hi! I really like your blog, it's nice to see someone else who's critical of su without getting super worked up and generally being chill abt it. this question might not be very directly su-related, but how do you feel about white authors writing poc characters?
Ayy, thanks a mil fam! I love laid back shit talking. Now if only I could force my hack ass to actually finish and post something. Ah well. And thanks for this question. I actually feel some kind of way about this, so get ready for some boring shit.
As for white writers and POC, my simple answer is if it’s good, I don’t give a damn who wrote it. In theory, that works. In practice however...it doesn’t always work well.
My opinion is that white authors that make things with POC characters can do a good job, but usually only if the character HAPPENS to be black or asian or latinx or whatever. You could argue that it’s cutting them off from their culture, but I think that’s bullshit. I know plenty of POC that live secular western lives and never think about culture or don’t even feel they have one. And that’s fine. There’s no wrong way to be what you feel like you are if you aren’t harming others, and minorities are not a monolith. Only if it’s a just cause thing though. White people making POC characters because they’ve got a quota to fill is lame AF. You can spot it from a mile away because it’s always forced and weird.
That said, if a lot of the character’s struggles are race related or even if they exist within a culture very different than the author, it’s probably better avoided for a white author. Not because i hate white people. I love lots of white people. Shit, I been kissin white girls since 2004. But I think people, especially POC, look for white people to fuck up shit like that. Why start out with a bias against you, y’know? Plus, yeah, if you do fuck it up it’s gonna come across as being pretty disrespectful, like you couldn’t even bother to get a different perspective or do proper research. This ain’t 1939 and that “ah don’t know nothin’ ‘bout birthin’ no babies,” shit doesn’t fly anymore. Then again, I like white boy Arthur Golden’s “Memoirs of a Geisha”. But you know who doesn’t like that book? Geisha. While the care taken in accurately portraying Japanese cultural understanding and social structure, geisha feel that his book casts an unfairly negative light on their notoriously secretive lives. Also, he kind of fucked over Mineko Iwasaki, the ex-geisha he interviewed for background info, and that’s no good.
Personally, as an artist, I think it’s at least a little in bad taste to try and tell stories you aren’t invested in or aren’t yours to tell. I’m Afro-Arab (among other things, holy hell am I a mutt) on my mother’s side, and some of my favorite books, Hirsi Ali’s “Infidel” and Draper’s “Copper Sun” are by black female authors writing about something they felt was theirs to tell. You don’t get that kind of passion without some kind of investment.
Eh, at the end of the day, people do what they want and make what they want anyway, and I just hope that some small fraction of it is good or at least interesting and not shit.