Sweet Seals For You, Always

Discoholic 🪩
Alisa U Zemlji Chuda
I'd rather be in outer space 🛸
trying on a metaphor
Keni
Three Goblin Art
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Monterey Bay Aquarium
taylor price
One Nice Bug Per Day
sheepfilms
he wasn't even looking at me and he found me

Product Placement

❣ Chile in a Photography ❣
Today's Document
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we're not kids anymore.
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@stupidlysir
Jeanne Dielman, 23, Quai du Commerce, 1080 Bruxelles (1975), dir. Chantal Akerman
Interiors
My Most Haunted Roll Of Film Yet
ghosts! ghosts! ghosts!
ghosts! ghosts! ghosts! ghosts!
'the confessional, 2002' in louise bourgeois: the spider + the tapestries -hatje cantz (2015)
Some stars from my journals
Tove Jansson - Composition with Moomin characters
Charlotta Maria Hauksdotti, Topography Study V, 2017
exaggerated fruit postcards ca. 1909-10
“Culture”-ally stimulating art. Even mold can be beautiful…
by microbiologist Antoine Bridier-Nahmias
via Magical Contamination
by amalie gammicchia
Льны Белорусские | Belarusian Flax;
Victor Gromyko, 1970.
i saw go before me, a great impossible thing
sensual and concrete
splitting me open
renders me obsolete
i’ve slain greater
and moved on
make room in hell
make room in hell
make room in hell
they cry, you don’t have to go
they cry, you don’t have to go
my love
i know
i know
i know
i know
i know
i know
i know
i know
Twenty years before the term “socially engaged art” entered the lexicon, Wendy Ewald realized that, when she gave cameras to children, they
“My little sister is praying,” Mounia Betioui, Morocco, 1995.
“Here is my cousin, Miry, with the skulls and fruit for the Day of the Dead,” Juan Jesús Murillo, Mexico, 1991.
“My lame cousin-brother is dressed like saint Sadhu Hari,” Kalu Rupsingh, India, 1989-90.
“The chickens run behind my mother,” Carlos Andrés Villaneuva, Colombia, 1982-85.
'Duck Descending'. Yvonne Helene Jacquette. 2000. Ten color lithograph with hand coloring on paper.
My home :}
Meeting Burger. Sorrento, May 2012.