Written by: Ivy — 25+ years old, she/her
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Sade Olutola

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oozey mess
d e v o n

Love Begins
$LAYYYTER
Aqua Utopia|海の底で記憶を紡ぐ

Kiana Khansmith
i don't do bad sauce passes

pixel skylines
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Xuebing Du
Not today Justin
hello vonnie

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will byers stan first human second

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Cosimo Galluzzi
noise dept.
he wasn't even looking at me and he found me
seen from Malaysia

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@spellwrites
Written by: Ivy — 25+ years old, she/her
(Mobile Link)
“So I have survived the struggle — so what now? I have survived — but for what?”
— Katharine Taylor Brennan, from The Personal Journal of an Ordinary Person
“…a terrible hunger for knowing things, for knowing everything.”
— Catherynne M. Valente, from Deathless (via luthienne)
Bowing in Harry Potter
Sometimes the need to make a spreadsheet overwhelms me and here we are: a data-informed examination of bowing in the wizarding world :)
Throughout the seven-book series, we see approximately 93* bows performed by about 35 characters. In analyzing which characters bow, to whom**, and the purpose these bows serve, I was able to pull out some interesting observations I wanted to share with you all.
Who bows, and to whom?
Slightly greater than half of the bows in the series (51 of 93, or 55%) are performed by wizards, and most are made to another wizard or group of wizards. The only non-humans on the receiving end of bows from wizards are the leader of the giants (Karkus) and Buckbeak. It's worth noting that both have massive (literally!) physical advantages on wizards, and that bowing seems to be a critical part in how wizards can attempt to interact with them safely.
Of the 93 bows performed in a series that focuses mainly on wizards, it's notable that almost half (45%) of bows described in the series are performed by non-wizards (magical beings/creatures/entities), and all of these bows are directed towards wizards. The relatively high number of bows performed by these magical entities are driven mainly by house-elf bowing. Kreacher is the character who bows the most in the series; he alone bows 18 times and accounts for almost 20% of all bows performed. Kreacher bows mainly to Harry (12), though he also bows to Sirius, Fred, George, Ron, and Hermione. When taken together with Dobby’s bows (4) and other Hogwarts House Elves’ bowing (7), the house-elves make up almost a third of all bows performed in the series, and never receive a bow in return. I was also struck by how often Goblins are described as bowing to wizards in the series (5 times, more than Dobby and as often as Buckbeak, who must bow if one wants to interact with him in a safe manner). Given the relatively little page time that goblins are given in the series and their explicit disdain for servility to wizards ("I recognize no Wizarding master," Griphook says), the amount of bowing is a bit of a contradiction and could be interesting to explore in any fan work that centers goblins.
After Kreacher and the Hogwarts house-elves as a collective group, the character who most often bows is Albus Dumbledore:
Dumbledore’s fondness for the social niceties is even noted by Voldemort:
“We bow to each other, Harry,” said Voldemort, bending a little, but keeping his snakelike face upturned to Harry. “Come, the niceties must be observed. ... Dumbledore would like you to show manners. ... Bow to death, Harry. ...”
Voldemort is taunting Harry here, not necessarily characterizing Dumbledore, so we can forgive him for overlooking an underappreciated aspect of Dumbledore’s adherence to manners: Dumbledore often weaponizes politeness:
Harry looked around; all three of the Dursleys were cowering with their arms over their heads as their glasses bounced up and down on their skulls, their contents flying everywhere.“Oh, I’m so sorry,” said Dumbledore politely, and he raised his wand again. All three glasses vanished. “But it would have been better manners to drink it, you know.”
And so while Dumbledore's bows are always framed as courteous (the narration does not editorialize as with Snape’s bow to Umbridge), it more often than not serves as a placating gesture while he’s exerting authority over people that he does not particularly like, such as Rita Skeeter, Cornelius Fudge, and Dolores Umbridge:
“I will be delighted to hear the reasoning behind the rudeness, Rita,” said Dumbledore, with a courteous bow and a smile, “but I’m afraid we will have to discuss the matter later. The Weighing of the Wands is about to start, and it cannot take place if one of our champions is hidden in a broom cupboard.”
Dumbledore inclined his head in a little bow. “Then undoubtedly the Ministry will be making a full inquiry into why two dementors were so very far from Azkaban and why they attacked without authorization.”
As High Inquisitor you have every right to dismiss my teachers. You do not, however, have the authority to send them away from the castle. I am afraid,” he went on, with a courteous little bow, “that the power to do that still resides with the headmaster, and it is my wish that Professor Trelawney continue to live at Hogwarts.”
It’s also notable that Dumbledore does not bow to any Death Eaters; Lucius Malfoy bows to Dumbledore twice in Chamber of Secrets, but the bow is never returned.
We've already mentioned Buckbeak and the unnamed Gringotts goblins, so let's take a second to look at the only other character who bows 5 times in the series: Harry. His bowing is driven by his bows to Buckbeak in Prisoner of Azkaban, Goblet of Fire, and Half-Blood Prince (sorry, Witherwings):
The only other character to whom Harry ever bows is Voldemort. He is magically forced to do so before Voldemort initiates their duel in Goblet of Fire.
Harry is, unsurprisingly, much more often on the receiving ends of bows.** As our main character, a renowned name in the wizarding world, and generally adored by house-elves (one of whom he… owns), Harry is on the receiving end of a bow about 40 times:
Almost three-quarters of the bows Harry receives come from Kreacher, the Hogwarts house elves, Buckbeak, Dobby, or Gringotts goblins. Wizards who bow to him include shop owners in Diagon Alley (Madam Malkin, Ollivander, and Tom the Barman), and Order members such as Dedalus and Kingsley.
Hermione and Ron are often bowed to as well, but many of these instances reflect bows made to them while they are in Harry's company. Independently of Harry, Hermione is bowed to by Slughorn, an unnamed Hogwarts house-elf, and a Gringotts goblin, though the latter thinks she is Bellatrix. Ron is bowed to by Dobby and Kreacher.
Besides Harry and those receiving bows in his company (e.g. Ron, Hermione, & Hagrid), the wizards who receive the most bows tend to have power, status, and/or lineage: Voldemort (6), Umbridge (4), Fudge (3), Sirius (3), Dumbledore (3), and Draco (3):
What purpose do bows serve?
In marking each bow made in the series, I attempted to draw some conclusions about the types of bows typically made in the wizarding world and came up with the following five categories. I've attempted to define and characterize the main features of each grouping below, but as this process of classification was subjective I'd love to hear anyone else's take!
Service bows: service bows are made by shopkeepers to their patrons, deferential employees to their superiors, Death Eaters to Voldemort, and subservient magical creatures/beings/manifestations to wizards. These bows are made by the subordinate (willingly or unwillingly) to demonstrate respect for their superior’s status and a willingness to serve, due to the power dynamic that exists between them. Service bows make up the majority of bows made in the series (53%), and the high rate of bowing is driven by house-elves.
Courtesy bows: courtesy bows are made by formal, upper-class wizards to one another as a sign of politeness. Most courtesy bows are made between relative equals and thus the receiver of the bow may even bow in return. About a fifth of the bows made in the series fall into this category, and our main man of the courtesy bow is none other than Albus Dumbledore (see above). One thing that stood out to me was that about half of courtesy bows were made to female characters, a notably high ratio. Five of Dumbledore’s courtesy bows are to female characters, and other wizards who bow at least once to a female character upon addressing them or taking their leave include Slughorn, Ollivander, Fudge, and Karkaroff. This group of wizards, who are most of them from an older generation, status-conscious, and/or highly formal, suggests that making courtesy bows to witches may be a somewhat old-fashioned habit among higher-class circles. However, while it is much more common for female characters to be bowed to than it is for them to bow to other characters, Madame Maxime and Umbridge both make courtesy bows to other professors.
Scripted bows: scripted bows are made as part of formal or otherwise rigidly-adhered-to codes of interaction (i.e. between wizards and hippogriffs or giants, or between wizards in formal dueling scenarios—willing or unwilling). These bows are highly symbolic, conveying less real information about power hierarchies or politeness. About another fifth of bows made in the series fall into this category, with the greatest number being made by Harry, Ron, or Hermione to Buckbeak in order to approach him, who often bows in response. It's interesting to me how few of these bows are between wizards in dueling scenarios. In fact, I only counted three: Lockhart bowing to Snape in COS (which Snape does not return), Voldemort "bending a little" towards Harry, and Harry bowing (forced) to Voldemort in GOF. In Harry and Draco's formal duel in COS, they "barely inclined their heads," which I did not count as a bow.
Performative bows: performative bows are taken in recognition of a feat respected by an assembled crowd. In the HP series, these celebratory gestures are not made not proactively out of a sense of self-importance, but in response to a crowd’s already expressed approval. Performative bows are relatively rare (we only see 3 in the series). Characters taking a bow in front of a group of people in recognition of a job well done are Ron, Ludo Bagman, and the Sorting Hat—relatively jovial, upbeat, charismatic characters who enjoy being the center of attention.
Mocking bows: Mocking bows are made rarely in the series (again, we only see 3), but I wanted to carve them out because although they do convey information about how bows are used in the wizarding world, it's often in the negative. Mocking bows are made by sarcastic characters to ridicule the pompousness of a courtesy bow (Fred to Harry) or the deference of a service bow, conveying contempt for the idea that the person on the receiving end would be their superior (Fred to Ron, Snape to Umbridge).
Anyway, thank you for indulging me and my spreadsheets and sticking with me through this post that no one asked for. Hope this has been in any way thought-provoking for anyone else re: wizarding world/HP world-building!
*This analysis was conducted by searching for “bow,” “bowed,” and “bowing” in the text via Pottersearch (my beloved). I excluded “bowed heads” or instances used to describe a posture as opposed to a gesture (e.g. "heads bowed against the wind" or when Ron pulls at the front of Harry’s robes in OOTP) This is not intended to be the singular, definitive analysis and I welcome anyone else to replicate this analysis and/or provide your own commentary, corrections, or suggestions! :)
**Note: Because more than one person can be the recipient of a single bow, the N total number of bows I've identified = 93, but the N total number of recipients I've identified = 125. I've tried to be clear which set of data I am referring to for each analysis but it is important to keep in mind that these are not 1:1 datasets.
⤐ @spellwrites asked : “I’m going to keep going until I succeed – or die. Don’t think I don’t know how this might end. I’ve known it for years.” - Imogen
she considered her RESPONSE with care , knowing imogen as she did , amelia doubted that words would sway her , her mind was already set , carved in stubborn stone . still , amelia strove for neutrality , seeing little purpose in the endless spilling of magical blood . yet even as the thought CROSSED her mind , she knew the truth of it : in the end , she too would be made to choose a side . ❛ do you hold your own mortality in such little regard that you would cast yourself willingly into that endless cycle of killing ? tell me , what purpose does it serve ? ❜ amelia tilted her head ever so SLIGHTLY to the side , a gesture both curious and measured , as her arms folded neatly across her chest . ❛ i understand why you would choose to fight , yet i advice you to consider other PATHS . ❜
Imogen looked at Amelia—really looked at her, right in the eyes—and considered her words carefully. She wanted to get this right.
"On the contrary, I have a very high regard for my own mortality. But as much as I'd like to make it so, this war isn't about me; it's about everyone," she said slowly, keeping her tone blunt but not unkind in her honesty.
It wasn't her first time trying to explain to someone why all of this was so deeply important to her. It wasn't even her first time trying to explain it to someone she didn't particularly like and who didn't particularly like her. But when she said it wasn't about her, she meant it. So she set her ego aside and spoke only to understand and be understood. Curiously, Amelia seemed to be doing the same.
Interesting.
"I could choose not to fight the Death Eaters... and I would even be safe from them for a while... but in the meantime, they'd still be terrorizing and murdering people. They mean to destroy our world and remake it in their image—an image of fear, and hatred, and oppression—and, unopposed, they will succeed. There is no scenario in which the Dark Lord chooses to abandon this war. Wishing it were otherwise won't change that. Burying my head in the sand won't change that. But it's easy to pretend, if we ignore the truth of what's happening, it will.
"Ultimately, someone has to stop them. I'm someone."
"Hypothetically- right." Harry drawled, shaking his head inn amusement. "Don't you schedule these meetings or something?" Things weren't going well, and while the adults tried to hide it from him and his friends, they weren't fools- they could tell something was wrong. If the adults weren't going to tell them then they had resolved to do it themselves.
"How Slytherin of you." Harry said dryly, looking her over before smirking. "Don't worry- i know how these things go. They'll be so upset we overheard they won't care how." Not that he cared- Harry wanted to fight, and it was aggravating that he was being side lined.
"Don't you want to know what theyre hiding?"
"Slytherin!? Oh no." Imogen's eyes went wide, and a bark of laughter escaped her throat at his unexpected comment. "Merlin's beard, you've no idea the baggage you've just brought up. Do I need to start wearing all my Ravenclaw paraphernalia again, like those sad adults who don't want to admit they peaked at sixteen?"
She shook her head, still with a wry chuckle.
"No, I don't care what they're hiding, because I already know what it is. I'm one of them, aren't I? Hence, it would be rather foolish of me to just outright tell you what we're keeping secret from you." She grinned. "Not that even we're told everything, that is."
@spellwrites (x)
It wasn't often that Mary visited this bar. Actually, that was a lie. Since being qualified as an auror, she had been accompanying her auror mates more often on their nighttime celebrations. However, today, she was here alone. She took a seat on a stool at the bar, rubbing her tense shoulder. She had spent a few days on an infiltration mission, but the worst part of the mission was the paperwork. She reached over to the bartender, who had been approaching.
"I'll have the Dragon Barrel Brandy, please. Thank you." The bartender nodded and left. In her distraction, she hadn't noticed the woman beside her, who had been trying to order ahead of her. "Oh, sorry about that! Want me to call them over again?"
Imogen waved it off with a smile. "Don't bother. Aberforth and I go back years; he knows my usual. Besides..." She leaned closer over the bar, resting her chin in her hand as she studied the girl in front of her. "You look like you could use a drink more than I do."
Not that Imogen herself couldn't badly use a drink. She was just trying to do less of that, lately, for her friends' sake. But some days were rough enough to warrant it.
Send my muse anons as either the devil or angel on their shoulder
Try to convince them to do something, or to not do something. Or, whatever moral dilemma you can think of to incite!
i may have my father's worst traits but i am more ethical & virtuous with them than him
* 𝐁𝐑𝐈𝐃𝐆𝐄𝐑𝐓𝐎𝐍: 𝐒𝟏.
feel free to change pronouns / wording!
" are you to complain the entire day? "
" i feel like a princess. do i look like one? "
" if this is not a sight for my sore eyes. "
" someone may hear us. "
" i will always protect you. "
" i am looking out for you. "
" i am protecting you, it is my duty. "
" you have no idea what it is to be a woman. "
" is that envy i detect in your voice? "
" you appear displeased. "
" it would be better if you refrained from thinking about me at all. "
" i assure you, i am anything but interested in you. "
" do not make this any more difficult than it already is. "
" i cannot see you anymore. "
" you said you would always protect me. "
" i did not know you would be here. "
" do you think yourself better than me? "
" you cannot possibly be thinking of marrying him. "
" if this is to work, we must appear madly in love. "
" there is too much blood. "
" if i were truly courting you i would not need flowers, only five minutes alone with you in a drawing room. "
" no one can know about our little arrangement. "
" would it pain you to wear some colour? "
" i was afraid even of my own reflection. "
" i am quite capable of speaking for myself. "
" i was trying to help. "
" i do suppose if i was forced to take a wife, you would be the least objectionable option. "
" you look in a great deal of pain. "
" one cannot judge a book by its cover. "
" i will not tolerate a bully. "
" that was entirely your fault. "
" i could not sleep. "
" it seems the art is not the only beautiful thing on display at present. "
" are you spying on me now? "
" i wanted to see you. "
" you are only here because you are jealous. "
" i am here because i miss you. "
" i cannot think of anything else. "
" you are perfection itself. "
" i misjudged you. "
" are you to tell me you're actually sorry to see me go? "
" love changes nothing. "
" we are not friends. "
" it is not safe out here. "
" there is no expectation or judgement here. "
" you can feel free to be yourself here. "
" what if you get yourself killed? "
" for what it is worth, i am sorry. "
" your apology is worth nothing to me. "
" are you hurt? tell me! "
" you deserve everything your heart desires. "
" while you may be content to accept defeat, it is certainly not how i approach things. "
" you have always been a terrible shot. "
" i cannot sleep. "
" why must everything be so bright? "
" we should not be alone in here. "
" i can hardly believe i am saying this, but we cannot go further. "
" everyone enjoys secrets. "
" i cannot stop thinking of you. "
" i am yours, i have always been yours. "
" you burn for me? "
" tell me what you thought about, when you were alone. "
" you have been a true friend. "
" you chose this for yourself. "
" you chose to lie to me. "
" i did not realise i had a choice. "
" something troubles you. "
" so you admit it now, you were acting a fool? "
" you may hurt now, but the pain will pass. "
" you will be better off without me. "
" you're angry, but not with me. "
" i envisioned myself on your arm, dancing the entire night away. "
" you are lost, and i cannot allow you to set me adrift as well. "
" pride, it will cost you everything and leave you with nothing. "
" there is nothing you cannot do. "
" just because something is not perfect, does not make it any less worthy of love. "
" i am tired of pretending, and i cannot continue acting as if i do not love you. "
" i love all of you, even the parts that you believe are too dark and too shameful. "
" i do not want to be alone. "
" that decision shall be left entirely up to me. "
You awake too? Maybe insomnia is contagious.
"Must be," Imogen said, too tired to muster up any of her usual antagonistic feelings for Amelia at the moment.
She certainly wasn't wrong about Imogen's inability to go to sleep... or, for that matter, the rest of Wizarding Britain's, ever since the Ministry finally admitted their world was at war.
Imogen reckoned, if she was going to be up anyway, she may as well channel that restless energy into something productive, instead of tossing and turning in bed all night and waking Danny with her fitfulness. So, here she was, prowling the halls of Hogwarts again and quadruple-checking the new protective wards that she'd helped Dumbledore place before the start of term.
It seemed the students had grown used to the various non-staff members of the Order of the Phoenix who often came and went from the castle at odd hours, patrolling the corridors with the professors. Although...
"I seem to recall some rule about a curfew and where students are supposed to be during it," Imogen said. Dry, light teasing. "And I know the castle likes to change up its floor-plan every so often, but last I checked, this wasn't the Slytherin Common Room."
does your mc have a love interest? who is it? why did your mc fall for that character, if they do have a love interest?
Cecilia has two endgame love interests, because the gal's got more heart than she knows what to do with. Plus the love interests in question are Sebastian and Ominis aka my fav otp for this game, so. like. they try the love triangle thing at first, and then in the middle of that messiness they all eventually realize they can't remember which one of the other two they're supposed to be jealous of in this equation.
polyamory win! the three codependent teenagers covering up a murder are in love!
You foul, loathsome, evil little cockroach! / choose whoever for these asks 🌷
"Merlin's bloody fucking bollocks, what is your problem with me!? Are you like this with everyone, or am I somehow special?"
“The bravest thing you can ever do, is to stay kind and soft even when the world has been cruel to you.”
— Nikita Gill
i thought we agreed to tell each other the truth. (To Cecilia from Ominis )
"I know, I know. I'm sorry. I... I really thought I could talk Sebastian down this time."
sorry– am i crazy, or have we met before?
"Could be. You spend much time in Scribulus Writing Instruments? I'm there most lunch breaks."
“The ones that love us never really leave.” //to imogen
Imogen made a vaguely agreeable noise in her throat. That sounded like a Dumbledore-ism to her. And it was a good sentiment, certainly. A very comforting belief. But...
Her own personal history aside, it was clear that cynicism wasn't what Harry needed to hear right now. So she kept her thoughts to herself.
Sirius Black's death was affecting all of them in different ways. Lupin, of course, took it the hardest and seemed to be coping in ways that Imogen found disturbingly familiar. The old guard—Moody, Vance, even Kingsley—saw it as a return to the darkest days of the first war. It was hard to tell what Dumbledore thought about it all. She could hope he took it as a lesson in humility and the dangers of keeping secrets from his allies—his plans to bring Harry into the fold sounded promising—but time would tell if he meant it.
With the others, she could remind them that the battle was a net win: eleven high-level Death Eaters behind bars, and the Ministry on their side. For them—for herself—she could rationalize it.
But for Harry... Harry was a kid who, from what she'd seen of him and Black together, had just lost the closest thing he had to a father. Imogen knew what that did to a person.
"He was so proud of you, you know," she said softly. "You should've seen him talking about you and your DA."