First - Last || Once a gladiator, always a gladiator! 💕

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@spectaclesinscript
First - Last || Once a gladiator, always a gladiator! 💕
I’M DEAAAAAAADDDDDDDD 😂😂😭😭
@spectaclesinscript @blipsterinsverige 😂😂😂💀
Foolishness. 😆
Watch This. Nigerian Hairstyles Through the Years.
FINALLY, the Nigerian version! @blipsterinsverige, @iwantarockrightnow, @spectaclesinscript
Love it!!
The Madness of Queen Liv👸🏾 (#Scandal 517 Reflections)
A/N: I’m proud of this one. I won’t apologize for length. I said what I said. I hope you enjoy it.
Boy, do I love it when writer Zahir McGhee is paired up with the talents of actor/director, Tony Goldwyn, especially for an intensely Olivia Pope-focused episode such as this one. “Thwack!” (517) did an excellent job of making me extremely tense, elevating my heart rate and causing me anxiety. An even better follow-up to the much loved “The Miseducation of Susan Ross” from last week, “Thwack!” disappointed me only in the sense that the horrible white man whose death I’ve been rooting for was not Andrews, but I praise Jesus for the elimination of all turds. He had it coming, so
spare me your hypocritically convenient sense of morality about the murder of a “disabled” man.
We don’t want no devils in the house. We want the Lord. Dassssit! Besides, as over-the-top as this show can be, it’s emotional resonance is spot on. Neither you nor I have any assurance that we can’t be driven to the point of murder, given the right (err…wrong?) circumstances.
Besides the twice thwacking of Andrew (failed handjob and sound of the chair bashing his head), throughout the episode there was a foreboding pulsation of imminent danger building from the start, something that would require confrontation, if for nothing else, it would relieve this viewer from the physiological onslaught of anxiety. It occurred to me that we were made to feel similar to what Olivia Pope was feeling as her descent into madness culminated in a do-or-die moment of sanity. @Spectaclesinscript, in her review, has already done a laudable job of summarizing the historical context, within the show, of how Olivia arrived at the point of murdering the man we know as her kidnapper, Andrew Nichols. @musesoftheminds has also done a good recap of important scenes and relationships. So as not to repeat most of that, what I will focus on are the following: specific moments wherein Olivia sees red, so to speak, and their connection to loss and powerlessness; various threats to Olivia’s crumbling sense of identity; conspiracy theory clues of Rowan’s involvement with Andrew’s resurgence and Olivia’s kidnapping; the level of white victimology that repeatedly ignores and obscures black pain in service of white privilege; and the contrasting manifestations of ‘home’ and ‘family’.
Seeing Red
Keep reading
Reblogging because this has to be amongst my posts in the event that any of what’s within actually comes to fruition.
Rowan as mastermind behind the attempted assassination of Fitzgerald AND also behind Olivia’s kidnapping? Listen, if that happens to be how all this loops back around and comes together, that would mean that this has been one hell of a long game.
I am more powerful when I write and when I write, I think. Those two work together. I have to think, I have to write, I need my space and I need quiet. It helps me figure things out, it makes me articulate my thoughts, it helps with truly understanding life more and more.
Ijeoma Umebinyuo (via inspirational-quotes-by-women)
Just….don’t.
never again
I don’t know why people celebrate this scene. This isn’t ‘bad ass’. This woman has lost her ever loving mind.
The girl was cray cray in this moment. One second she was in a daze and then being comforted by Fitz, but the moment Abby walked in, she turned into this...murderous android pod person. Even her voice changed. It was like when Michael Jackson tried to warn Ola Ray that he was about to change into a werewolf. Chilling.
Olitz - 5x17
My heart. The one she knows won’t judge her.
UGH! This brief moment killed me.
scandal 5x16 - the miseducation of susan ross
God she was such a fucking coward😒.
I was ready to drop kick her. If she wasn't fiction, I'd have hunted her down. 😔
😂😂😂😂
Lmaoooooo!!! Is Huck sure she doesn't have a guy within because....
scandal 5x16
i wanna win, desperately. but i want to win clean. i wanna win because i run the best campaign for the best candidate, i wanna walk away on november with my pride, with dignity.
Babies. 😭
(She got on my every nerve in this episode tho.)
New York Undercover! I LOVED this show!
Classic!!!
Me too!!! @spectaclesinscript was talking about this show on twitter last night!!
Yes!! This was my show for real.
Scandal - I See You - Review: "Redefining of Self"
Addendum
In addition to my review above, I wanted to put in a few theories about what was happening in this episode that I didn’t include in the above because the whole thing was close to becoming longer than the Bible. One has to do with an alternative interpretation to what was going on in that last scene between Olivia and Jake, and the other has to do with Vanessa Moss.
My initial thought about the Olivia/Jake scene was fairly similar to the one that I detailed in the review and which had me fist pumping at the air because I thought that Olivia Pope had just flipped the tables on Jake and was now using a bit of mental manipulation on him as he had attempted to do on her in their earlier scene at her apartment.
But then I got to speaking with others and another theory came into play. This one hypothesized that Olivia was being sincere in her remarks to Jake where she called for a truce, conceded that he was right about her being a stalker ex-girlfriend and even told him that she was doing all of this because she missed him. Something about this supposed confession didn’t sit right with me, but I entertained the possibility. The conversations and confrontations that she had in the episode with Jake, Abby, Quinn and Huck could have led her to thinking that she had to make things right with Jake as she had with Quinn. Vanessa’s arrival, which was soon followed by Vanessa’s phone falling to the floor, recalls Olivia to the fact that the meet cute that Vanessa described a dinner days earlier was exactly the same tactic that Jake used with her.
So Olivia essentially goes from believing that Jake is up to something, to thinking that maybe she was wrong about that (as Huck had been with Sean), and then back to believing that Jake really was up to something. This is one hell of a loose theory because there are some things IMO that work against it.
For one thing, Olivia is one to utter the words “I’m sorry.” She has, but it generally goes against form. In this very episode, we saw her apologize to Quinn in her usual Olivia manner, which was similar to how she apologized to Abby earlier in the season in 503. Olivia tends to give explanations for why that she did as she did and then she might toss in something complimentary about you as a person. It’s hardly ever “my bad.” So unless Olivia suddenly turned a new leaf towards the end of the episode, I’m still on my initial theory that she was playing Jake in a manner similar what Fitz pulled on Mellie in 503 and with Cyrus in 505: offer some real truth and follow it up with something that you know the other person desperately wants to hear.
The other thing is that Olivia is in an outfit that is predominantly white. Usually, I don’t pay much attention to the wardrobe, but given the introduction of colors to her collection, it’s hard to miss that she went from where red and black in the two scenes that she had with him to wearing white with streaks of black and dabs of orange. Was that Olivia working to be a good person (as she stressed to Abby) and owning up to her faults or was that Olivia gladiating on her own behalf? I’m inclined towards the latter, but for the alternate theory, it could be the former. I just didn’t feel that there was enough in the episode for me to believe that Olivia had suddenly been turned about re: Rowan and Jake.
Is Jake also a mark?
So the one question that this episode prompted from me is the possibility that Jake could also be a mark. Yes, I know that it’s wild and probably a stretch, but it has something to do with Vanessa Moss herself. Olivia seemed to have been of the thinking that Vanessa may be in on whatever scheme it is that Rowan and Jake have going, and I wondering if Olivia is onto something. By the end of the episode, Olivia may have come to the conclusion that Vanessa is a mark, but what if she isn’t?
As I brought up in the review, there is the issue of Vanessa’s name “Vanessa Moss”. She happens to bear the names of the two women who Jake killed in 313: Shelby Moss, the one who had built some software program for the NSA, and Vanessa Chandler, the reporter to who James was feeding information to as Publius. With Jake now being the head of the NSA, this can’t merely be a coincidence, could it?
What if “Vanessa Moss” isn’t even her real name and she’s someone who is working for Rowan? She could be someone who Rowan pointed out to Jake as a mark and Jake went on to use his same tactic of accidentally on purpose knocking Vanessa’s phone out of her hand. Whatever Rowan needed Jake to do, Jake was going to do it. He was back in good with his surrogate dad and life was good, but it wasn’t entirely. When I think back to what Rowan said to Olivia in 512 about how Jake isn’t like them and how he’s like an orphan who craves family and stability and a normal life, it made me wonder if this whole thing was orchestrated by Rowan to give Jake exactly that. Of course, it can’t be that simple. There has to be the allusion of giving Jake what he believes he desires in order to keep him doing whatever it is that Rowan needs him to do.
I suppose this would go well with my alternate theory above about Olivia opting to pull back as Huck had done with his family and allow Jake the normal that he claims that he wants, but this show has me suspicious about everything and I can’t ever take anything at face value.
Anyway, this is what I wanted to tack on to the review. Olivia’s possible sincerity and the theory that Vanessa Moss is really “Vanessa Moss” and not actually a mark. We’ll see how far off I end up being on this.
What did he do? You don’t want to know.
Yeah, it wasn’t personal when you went to the Oval. Girl, 👋🏾.😂😂
She doesn’t care at all about what he does in his bedroom either. But she’s all up and through what he’s doing in the bedroom. And going off like a firecracker about how the Secret Service is emulating their boss and his trailer load of girls. And suddenly wants to violate her own gladiating rules.
Umm hmm. She didn’t go to the Oval for “this” at all.
Anyone who wants a love story between Olivia and Jake does not love Olivia, and has not been paying attention to Scandal’s narrative...
I’m free-wheeling here.
I’m truly sorry for people who think O[redacted] is ‘on’ and that includes the shallow media because the show isn’t selling that. Yes, Olivia having sex twice on a Sunday with [redacted] is trite, boring and gross. It’s kinda supposed to be the latter. There is nothing empowering, desirable, or ‘grown’ about that nolationship. Their fluid exchange, lack of intimacy and future reflect the choices Olivia has made for herself. Those choices? Giving up on living in the light. And since she is the sun (407), light itself, Olivia has given up on herself. There’s no more light in her apartment (not a coincidence that in the midst of this dark lair she finally invited daddy over for Sunday dinner); her clothes are predominately not white. She’s not even practicing white knight-hood at work. She is impotent in every way, and this is reflective in the substantive conversation she has with Huck in 512. She tells him the only winning move is not t play. That’s giving up; that’s not taking command of her life—what (to me) the S5 poster eventually signifies for her.
So, Jake is a manifestation of all the dark and nasty inside Olivia. The Olivia who thinks she is so profoundly skewed, that she would not inflict her fuckedupedness on new dick. (after all, she didn’t leave Fitz because he wasn’t enough; she left because she wasn’t enough). This is why she reaches for that same old comfort blanket with whom she doesn’t have to try; who will accept her ill treatment because he has committed worse against her. The one who has a PhD in her psychoses, as trained by the same man who programmed her. And since Jake is a profoundly monstrous person is the umbilical cord to her father. This is why she keeps “forgiving” him (508), and casting him in the role of victim, as she most recently did (512), and has done ad nauseum before. Because so long as she believes Jake isn’t making the choice to do the things he’s done, so long as his misdeeds are just programmatic damage, then she has someone to rescue.
“The secret to you is that you always have to save everyone” (410).–Ian
When she doesn’t have that, she doesn’t know who she is and she feels a profound loss of control due to that loss of identity anchoring. That rescuing forms the substantive basis of her identity, which I’ve written about since S4 (I know it’s tacky to quote yourself but it’s also very efficient):
“For nearly 15 years (she’s almost 35), Olivia created an identity for herself as ‘The Protector’ (newspaper clippings, 308). A protector depends upon objects that need protecting. If nothing and no one needs protecting, does she cease to exist as a person? Who is she outside of that superhero persona? Recall that on an African island with Jake (401), with no one to save or protect, ‘Olivia Pope’ ceased to be. She became ‘Julia Baker’… After all, for so long, indeed, it was like father like daughter. Rowan derives his whole identity from being the protector of the Republic, and Olivia was an extension of that.”–KP
The show has made it unmistakeably clear for those who did not get it in seasons 2, 3, and 4: there is no substance to Olivia and Jake. They will never be a couple. Nor is Shonda trying to sell one. They will never be a love story. Never. Be mad about it.
I hear you: but when will this end? I’ve had enough of this dysfunction! I want better for Olivia!
I want it to end and I want better for her, too. I’ve had false starts before, but I now see that Shonda needed to eliminate all of Olivia’s excuses. She needed to try and fail at the relationship with Fitzgerald so she could see that his love can’t fix her. Her love of self needs to do that. The good thing about what’s happening now is that as Olivia is purposely deluding herself about her father (he’s the lynchpin to her formation; the man who makes chaos normal), she is also surrounded by people who are tired of her antics and have begun to see through her. They calling out her denial (Abby in 510, Mellie in 511, Huck in 512). Huck however, is best placed to call Olivia out. Not only has he suffered the most from being an adopted family member, but he has also achieved something Olivia has not: he worked at overcoming his mental trigger and he won. Of Huck in 509, I wrote:
“Olivia’s only excuse is herself. I wonder if Shonda will now allow her to seek therapy, though it’s hard to imagine. Huck managed to confront his greatest trigger: Rowan. He tested himself and he prevailed. Before that, however, he spent time working on himself after looking to others to fix him proved fruitless (501, 502). Olivia has the same trigger, and I want her to prevail. Season 5 is the season of Olivia Pope putting love on top, and that includes love of herself. I still believe she’ll put in that work, even though she’s hit a hurdle. We’re only nine episodes in, so there’s plenty of time for the confrontational work she needs to do. If Olivia does not deal with the spectre of her dysfunction, which is the legacy of her father, she will forever remain stuck in gear. Whoever she is with, she will always be there. She cannot be happy alone, or with anyone else until she confronts herself.”–KP
The incestcapades with Jake have to stop for Olivia to begin moving on. She’s the only gladiator who isn’t trying to move on at this point and seek some normalcy. The only one who no longer has a future in mind (“There is no future”—509). The dysfunction she has come to know isn’t normal, it’s just familiar. Familiar and empty because she’s certainly not happy. What the hell is the point to life if you can’t be happy? The naked quest for power is not going to bring her that, and I know she’ll figure that out.
(our WhatsApp conversations in long form. LOL!)
Good point about how Olivia is the only one who isn’t thinking of the future/seeking some kind of normalcy in her life. She really has given up on herself and collapsed into the Rowan-created hole as if being her father’s daughter is the only avenue available to her now, as if the person she tried to be before was a fictitious. Surrogate brother’s words to her after she freed Rowan must have done a number on her.
And speaking of surrogate brother....I have no further comment on that relationship other than to wish it had died in S2B, but as you said, there is a story being told here.
Scandal; The Fish Rots From the Head Olivia and the team take on some embattled Secret Service agents. Meanwhile, Abby has her hands full trying to keep Fitz in line, and Jake begins to reveal a few secrets of his own.
Ahh, the Michelle Obama dress finally makes an appearance
That dress is gorgeous.
Kerry Washington + Vanity Fair Portraits
This is by far the best article I’ve read on the subject thus far.
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