerns are especially relevant in Japan because of the social mores and expectations that exist there. Mental health issues might arise as a result of the intense pressure to fit in, achieve, and repress one's particular interests in the sake of the larger good. Shinji Ikari's path, which shows the tremendous pressure to live up to social and familial standards while battling his own anxieties and wants, powerfully illustrates this.

The film's examination of loneliness and human connection on a global scale testifies to the universality of human existence. For everyone who has ever felt alone or detached, the post-apocalyptic scenario and the characters' battles with dread, loneliness, and the need for acceptance will strike a chord.

The film's depiction of the disastrous repercussions of miscommunication and failure to connect with people serves as a sharp reminder of the value of empathy and connection in our increasingly isolated society.

Personally, witnessing "End of Evangelion" was a really contemplative experience. Shinji's internal struggle and final confrontation with his fears and ambitions are quite realistic. The film's investigation of the human psyche, the desire for self-acceptance, and the fight to find one's place in the world mirrors my own struggles with self-doubt and the search for identity.

Overall, through the experiences of Shinji Ikari and other characters, it explores the crushing weight of social expectations, the agony of loneliness, and the desperate yearning for understanding and acceptance. Its unvarnished representation of these human challenges transforms it into a thought-provoking and emotionally charged masterwork that continues to fascinate and challenge audiences across the world.

[calebsjpt1311blog]

Neon Genesis Blog Post (Part 2)

This was my first time watching these episodes of the anime “Neon Genesis Evangelion”. I must admit that I was a bit confused with the jump between episodes. I intend to watch the whole show one day but I do not have the time for that this week. The episodes I did watch however, were great and I really enjoyed them. The show introduced new characters and had epic battles. I could see how some of these new characters and the actions of Shinji connect to the readings.

The character Asuka is introduced and although she is a woman, she represents hegemonic masculinity. A woman representing hegemonic masculinity by exercising violence to protect society and acting dangerously is irregular. Asuka is outside of the societal standards for a woman. In these episodes the audience watches Shinji who appears to begin to shift from queer masculinity to hegemonic masculinity due to Asuka. Shinji thinks that he has been doing a good job with his EVA but then Asuka shows him up and outperforms him in every aspect. Asuka is highly skilled in combat and makes Shinji’s efforts look poor. Shinji realizes he still has a long way to go if he wants to fit societal standards of masculinity and his facade of confidence is not the solution. 

During a battle with an Angel, Shinji acts very confident around Asuka and tells her that he will handle it. Shinji ends up inside of the angel in a dark void with nothing to attack. The audience sees Shinji in a curled up position inside on his EVA inside the Angel almost like a baby in a womb. The symbolism in this scene represents Shinji’s queer masculinity. 

I can connect to this show, specifically Shinji because there have been times when I had to display self confidence in hopes that my fear and lack of skill would be corrected.

[spburns1]

Hi, I belive that Shinji from "Neon Genesis Evangelion" and I have a lot in common since we both have had to project confidence in circumstances when we felt insecure or unqualified. Similar to Shinji, this confident façade served as a coping mechanism for the strain to live up to social norms of competence and power. Observing Shinji's challenges with self-identity and his attempts to conform to a stereotypically male position makes me very aware of how similar our experiences are. It serves as a reminder that vulnerability is OK and that real power originates from self-acceptance rather than only confident outer appearances.

[spburns1]

Neon Genesis Evangelion (Part 2)

As we begin this episode, Shinji has finally surpassed Asuka thanks to his rapid improvement as an Evas pilot. Asuka brushes it off and largely jokes about it, but in one brief moment, we see that she is very irritated—as one might anticipate given her nature. Rather than being overtly hostile as usual, she is primarily passive-aggressive about it.

As Misato, who has seemingly taken on a motherly role for Shinji, tells him he's the best, Shinji becomes a little bit conceited. This prompts him to attempt acting more confident than normal (which, to be honest, was rather strange and uncomfortable). He even asserts that fighting is a man's domain.

A crucial episode, "Splitting of the Breast," occurs in which Shinji faces his uncertainties and concerns. This episode emphasizes how much pressure there is on people in Japanese culture to live up to expectations. Shinji's hesitation and anxiety about flying the Eva are a reflection of the real-world pressures many people experience in Japan and throughout the world to live up to society's expectations of achievement, which frequently result in serious mental health issues.

"The Beginning and the End, or 'Knockin' on Heaven's Door'," which airs in episode 24, introduces Kaworu Nagisa. Through their interactions with Shinji, themes of treachery, love, and trust are revealed. Traditional ideas of masculinity and sexuality are challenged by Kaworu's love for Shinji, especially in a conservative country like Japan. This episode emphasizes how important connection is to all people and how painful betrayal is.

"Take Care of Yourself," the 26th episode, explores the individuals' deepest psychological secrets as it wraps out the series. The internal conflict Shinji has with self-acceptance and identity is the main subject of this ethereal and reflective episode. In today's world, when mental health disorders are widely acknowledged but still stigmatized in many cultures, the emphasis on mental health, self-worth, and the search for meaning is becoming more and more important.

[zachary305]

Drop and Give me 20 (Neon Genesis Evangelion Part 1)

So I started watching Neon Genesis Evangelion a couple months ago and stopped watching after a little bit. When I saw this was the next anime we were watching, I was excited because now I have an excuse to actually watch it. Funny enough, I had actually already watched the episodes for this portion already so I had to do some rewatching to spark my memory. I actually really enjoyed this portion of Evangelion, it really feels like I’m watching a classic giant mecha series, but knowing how crazy things get down the line really puts things into a much greater perspective.

So Evangelion focuses on Shinji, a boy who's been tasked with piloting the giant mecha, Eva-01, against a race of otherworldly entities called the “Angels”. He’s tasked to this by his father, who now heads an agency known as “Nerve”, an organization (supposedly) dedicated to fighting off the angel invasion and preventing an apocalyptic event called the “third impact” from occurring. So already we have elements of Shinji’s emasculation in the sudden return of his absent father and his demands of him to pilot the Eva. Shinji is, rightfully, scared to do so and because of this he is looked down upon by his caretakers and his peers. He’s seemingly only seen as a tool to this group, something to be used, fixed if it isn't working properly, treated like trash until he takes down an angel and in that case he can be treated nicely.

Not only that but Shinji is put in a position that the typical “masculine” protagonist would take in stride, but because Shinji has even the slightest objections, he is treated as strange, a coward, not a real man. 

In this, we see how the anime is showing how Shinji is this model of a man who doesn’t fit the norm of a typical society. Everyone around him is trying to push this masculine role onto him and he doesn’t want it, but because of that people see him as less than a “typical man”. It shows how society doesn’t accept many men who don’t fall into this stereotype of masculinity. If you don’t fall in line, drop, and give me 20, how am I supposed to think you’re a “real” man. Follow orders, risk your life, and maybe you’ll have earned society's respect.

[spburns1]

Thanks for sharing your thoughts on "Neon Genesis Evangelion." You've provided accurate insights on Shinji's battles with cultural norms around masculinity. Your portrayal of his father's emasculation of him and the pressure to fit into a "typical masculine" role struck a deep chord with me. It draws attention to the series' critical analysis of these inflexible standards and the psychological toll they have on those who don't match the mold. It was also interesting how you compared Shinji's hesitation to operate the Eva to the conventional "masculine" protagonist's reaction. It emphasizes how males who don't fit in with conventional standards are frequently rejected or misunderstood by society. I now have a greater appreciation for Evangelion's storytelling complexity because to your study.

[spburns1]

Neon Genesis Evangelion (Part 1)

I've been wanting to see this film for a while, but I've never felt like I was ready. Specifically, I'd read that one should see at least one other mecha show before seeing this movie, but I wasn't motivated to watch one before the replay was announced. I watched Gurren Lagann during the last month (maybe not the ideal option, considering it did come later, but I liked it nevertheless), and I'll be joining all of you on what seems to be an amazing experience because I noticed the rewatch announcement and thought now was the perfect moment.

I'm really impressed by the first paragraph right away; I'd seen glimpses of it before, but never the full thing. It seems sense that many people rank it among the greatest of all time, and it was undoubtedly the clear victor when it first came out. I saw the episode last night and couldn't stop listening to the music all day today.

Regarding the first episode itself, I already have a strong feeling that it will be intense. Even though he has no connection to anything, Shinji's father's choice to bring him in might seem fabricated in a lesser anime, but I'm sure there's more going on here (which I found out later on).

The show explores topics of loneliness and the yearning for human connection as well. Shinji feels extremely alone even though he is surrounded by people; this isolation is made worse by his tense relationship with his father. This relates to the larger problem of loneliness in contemporary culture, where social media and technology improvements have paradoxically made people feel more alone even while they are more connected.

Shinji's path speaks to me personally because it emphasizes the difficulty of defining oneself in the face of other influences. His internal struggles and feelings of inadequacy are understandable because many of us experience self-doubt and anxiety about falling short of other people's expectations.

[crawforda-ufl]

Nausicaa of the Valley of the Wind Reflection

Nausicaa of the valley of the wind is an environmentalist story whereby fighting nature is contrasted with living together with it. Here, we primarily see a duality of approaches. Whereas most countries attempt to find power to destroy nature (due to its toxic forests), people of the valley of the wind attempt to coexist with it. From the very start, Nausicaa shows us this is, in fact, possible:

Kushana and other characters in the anime attempted to control and destroy the forests and the ohms through firepower. Nonetheless, this brought all parties involved pain. It ended up in the deaths of entire countries, and the insects themselves also died of rage.

Meanwhile, Nausicaa was able to coexist with insects inside the forest, calm them down, and even make armor and tools with Ohm shells (peacefully). Further, at the end, Nausicaa herself was healed.

The contrast in this anime suggests that humans should stop attacking nature, when it is only trying to help us - indeed, forests on Earth literally clean the Earth of Carbon Dioxide, and the Earth has other self-healing properties (for example, the ozone layer has healed since it was last damaged). Humans can only gain from reduction of attacks against nature.

Another aspect compared in this anime was the style of leadership of the princesses. While Kushana ruled her people with power and might, Nausicaa inspired her people and empathized with them. Ultimately, Nausicaa's style of leadership was respected by everyone, including Kushana and those she did not rule over.

Overall, I believe this anime makes a familiar point in a novel way. While it is obvious we should stop cutting down forests and draining swamps, this anime suggests that we have much to gain from treating nature well or else nature will destroy us. Further, in smaller groups, I have also seen the power of ruling with people with empathy like Nausicaa.

[spburns1]

Hello Crawford I agree with the interpretation of "Nausicaä of the Valley of the Wind." The picture effectively conveys the difference between battling nature and living in harmony with it. Nausicaä's calm demeanor and compassion for the forest and its inhabitants emphasize the advantages of coexisting peacefully with nature as opposed to the negative effects of attempting to control it. This message, which draws comparisons to current events like deforestation and climate change, is extremely pertinent as it stresses the need to respect and preserve our ecosystem.

[spburns1]

Nausicaa of the Valley of the Wind

Nausicaa, in my opinion, is more about the effects of fury, revenge, and terror than it is about how pacifism may be an effective strategy for comprehending and resolving conflict on a bigger scale. Keeping these elements in mind, I believe the film becomes more coherent and impactful. Even though Nausicaa is shown as a pacifist, Miyazaki seems to be more interested in discussing the general benefits of pacifism than in going into depth about the effects of violence on specific people, such as the soldiers Nausicaa kills and the potential effects on their families. That would have been an intriguing subject that Miyazaki might have explored, but that would have required a completely other film.

I believe this film focuses more on pacifism as a way to quell anger and the aspirations of a community or nation to retaliate against an opposing power than it does on self-defense, rather than on the effects on individual people. Throughout the movie, Nausicaa herself uses the word "rage" quite a bit to describe the insects, people around her, and her own behavior. Throughout the whole film, murder and destruction are the result of rage and a desire for vengeance. The Pejit destroy their own kingdom in order to kill the Tolmekians; Kushana wants to remove the insects because of what they did to her; Nausicaa kills the troops who killed her father; Asbel fires down the planes that assisted Pejit in taking over and killing his sister; and, meaning that this "retribution" ultimately leads to a worse ending of destruction.

The movie also addresses global issues of peace and war, highlighting the enduring nature of hostilities and the potentially catastrophic effects of human technology. Humanity's propensity for militarization and the disastrous results of such acts are shown in the depiction of the warring kingdoms and their hunt for the Giant Warrior. "Nausicaä of the Valley of the Wind" speaks to me personally because it examines leadership, compassion, and living in harmony with the natural world. The persona of Nausicaä epitomizes the perfect balance of power, compassion, and knowledge, always aiming to close the gap that separates humans from the natural world. This aligns with my personal goals and ideals, which are to raise public awareness of environmental issues and support compassionate, sustainable lifestyles.

[anmelcos]

Convention Post: True Otaku

I haven’t had the opportunity to go to an anime convention or any convention yet, so I’ll be discussing the documentary True Otaku in its place. This documentary provided a broader perspective on Otaku culture and fandom compared to the last module’s focus on Genshiken. It effectively highlighted the diverse nature of fans and the various ways they express their passions.

A major focus of the documentary was on how conventions and fandoms offer a sense of community that is often missing from everyday life. These events create a space where attendees can exchange shared interests and immerse themselves in their fandoms without fear of judgment. This environment allows passionate expressions of support, such as cosplay—short for “costume play”—to be celebrated rather than criticized. While I haven’t yet attended a convention, I’ve experienced the positive aspects of fandom culture through my involvement in online art communities. These communities, centered around shows and media, have been very welcoming in my experience. Many of my closest friends have been made through discussions and participation in fandom culture. However, I’m aware that some artists, particularly those who are younger or less experienced, may face criticism or exclusion. Despite this, the supportive nature of these interactions underscores why conventions may hold such importance for many fans.

Another significant component of the documentary was its focus on cosplay. I admire the creativity and effort that goes into crafting detailed and accurate costumes. The documentary provided a fascinating look at how cosplay allows individuals to express their love for their favorite characters and stories in a tangible way. Seeing the dedication and skill of cosplayers was inspiring and highlighted how cosplay is more than just dressing up—it's a form of artistic expression and identity. I especially liked the insight into cosplay competitions, which aren’t usually showcased in such detail. I was left wondering if the cosplayer mentioned in the documentary, DustBunny, won anything at the event. 

It was also delightful to see Lolita fashion featured in the documentary. Although I’m not actively involved in the Lolita community, I find it, along with other J fashion subcultures such as Gyaru and Visual Kei, to be of great interest. In some respects, my fascination with these fashion styles now even surpasses my interest in anime and manga. Seeing Lolita garments showcased at conventions is particularly exciting because Lolita boutiques and brands have limited presence in the U.S. Conventions offer a rare opportunity for participants and fans to see and purchase these pieces in person. However, I’ve heard from Lolita enthusiasts that these items are often priced drastically  higher at conventions, which can be a drawback of market vendors. Despite this, being able to view these garments up close before buying them is a valuable experience. If I ever attend a convention, I plan to explore these fashion vendors. I’ve created art featuring various fashion styles and am especially interested in gothic Lolita fashion. While assembling a complete Lolita “coordinate” or outfit seems daunting and expensive at the moment, it remains a future goal of mine (that hopefully I will get the guts one day to complete).

In closing, True Otaku offered an insightful view into fandom culture and conventions, highlighting the sense of community and self-expression they foster. It has deepened my appreciation for the various ways fans engage with their interests and has increased my enthusiasm to experience these events firsthand in the future. One aspect the documentary didn’t mention all that thoroughly was artist alleys. If I were to go to a convention, I would probably only spend my time there… my poor wallet will need to be prepared. 

[spburns1]

Your answer on True Otaku and your experiences with anime was quite interesting to read. Even if you haven't attended a convention yet, it's wonderful to know that the documentary allowed you to take a closer look at fandom culture and gatherings. I found your opinions on cosplay and Lolita attire to be quite fascinating. It's encouraging that you're thinking of delving deeper into these topics at conventions since it's obvious that you value the imagination and work that go into them. I really enjoyed the way you linked your experiences in the online art community to the sense of community that conventions provide. Your excitement for attending conferences firsthand and your future aspirations to investigate Lolita fashion are very motivating. You seem to have a ton of fantastic ideas and objectives for when you attend a convention.

[spburns1]

Convention Blog Post

In July 2023, I went to MetroCon in Tampa. This was one of my favorite experiences to this day as I had never been to an anime convention before this. I found my love for anime in 2020 when COVID-19 hit, so this was my first opportunity to attend one of these events.

The venue was amazing, with lots of cosplayers as well as colorful showcases and anime booths, I felt like I was in heaven. MetroCon's colorful, varied ambiance perfectly captures the essence of today's young culture. You enter the convention hall and are immediately engrossed in a world where there is a tangible passion for gaming, comics, and anime. The event draws a varied spectrum of people, most of whom are young, who gather to celebrate their common interests. The intricate costumes, dynamic discussions, and vibrant fan interactions all demonstrate this sense of enthusiasm among attendees.

The convention functions as a miniature representation of young culture. It offers a venue for young people to openly and creatively express themselves, frequently via cosplay. Participants can explore many facets of their personality by dressing up as their favorite characters.

I saw many attendees challenging the traditional gender norms/roles, which we had recently learned about in this latest module.

Cosplay was one of the most obvious ways this was accomplished. Adorned as characters of varying genders, fans demonstrated that their identities and passions transcend conventional norms. To subvert traditional gender norms, male guests may have cosplayed as female characters and vice versa.

The event also included talks and panels that examined gender diversity and included perspectives from the LGBTQ+ community. By offering a forum for discussions on gender identity and expression, these workshops inspired participants to accept and express who they really are.

Gender-neutral areas and activities were also featured during the event, making everyone feel comfortable attending regardless of gender. MetroCon fostered an open atmosphere that made it possible for individuals to question and reconsider conventional gender standards in a safe environment.

At MetroCon, fandom is a significant cultural phenomena that both impacts and is impacted by wider societal trends, outside the realm of hobbyism. The event is evidence of how fandom can unite people in a common cultural experience that goes beyond personal passions. The wide range of discussions, seminars, and displays captures the complexity of fandom, which includes anything from cosplay and video games to anime and manga.

MetroCon is distinguished by its commitment to showcasing fan ingenuity. Numerous fan-run activities, such as cosplay competitions, and fan art exhibitions, are held throughout the convention to display the creativity and commitment of the local community.

Participating at MetroCon was a really fulfilling experience. I saw the convention as a colorful celebration of my hobbies and passions as an anime and manga enthusiast. The chance to interact with other fans, take part in different events, and fully immerse oneself in the anime world was enlightening and thrilling. The event made clear how crucial a sense of belonging and common interests is to the development and validation of cultural identities. MetroCon gave me a place to meet others who share my interests and explore various aspects of my own identity, whether it was through costume competitions or panels discussing the newest trends in anime.

Overall, though I really enjoyed my experience and it helped me to further understand Japanese anime culture and youth culture. I learned more about gender norms as well as cultural identity formation while I was here.

[animearchives]

Wandering Son

Within the first scene of the anime, there is a powerful metaphor that speaks for the rest of the episode and also sets the tone for the rest of the anime itself. Shuichi Nitori, the protagonist of the show who is visibly presenting as a male at this point, is alone in a classroom as they say they asked for a baggy uniform. Shuichi follows up by saying the uniform had an uncomfortable collar that they weren't a fan of because it suffocates them, but they had to wear it anyway. This is a clear metaphor for someone that is transgender/gender non-conforming but is not freely out yet.

The imagery of being alone in a classroom can correlate to Shuichi's feelings of being isolated to peers because Shuichi is secretly transgender, and it can be isolating to keep such an important, daunting secret from others. Furthermore, since Shuichi is assigned male at birth (AMAB), it is expected that they should wear a male uniform, although to Shuichi: it's uncomfortable. In my opinion, this is a clear allegory of having to mask the fact that they are transgender and wish to be a girl. Having to pretend to be someone they aren't must undoubtedly be an uncomfortable feeling, but because they aren't yet out as female, it is a secret Shuichi must bare alone.

Throughout the anime, it addresses the themes of self-discovery, discrimination, and self-acceptance. Shuichi, after their first time presenting as female at school, was called offensive slurs and terms: being deemed a freak, and being laughed at and mocked by peers. Shuichi's own girlfriend, Anna, was even in shock and denial that they would present themselves as female in public. Despite the discrimination Shuichi faced, they felt comfortable enough in their own skin to present as the correct gender. Much of the anime deals with Shuichi's struggles with the desire to be seen as female while also struggling with the fear of not being accepted. As of the last assigned episode, although it does seem like Shuichi is coming to learn self-acceptance, they still have a long way to go.

[spburns1]

I agree with your analysis of the metaphor in Wandering Son's opening scene. Shuichi's unease with the masculine attire aptly represents the challenges faced by transgender or gender non-conforming individuals who remain in the closet. Shuichi's loneliness in the classroom is a reflection of how lonely it is to conceal such an important aspect of one's identity. This awkwardness and concealment serves as a potent metaphor for the difficulties that many members of the LGBTQ+ community endure. As the anime goes on, Shuichi's path of self-acceptance and self-discovery becomes increasingly poignant, illustrating the challenges and opportunities for personal development that come with accepting one's own self.