i made a carrd!!! its got a lot of fun stuff and other sites you can find me on♡ check it out!!
YOU ARE THE REASON
Sade Olutola
macklin celebrini has autism
cherry valley forever
ojovivo
Jules of Nature
RMH
Lint Roller? I Barely Know Her
Sweet Seals For You, Always
todays bird

JVL

Janaina Medeiros
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TVSTRANGERTHINGS
Game of Thrones Daily

titsay
art blog(derogatory)

izzy's playlists!

Origami Around
Fai_Ryy

seen from Türkiye

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@splxttered-stxrs
i made a carrd!!! its got a lot of fun stuff and other sites you can find me on♡ check it out!!
I wish all writers who haven’t been able to write in a long time bc of depression a very I love u and I promise u will write again
I want to see something. My mom says that when I finish Over Land and Sea she is gonna make me publish it. She even threatened to make me stop writing if I didn’t. I completely disagree with her and writers DON’T have to publish if they don’t want to.
So, I want to see what y’all think on the topic. (I will show this to my mom to prove to her that we don’t have to publish our work if we don’t want to.)
LIKE if you think writers have to publish their work to be valid.
REBLOG if you think writers should have the freedom to publish or not publish their work.
Writing should be done because you enjoy it. If a writer doesn't want to publish their book that is completely fine and valid. If a wrtiter decides to publish their book that is also completely fine and valid. It should be the writers choice what happens with THEIR work.
Honestly as a blind person I’m so tired of seeing fictional blind characters who don’t use white canes or other guides. “They have special powers so they know what’s around them” or “they’re confident enough to not need a guide” are common tropes, and I’m tired.
Are people scared that using a white cane will make their blind character seem weak? They can’t use a cane because they’re so special that they already know what’s around them, and other blind people who use guides are inferior because they’re not special?
I’m tired. Give your blind characters white canes and other guides. Let them hold onto their friends, let them have guide dogs. Don’t make white cane users feel ostracized for not being “strong enough” to go without.
Another thing that pisses me off is when a sighted character comes up with the fantasy equivalent of braille and teaches it to the blind character. Braille was invented by Louis Braille, a blind man, in 1824. The blind character should be the one coming up with it.
Tldr I’m blind and tired of sighted people lol
🔪 Sighted People MUST Reblog This 🔪
Hi! Could you make a planet/space dividers? I have a relatively dark theme and none of the dividers I use are visible Thank you love! 💙💙💙
Hello lovely - these should work on a dark theme, hope you like them. If you want any specific space related item then let me know.
Please like and reblog if you use or save.
Dividers List
New goal: Follow every writeblr in the tumblr universe wahahahahahaha
Seriously, though, if there are any writeblrs left that I’m not following, reblog this so I can further my holy quest.
hi im nico and since i can finally show up in search results, i thought i might make one of those silly little introductions for my silly little blog
about me:
- sixteen - they/them - aspiring screenwriter and novelist
about my work:
i tend to write long-form fiction/horror. my prose work can be traced back to anne tyler and stephen king alone, whereas my screenwriting work has been most influenced by sean baker, wes craven, and the slasher genre as a whole.
all of it features lgbt leads and some kind of exploration of abuse, be it emotional, physical, or sexual. it’s typically not graphic, but it certainly plays a major role in each story. most also feature teenage leads and follow the stephen king trope of ‘all adults suck.’
current works:
(in order of importance)
calling all authors!!
i have just stumbled upon the most beautiful public document i have ever laid eyes on. this also goes for anyone whose pastimes include any sort of character creation. may i present, the HOLY GRAIL:
https://www.fbiic.gov/public/2008/nov/Naming_practice_guide_UK_2006.pdf
this wonderful 88-page piece has step by step breakdowns of how names work in different cultures! i needed to know how to name a Muslim character, it has already helped me SO MUCH and i’ve known about it for all of 15 minutes!! i am thoroughly amazed and i just needed to share with you guys
Words to describe someone’s voice :
adenoidal (adj) : some of the sound seems to come through their nose.
appealing (adj): voice shows that you want help, approval, or agreement.
breathy (adj): with loud breathing noises.
booming (adj): very loud and attention-getting.
brittle (adj): if you speak in a brittle voice, you sound as if you are about to cry.
croaky (adj): they speak in a low, rough voice that sounds as if they have a sore throat.
grating (adj): a grating voice, laugh, or sound is unpleasant and annoying.
gravelly (adj): a gravelly voice sounds low and rough.
high-pitched (adj): true to its name, a high-pitched voice or sound is very high.
honeyed (adj): honeyed words or a honeyed voice sound very nice, but you cannot trust the person who is speaking.
matter-of-fact (adj): usually used if the person speaking knows what they are talking about (or absolutely think they know what they are talking about).
penetrating (adj): a penetrating voice is so high or loud that it makes you slightly uncomfortable.
raucous (adj): a raucous voice or noise is loud and sounds rough.
rough (adj): a rough voice is not soft and is unpleasant to listen to.
shrill (adj): a shrill voice is very loud, high, and unpleasant.
silvery (adj): this voice is clear, light, and pleasant.
stentorian (adj): a stentorian voice sounds very loud and severe.
strangled (adj): a strangled sound is one that someone stops before they finish making it.
strident (adj): this voice is loud and unpleasant.
thick (adj): if your voice is thick with an emotion, it sounds less clear than usual because of the emotion.
tight (adj): shows that you are nervous or annoyed.
toneless (adj): does not express any emotion.
wheezy (adj): a wheezy noise sounds as if it is made by someone who has difficulty breathing.
Okay, this is in incredibly petty nitpick, but: if you’re writing a fantasy setting with same-sex marriage, a same-sex noble or royal couple typically would not have titles of the same rank - e.g., a prince and a prince, or two queens.
It depends on which system of ranking you use, of course (there are several), but in most systems there’s actually a rule covering this scenario: in the event that a consort’s courtesy title being of the same rank as their spouse’s would potentially create confusion over who holds the title by right and who by courtesy, the consort instead receives the next-highest title on the ladder.
So the husband of a prince would be a duke; the wife of a queen, a princess; and so forth.
(You actually see this rule in practice in the United Kingdom, albeit not in the context of a same-sex marriage; the Queen’s husband is styled a prince because if he were a king, folks might get confused about which of them was the reigning monarch.)
The only common situation where you’d expect to see, for example, two queens in the same marriage is if the reigning monarchs of two different realms married each other - and even then, you’d more likely end up with a complicated arrangement where each party is technically a princess of the other’s realm in addition to being queen of her own.
You’ve gotta keep it nice and unambiguous who’s actually in charge!
Okay, I’ve received a whole lot of asks about this post, so I’m going to cover all of the responses in one go:
1. The system described above is, admittedly, merely one of the most common. Other historically popular alternatives include:
The consort’s courtesy title is of the same rank as their spouse’s, with “-consort” appended to it: prince and prince-consort, queen and queen-consort, etc. This is how, e.g., present-day Monaco does it.
The consort is simply styled Lord or Lady So-and-so, and receives no specific title. I can’t think of any country that still does it this way, off the top of my head, but historically it was a thing.
(Naturally, your setting needn’t adhere to any of these, but it would be highly irregular for it to lack some mechanism for clarifying the chain of command.)
2. The reason why the consort of a prince is historically a princess even though those titles are the same rank is basically sexism. This can go a couple of ways:
In many realms, there was no such thing as being a princess by right; the daughter of a monarch would be styled Lady So-and-so and receive no specific title, so the only way to be a princess was to marry a prince.
In realms where women could hold titles by right, typically a masculine title was informally presumed to outrank its feminine counterpart. So, e.g., kings outrank queens, princes outrank princesses, etc.
In either case, no ambiguity exists.
(Interestingly, this suggests that in a more egalitarian setting where masculine titles are not presumed to outrank their feminine counterparts, or vice versa, you’d need to explicitly disambiguate rankings even outside the context of same-sex marriages. Food for thought!)
3. It would also be possible to have two kings or two queens in the same marriage without multiple realms being involved in the case of a true co-monarchy. However, true co-monarchies are highly irregular and, from a political standpoint, immensely complicated affairs. If you’re planning on writing one of those, be prepared to do your research!
4. The next rank down from “countess” is either “viscountess” or “baroness”, depending on which peerage system you’re using.
(Yes, that last one actually came up multiple times. Apparently there are a lot of stories about gay countesses out there!)
I’d like to argue with this, but I can’t.
Writing Theory: Chekov's Gun
"If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there."— Anton Chekhov. This simply means, if you include a detail in a story it should have some meaning to the plot or the overall story.
Why Chekov's Gun is Important
Over the years, Chekov's Gun has become an important rule where foreshadowing is involved and often gives your readers some idea of what is to come without giving it away. It can be a fun element for writers to pepper in as well as set up a plot point or an oncoming event. Chekov's Gun keeps writers on track with their details and can be used to put your readers into an unconscious state of knowledge about the following story.
How Can Writers effectively write Chekov's Gun
The main thing about Chekov's Gun, is utilising your details within the story and showcasing them in a way that is notice-drawing but not so much as to be provacative with it. In simple terms, you want people to notice it but you don't want to wave it in their faces.
The details that you add (and I'm not talking about details as in the colour of the walls, I mean details such as an item that is focused on) should impact the story in some way. These details are often elaborated on with the narrative and are given a little bit of exposition. For example, consider:
In a Prisoner of Azkaban, Cornelius Fudge recounts a meeting with Sirius Black in the prison. He makes a point of noting that Sirius had asked for his newspaper, chalking it down to Sirius's inhumanity. However, that paper is the catalyst of the story in this book. Sirius sees a picture of the Weasley's on holiday in the paper, spotting Peter Pettigrew, a traitor and agent of Voldemort. The paper acts as Sirius's inciting event to act.
In Greek Myth, Perseus and his mother Danae were exiled from her father's kingdom after a phophecy stated that the King would be killed by his grandson. Years later after Perseus went on his quest, married a Princess and won himself a new kingdom, he attended a sports event where all the Kings of Greece attended. Perseus threw a discus accidentally killing an old man in the crowd. The old man? His grandfather.
Or perhaps the most famous literal example, in the film Shaun of the Dead, Ed points to a shotgun above the bar at the Winchester. He goes on a big long yarn about how the gun is real. During the action packed climax of the film, Shaun tells him that the gun couldn't possibly be real because... Then the gun goes off and is used to save Liz and Shaun while the others are consumed by zombies.
The Do's and Don'ts of Chekov's Gun
Do consider Chekov's Gun to be anything, not just an item or a thing. It can be the name of a person (Marwyn the Mage) or even a certain skill a character has (Mary Ravenwood can drink grown men under the table, a skill she uses against the Nazi).
When lampshading the item/person/detail, do not embellish it too much. Afford the detail enough attention so the reader can remember it but not so much that they notice it.
Do remember that Chekov's Gun must at some point be fired. The person/thing/detail must have some impact. (the locket Harry attempts to throw out at Grimmauld Place ends up being a Horcrux)
Don't think the reader won't remember the gun. Most readers with experience will clock a Chekov's gun from a mile off.
Do make sure that the gun is in the minds of the reader. Whether you have characters mention it flippantly or you show it over the course of the narrative (the famous lemons of "Braavos'' in ASOIAF).
The gun does not have to fire immediately but it does have to fire at some point.
If everyone were to follow all the "rules" of writing all the time, literature would be a terribly boring place.
Any by this I don't mean you shouldn't use correct grammar or have a plot structure, I mean you shouldn't get weighed down with deleting every single filler word or adverb or description for the sake of following the advice of some random person on tumblr. No writer has ever become famous because of how well they followed the rules.
Yes to this! We should read writing advice, but only take things that are relatable to the story and lock the rest of it away in the back of your head
In school one of my English teachers told me that rules in writing are only suggestions, and you absolutely can break them to give your piece a certain effect. Art has no rules, after all.
writeblr intro! ✧*~
➵ hey!! my names ellie and i’m veryyy new to writeblr! i’m 19, my pronouns are she/her, i identify as bisexual and i’m currently a 2nd year english lit and creative writing student.
➵ up until now i’ve only written short stories and poetry because i’m an absolute pro at procrastinating n also a massive perfectionist which does Not mesh well rip,, but hopefully this will give me the motivation to actually get stuff dONE
➵ i’m currently in the midst of drafting up a ya dystopian fantasy wip which i can hopefully post soon! my works pretty much always feature lgbtq+ romances, making every single one of my characters queer is my aesthetic™ lmfao
➵ interests!
favourite novel: under the udala trees — chinelo okparanta
favourite writer: audre lorde
music: bring me the horizon, fka twigs, joy crookes, little simz, declan mckenna, lorde, my chemical romance, arlo parks, sam fender, dave, the wombats, blackbear, halsey, yungblud, lil peep, the 1975 .. someone pls stop me i can go on Forever
tv series: sherlock, sex education, the 100, orange is the new black, brooklyn 99, the umbrella academy, misfits
i have pretty much zero clue what i’m doing here lmfao but i’d love to get to know some people, so feel free to like or reblog so i can follow you! n message me whenever i’m always down to talk! <3
Describing Accents
Anonymous asked: Hey there! In the story I am writing it takes place on a different planet. However I really want a certain race of people to have African accents. How do I describe accents that don’t necessarily exist? I hope that made sense!
There’s a wealth of ways to encapsulate an accent, what with all the words available to you. It’s a matter of how straight-forward or creative you want to go. Maybe some of the methods below will help.
Adjective:
She had a fragile accent.
The people had throaty voices, sawing out words in blunt grumbles.
Metaphoric:
His voice was splinters and broken glass.
Her accent had a song-like quality that reminded her of swaying tides.
Straight-forward:
He had a French accent.
“I have to go,” she said, though from her accent, French, the words sounded more like “I hive tego.” (Note phonetically describing accents is seldom the best way to go about this and can be offensive, but works in a rare pinch.)
Straight-forward & ‘Technical’:
He had a French accent, perhaps Northern, his voice lilting the edges of his vowels and dragging out others.
Some methods work better in combination with others, such as straight-forward combined with technical (as shown). It truly shouldn’t take many sentences to give readers enough info to imagine how someone’s voice or accent sounds. Therefore I wouldn’t overdue the clues, as it can stir into offensive.
More Reading:
Describing Voices
55 Words to Describe Someone’s Voice
Online Thesaurus
Describing Qualities of the Human Voice
~Mod Colette
how to properly structure a query letter!*
Dear [Agent],
[An optional brief introduction, no longer than 2 - 3 sentences, perhaps where you elaborate on the #ownvoices of your manuscript, or pointing out certain things in your manuscript that the agent asks for. I reiterate that this paragraph is optional. Unless you have a very specific reason to be querying this agent—for instance, if they tweeted an MSWL for a heist novel and you’re querying a heist novel—there is no relevance, so don’t include this paragraph.]
[The first paragraph of your summary introduces the world, the main character, and their Normal. For instance, Cynthia lives in the times of a pandemic and works to continue living in their new normal. Every day, Cynthia choose to get up and keep living and making the most of their situation while trying to find something to do to be useful.]
[The second paragraph of your summary introduces the plot. To continue with the above idea, Cynthia has been tasked with trying to find a cure to coronavirus, but all they have to work with in their home is duct tape, tangerines, Tylenol, and a never-give-up attitude.]
[The third paragraph introduces stakes, aka what will happen if Cynthia doesn’t discover a cure with the resources they have at home. Luckily for them, however, a woman named Jane they had a one night stand with needs a place to crash after she was evicted. Cynthia agrees to let her stay as their roommate, especially because Jane brings with her the missing ingredient to the cure for coronavirus, a magic bean she stole from a giant–but there’s only one magic bean. If Cynthia and Jane can’t find a way to make more beans, they might be sent to the realm of giants forever.]
[The closing paragraph goes like this: Complete at 89,000 words, THE MAGIC BEAN is an Adult contemporary fantasy with potential for a companion novel. I believe it will appeal to fans of Erin Morgenstern and Naomi Novik. Briefly explain who you are and share what you’re comfortable with about yourself—I say I’m 26, headed to grad school for archiving, and that the book is #ownvoices for genderqueer representation. Also mention if you have any connection to the publishing industry. I mention who I was previously represented by, why we amicably parted ways, and that I’ve mentored in many writing contests.]
[Final closure: Thank you for your time and consideration. I look forward to hearing from you again!]
[Best,]
[My name]
[My phone number and, though optional, my twitter handle]
*i’ve been in the publishing industry for nine years now, have mentored many authors who went on to be published by the Big 5, and worked in writing contests to help writers, not only with their manuscript, but with their pitch and query letter and comps etc. i know what i’m about 😉
Hey. I have a message for aspiring authors (or already published ones) out there. It’s a little story I wanted to share~
When I was a kid, I spent at least half of my free time in the local library. I was that one kid who basically refused to go anywhere near the “popular” book racks, unless I was given a good recommendation for something. So you know what I did instead?
I went to the furthest back shelves, the depths of the young adult section, chose whatever I thought had a cool cover or an interesting synopsis, and sat down and read it. Many of those books were by lesser known authors, maybe they’d been out for a few years, but most hadn’t ever had time to shine.
If the story was terrible, I stopped after the first few pages and put it back to pick out another. And I was picky. But I found so many gems. I found so many books that I fell in love with, that I still remember. I was inspired by so much of that wonderful writing.
So. If you’re planning on publishing your work, either by traditional or other means, but you’re feeling discouraged because you don’t think it will ever get that much attention?
Put it out there, anyways. Put it out there for kids like me. Put it out there for adults like me. Put it out there because there will always be someone who reads your book and loves it, who adds it to their favourites list, and who goes on a search for all of your other writing.
If you love your story, put it out there for those who are bound to love it, too.
Hi! Sorry for no RTT post today- this week has been very busy for me. But there will be a holiday special coming either tomorrow or next week depending on how much i can get done today! I hope that's okay with everyone!
Happy holidays!! ♡♡♡