Tolkien is 1000% done.
Out of all of Tolkienâs descriptions of Smaug⊠this one is probably my favorite.

oozey mess

Love Begins
No title available
sheepfilms
The Stonewall Inn
Show & Tell
đ©” avery cochrane đ©”

Origami Around
No title available
untitled
Xuebing Du
Noah Kahan
Misplaced Lens Cap
cherry valley forever
â

No title available
Mike Driver

blake kathryn
Game of Thrones Daily

No title available

seen from China
seen from United States
seen from India

seen from United States
seen from United States
seen from Netherlands
seen from France
seen from United States

seen from T1

seen from South Korea
seen from Poland

seen from Malaysia
seen from United States
seen from Thailand
seen from Palestinian Territories
seen from TĂŒrkiye

seen from United States

seen from Canada

seen from TĂŒrkiye
seen from Russia
@stonerbilbo
Tolkien is 1000% done.
Out of all of Tolkienâs descriptions of Smaug⊠this one is probably my favorite.
THE FELLOWSHIP OF THE RING (2001)
happy october 24th!
DNI except on party business
Hello, Scholar! I'm not very familiar with dwarven customs, something I'm trying to fix, and I find myself needing some guidance. I've looked through your articles and asks already but I haven't found this topic answered yet (my bad if you already talked about it!). I was wondering if there are any particular custom dwarves follow when they have children. Do they celebrate the birth like humans do? Is there any rite they follow? Thanks for you hard work!
Well met!
Thank you for your kind words, and for taking the time to delve deeper into Dwarven culture â a journey well worth undertaking, if I may say so.
And worry not â the mountain holds many hidden halls, and even I sometimes lose track of whatâs buried where. This question, while touched on here and there, deserves a dedicated response. So letâs set our lanterns to the wall and explore it together.
đ¶ Birth Among the Dwarves To understand Dwarven birth customs, one must first appreciate just how rare and treasured Dwarven children truly are.
As noted in earlier writings, only about a third of Dwarves are female, and even fewer of those choose to marry or have children. It is not uncommon for entire generations to pass with only a handful of births (hence the decline in Dwarven numbers by the end of the Third Age). When a child is born, it is seen as a monumental blessing â a gift from Mahal (AulĂ«) himself, and a cause for deep reverence and guarded joy.
đ Private, Not Public Unlike the boisterous and public birth celebrations of Men, Dwarven customs tend toward privacy and solemnity. A childâs birth is not shouted from the mountaintops â rather, it is whispered through the stone. The family, close kin, and members of their House or Hall may gather in quiet observance, but even then, such gatherings are likely modest, reverent, and very much closed to outsiders.
Dwarves do not take life lightly, and the birth of a new Dwarrow is treated with a sense of sacred duty.
đ ïž Rituals and Rites While Tolkien didnât describe specific Dwarven birth rituals, we can make educated assumptions based on the two major cultural inspirations behind Dwarves: Hebrew tradition and Old Norse custom.
From the Hebrew side, one might imagine something akin to:
A naming rite, possibly held on the seventh day after birth
A blessing spoken over the child, invoking Mahalâs protection and wisdom
The presentation of the inner-name, known only to the parents and the child's name guardians â a name never spoken aloud beyond these very closest of kin.
From the Old Norse side, we might envision:
The child being presented to the ancestral forge
The forging or gifting of a symbolic item: a small pendant, a rune-stone, or even the first tool to be used in training
Possibly a ritual touch of stone, linking the child to the enduring strength of the earth
Dwarvish child (with beard, naturally) being presented to the ancestral forge
đ§± The Role of Clan and Hall While the birth remains a private family affair, the clan and hall often take a formal interest, particularly if the child is of noble blood, or if the population of the hold is modest. In such cases, the elders may offer formal recognition, or record the birth in the family scrolls â the genealogical ledgers kept within each Hold. Note as well that females were often omitted from ledgers (unless they gave birth to Lords, Kings or Princes) - DĂs being a prime example of the only female noted in Dwarvish genealogical information given to us by Tolkien. Reason for this is not a form of discrimination toward female Dwarves, but rather the added secrecy and protection of females. They were so valued that even their names would be hidden (both in spoken and written form).
đŒ Gender and Names As with other aspects of Dwarven life, discretion reigns supreme. The childâs gender is not usually discussed beyond kin, and their inner-name is kept secret. Only the outer-name is eventually revealed â sometimes not until years later â especially if the child will be trained in another Hold or away from their clan.
Names are not chosen lightly. Often they are inherited, or carefully crafted using ancestral root sounds to honour forebears. (For instance, Ăin and GlĂłin being the sons of GrĂłin, is a deliberate echo of ancestry, not mere coincidence.)
đ§Ą In Summary:
Births are rare and deeply cherished among the Dwarves
Celebrations are private, solemn, and reverent â not public festivals
Inspired by Hebrew and Norse traditions, rites may involve blessings, naming ceremonies, symbolic objects, and ancestral rituals
The inner-name is sacred and rarely spoken
Clan records may preserve the birth, though much remains unspoken to outsiders
So yes â Dwarves do celebrate births, though perhaps not as Men do. In their own quiet, stone-bound way, they honour the miracle of new life with all the weight and reverence their culture demands. And to them, that is enough.
Ever at your service, The Dwarrow Scholar
What do you think a persons accent would sound like if they grew up with Khuzdul as their first language? Like if that was what they grew up speaking and then they learned English as a second language? Iâm genuinely curious, this has been on my mind for ages.
Well met!
A genuinely thought-provoking question! This sort of linguistic speculation always gets my scholarly heart humming, thank you for that. Before we begin, my sincerest apologies for the very long delay in replying â some questions linger far too long in the vaults of the mountain (often lost there, sadly) before they are unearthed again.
Now letâs dive in.
First of all, we need to look at the history and context of Khuzdul speakers. By the time Erebor was reclaimed in 2941 of the Third Age, the majority of Longbeard Dwarves were living in exile. Only those born before the fall of Erebor in 2770 would likely have had Khuzdul as a true first language. Dwarves live to around 250, so with 171, adding their childhood/young adult years, etc.. that would be a fair amount of Dwarves, but still wouldn't be the majority of them. Most others would have grown up speaking the language of the region in which they found themselves â whether Dalish, the Common Tongue (Westron), or something else â and Khuzdul would have been taught more like a ceremonial or ancestral tongue, spoken in specific contexts and (as usual) kept secret from outsiders.
So while itâs tempting to imagine Dwarves all growing up fluently speaking Khuzdul as their mother tongue, in reality, by the end of the Third Age, most would have acquired it much like one would learn Latin or Hebrew in some religious traditions â with reverence, structure, and secrecy, but not necessarily as a daily spoken vernacular.
Now, if we take your question in the hypothetical sense â imagining someone raised entirely in Khuzdul, who then learned Common Tongue (which did not actually sound like English, by the way) as a second language â what kind of accent would emerge?
Letâs first address a common assumption: the âScottish Dwarfâ trope. This is a modern addition, popularized by franchises such as Dungeons & Dragons, Warhammer, and various adaptations of Tolkien's works (notably the Peter Jackson films). In Tolkien's own writings, however, there's little evidence to support the idea that Dwarves spoke with a Scottish brogue. For instance, the word âladâ â often associated with that dialect â only appears twice in The Hobbit, and even then itâs used in a rather generic fashion: once by Thorin ("a fine adventurous lad") and once by Balin ("lads").
Balin - in The Hobbit movies speaking with a distinct Scottish accent. (Coming easy for him, as the actor Ken Stott is Scottish)
As for Khuzdul itself â Tolkien based it structurally on Semitic languages like Hebrew and Arabic, particularly in its triconsonantal roots. However, that doesnât mean the phonology (sound system) is identical. Far from it, in fact, as Khuzdul lacks some of the harsher guttural and emphatic consonants found in Arabic or Biblical Hebrew, often favouring aspirated variants instead. So while some might assume a Khuzdul speaker would sound Arabic or Israeli when speaking English, that comparison doesnât quite hold up - at least not completely.
Instead, we might expect:
A more aspirated style of speech, with softer but clearly defined consonants. A distinctive r sound â likely a voiced alveolar trill (rolled R) or voiced uvular trill (depending on their clan), akin to that of Slavic language or French and Modern Hebrew.
Notable difficulty with the English "th" sound â which would be a very common hurdle for Khuzdul speakers. Tolkien himself noted that âthâ in Khuzdul (and also in names like TharkĂ»n, the Dwarvish name for Gandalf) should be pronounced âmore or less as in outhouseâ â not the soft âthâ from "things" or "path" (voiceless dental fricative). The same applies, for instance, to âkh,â which Tolkien compared to the âkhâ in backhand, not the one seen in the word "Loch" (voiceless velar fricative).
A young dwarf apprentice learning Common Tongue pronunciation
So, to summarize: a Khuzdul-first speaker might sound to our ears like someone with a Semitic linguistic background â but one that lacks the stronger throaty consonants. Add to that the difficulty with âth,â a trilled âr,â and a cadence that reflects the rhythm of a language that places significant emphasis on consonantal roots and often compact syllables, and youâve got a fairly distinct accent.
Imagine a Dwarvish foreman delivering a rousing speech in the Common Tongue, their speech would sound clear, grounded, deliberate, rhythmic and slightly percussive â in a way sounding somewhat like the sounds a master miner might produce with their tools.
Ever at your service, The Dwarrow Scholar
My favourite fan theory about anything is "Gandalf fucked a hobbit once", as an explanation as to why he's so invested in them. Like several generations ago, purely by happenstance he just happened to encounter a fearless Took lass who decided to Fuck That Old Man and by the powers of supreme hobbit reproduction skills, the natural happens.
So Gandalf just goes "ah well fuck, gotta fix this", somehow makes sure she's arranged an excellent marriage, and pays her future husband a visit like "just a heads-up you're going to have an early, unexpectedly large and supremely excellent child and you are going to be nothing but loving and proud of your firstborn, or she is going to become a very rich young widow whose husband tragically died of a mysterious case of Killed By A Wizard, ok?"
And after that he's been visiting here and there to discreetly keep track of which ones are his descendants, and then after keeping track of all of them becomes too much work, decides to narrow down to the ones he's deemed to take after him (the ones the other hobbits think are weird, mostly) until deciding that Bilbo was his favourite. Probably has zero wizard blood in him by now and Gandalf doesn't even consider the hobbits he's been keeping tabs on as his offspring in any way anymore, it's basically a hobby to him by now.
So any time other Maiar or other immortal races notice him keeping an eye on the hobbits and ask him what's his deal with the halflings anyway, he just shrugs and goes "idk I just think they're neat."
Correction: Bullroarer Took, Bilbo's great-great-grand uncle, who was tall enough to ride a horse and was also the canonical inventor of the sport of golf, was the second son of a Shire-Thain and his wife whose name and further identity have gone unrecorded. Gandalf would not have gotten involved with a mere maiden, but got climbed on by a certified milf.
sharing my favorite type of cultural misunderstanding that i barely see between these two
fellas, what's more painful? being stabbed or this scene?
this is an absolutely horrible post that makes no sense but last night i told my roommate that trying to take the lord of the rings, the silmarillion, and the hobbit and explain the tonal and narrative difference and what it all means as a series is like if you only had three sources about what happens in england (a made up place, as we all know) and they were geoffrey of monmouthâs âthe history of the kings of britainâ, modern doctor who, and a singular episode of peppa pig. and youâre out here trying to force these to be part of a cohesive narrative
The first page of The Hobbit in the style of a 16th century medieval illuminated manuscript.
This started as a comfort drawing while I rewatched all the Hobbit films and ended up being a full on artwork that took a long time...
Reading the Silmarillion, the elves seem so active and full of life.Theyâre always doing things. When you get to the Lord of the Rings, they just seem so tired. Elrond holds a meeting and then heâs out. Galadriel has some guests stay with her. Theyâre so done. They just wanna leave.
the number of people in the top vs bottom pic is accurate too
"NO DWARVES IN MY FOREST đĄ"
"Your wife is hot."
"...THIS ONE DWARF WITH IMPECCABLE TASTE CAN STAY"
THE FELLOWSHIP OF THE RING (2001)
happy october 24th!
I donât think any movie will make me feel the same ethereal sense of otherworldly sorrow and disembodied awe as that scene in Lord of the Rings where the loyal son is sent off into a doomed battle to please his vindictive father while Pippin sings a mourning song of his people
I was like 12 and high off this shit
These movies CHANGED ME
This is one of my favourite parts of the whole trilogy. Itâs haunting.
And that Pippin takes actually a happy walking song of his people, because Hobbit songs are generally happy and about food and drink and gifts and things, and *transforms* it into a mourning song.
The song is from Fellowship, before all the heavy plot hits and theyâre still in the Shire. Itâs about walking, and how eventually all the bad things that scare or sadden you will fade away and youâll be home warm by the fire.
And Pippin takes it, changes the lines, the key, and sings a song that is truly fit for Denethorâs great hall.
Knowing Billy Boyd gave his own melody to it and everyone had chills after hearing him sing it. This is how you get actors involved with the story and character, this is how amazingly well these films were cast. Fans have been singing that haunting tune in echoing halls and caves and towers for 20 years now and it never loses its beauty.
Home is behind
The world ahead
And there are many paths to tread
Through shadow
To the edge of night
Until the stars are all alight
Mist and shadow
Cloud and shade
All shall fade
All shall
Fade
And even better: Billy Boyd composed the tune to the song and then performed it for Peter Jackson and everyone else while filming. They only did one take! That very first take is the one thatâs used in the film! Heâs just that good!!
Every now and then I like to pull up this video of Billy Boyd being endearing and silly and choked up about Boromirâs death scene, and then performing this song upon request:
I sing it as a lullaby to my children but I use the original âaway shall fadeâ to make it less sad because theyâre just babies. uwu
Not even my fandom and I have chills.
You know what, Iâm not done. Every aspiring writer should watch that scene and keep in mind the axiom âevery person is the protagonist in their own mind,â because Denethor and Pippin are having TWO ENTIRELY DIFFERENT CONVERSATIONS.
Hereâs the translation of how it goes.
WHAT DENETHOR SAYS: can you sing, Master Hobbit?
WHAT DENETHOR MEANS: I want entertainment and youâre from far lands. Thatâs a novelty here.
WHAT PIPPIN HEARS: I donât care that I just sent my son to his death. Entertain me.
WHAT PIPPIN SAYS: yes. Well, well enough for my own people. But we have no songs fit for great halls.
WHAT PIPPIN MEANS: yes. But not for you. And our songs arenât for people who engage in such cruelty.
WHAT DENETHOR HEARS: yes, but Iâm embarrassed because mine are simple folk, and youâre very grand and regal. Thereâs no way I could be of any use to you.
WHAT DENETHOR SAYS: and why should your songs be unfit for my halls? Sing me a song.
WHAT DENETHOR MEANS: weâre all equals culturally. Iâm a benevolent ruler, I donât think your songs are inferior to those produced by my skilled musicians. Let me engage with your culture.
WHAT PIPPIN HEARS: I have literally already forgotten about my son. Iâm more interested in entertainment and food, things you normally adore and which Iâm making a mockery of by my actions. So sing to me songs of those things you love, entertainment and food. My son doesnât matter to me and shouldnât matter to you.
And then Pippin sings.
WHAT DENETHOR HEARS: what a pretty little song.
WHAT PIPPIN IS SAYING WITH THE SONG: fuck you for doing this to your son, who I love. Fuck you for doing this to me, as I mourn. Fuck you for making a mockery of the things I love, when itâs clear you donât care for them any more than you do for YOUR SON. Your child, who you should want to protect. If you wonât mourn in these halls, by everything I hold dear I swear SOMEONE will.
Pippin canât say any of this out loud. But his word choices are extremely deliberate. And so are Denethorâs! He does not see himself as a bad person! I donât know enough LOTR to know if heâs a villain or just an asshole, but the important thing here is HE THINKS OF HIMSELF AS NEITHER. Heâs a good guy whoâs had to make some hard choices, thatâs all. Itâs the editing that tells you heâs not actually that at all.
This is a MASTERCLASS in âeveryone is their own protagonistâ and if this is the standard the movies rise to all the time I understand why yâall love them so much, because holy shit. Thatâs incredible.
@lotrheritageposts
LOTR Heritage Post
The best thing about LotR fandom is probably that itâs like a little ecosystem that does not require much new material to chew on. People regularly lift the lid and peek in and there is everyone feasting on a 24 year old adaptation like itâs a whalefall and theyâre like are you STILL doing that? and weâre like yeah? Pull up a fuckin bone
Thinking of the larger context of LOTR and like, the fellowship swapping old war stories and shit and Sam just says âYeah I killed a huge spiderâŠShelob, I think?â
And Gandalf just blinks and is like, âYou what now?â
âYeah, killed it. Had to save Frodoâ
Gandalf elects not to tell Sam that he killed the spawn of a primordial demon.
the daughter of the embodiment of darkness which ate the original sun and moon and almost ate the devil.
That's not important. What is important is that it was a danger to Mister Frodo.