"Disappointing Writing" (If only characters could speak for themselves) "You know, you could have warned me, before forcing me to look at something so utterly disgusting..." cit*
Fanart: Alastor and Vox off-camera
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"Disappointing Writing" (If only characters could speak for themselves) "You know, you could have warned me, before forcing me to look at something so utterly disgusting..." cit*
Fanart: Alastor and Vox off-camera
Reasons your Plot armor is showing
⟢ Protagonist never gets seriously injured despite constant danger
⟢ Convenient skills appear exactly when needed
⟢ "Somehow" doing heavy lifting in your explanations
⟢ Bullets miss protagonist but hit everyone around them
⟢ Protagonist immune to their own bad decisions
⟢ Only character who doesn't catch the deadly plague
⟢ Falling from deadly height with minor bruises
⟢ Allies die dramatically, protagonist gets rescued last-second
⟢ Learning complex skills overnight
⟢ "Lucky" so many times it's a superpower
⟢ Stab wound? Walking it off!
⟢ Resources appear when needed, vanish when inconvenient
⟢ Guards always look the other way at the right moment
⟢ Protagonist's impulsive plans always work
⟢ Enemies become incompetent around protagonist
⟢ Saved by coincidence (seventeenth time this book)
⟢ Technology works/fails based on plot needs
⟢ "Unconscious" for exactly the right amount of time
⟢ No food/water/sleep needed during crisis Injuries that would cause shock? Totally fine!
⟢ Emotional trauma with no PTSD
⟢ Protagonist never makes a truly fatal mistake
⟢ Backup arrives at the exact dramatic moment "Just in time" is your most common phrase
⟢ Escaping impossible situations off-page "I don't know how I did it" (yes you do: plot armor)
⟢ "Trust your instincts" = always right
⟢ Redemption arc speedrun with no actual work
⟢ "Chosen One" immunity to normal consequences
⟢ Physics optional for protagonist only
jealousy, jealousy — m.s
⟢ 𝓼ummary: megan gets jealous easily
⟢ 𝓹airing: megan skiendiel x idol f!r
⟢ 𝓽ags: jealousy, gf texts, fluff
⟢ 𝒶uthor 𝓃ote: making this instead of updating my smau 🥰 and yes guys ik that says wo ai ni/i love you for her name
masterlist
Forever
summary: before your shift, you and jack into a disagreement. when a patient accidentally hurts you, you realise something about your relationship with him.
content: jack abbot x afab!reader (i wrote this with afab in mind, but it’s pretty gn), reader uses she/her pronouns, reader has hair, reader is shorter than jack, non-specified age gap, medical inaccuracies, descriptions of injury (broken cheek bone, gash, and bruises), reader gets assaulted by a patient, hurt/comfort, fluff, bad writing, proof read only once because i’m lazy
wc: 2.7k+
a/n: hey everyone!! sorry for being absent for so long. depression + anxiety + ocd + uni is kicking my ass. i’ll do my best to write some more just for funsies. this is my first abbot fic, so please be kind!! i’m so sorry if i mess anything up, please let me know in a nice manner. i know my writing is very truly terrible, so if anyone has any tips or comments, do let me know!!
You found him injured (requested)
|Fluff|civilian!reader x military!ghost|
Your front door clicked shut. The sound vibrating through your empty flat. You had only moved here a week ago and had yet to go find furniture. Or proper dishes. Living off of paper plates, plastic cups and a single mattress in the center of the room.
You sighed loudly. Even that echoed.
This was pathetic. You moved out of your home, insisting that you could handle yourself in real life, that you were a grown ass adult but-
There was a loud clatter outside. Nearly making you jump out of your skin. "God, why me." You whispered.
Another shift outside. Near the back door where the creepy alleyway was. The one you had to go out of to take the trash out and dreaded every single second of it.
Heart pounding, you grabbed your purse. Was it a weapon? - no, not at all. Was it all you had? - yes.
Steeling yourself for the potential horrors on the other side, you whispered, "Yes, genius, do the dumb horror movie stuff." Then you pushed open the door.
You seized. Not expecting there to be an actual man there. Maybe a cat, a dog. Something.
His head snapped towards you. A mask covered everything but his eyes. He was tall but quickly hunched over again, gripping the opposite wall for support.
You were too busy being in shock to see that he was strapped to the teeth in weapons, a bullet proof vest and - blood.
Then he collapsed. Legs giving out as he braced himself and landed on the ground with a dull thud. His deep brown gaze cut towards you. "Leave."
That took you out of your shock. "Excuse me?"
He jerked his head. "Y' heard me. Go on." The corners of his eyes crinkled in what you assumed was pain. He was holding his thigh.
"Are you hurt?" You asked dumbly, wanting to punch yourself in the face for asking the obvious. He was not amused.
"If you're going to keep talking atleast bring me some damn guaze." He huffed.
You don't know why but you did. Running to grab the only type of preparation you did take with you. Then ran back but before you could get any closer than his legs, he held up a hand. "Close enough. Hand it over."
You scowled but tossed the kit at him. He began stemming the blood with calm skill that made you wonder how many times he's done this. "Are you military?"
He nodded. The amount of blood he was losing made you want to throw up. It was amazing he hadn't yet passed out. Or maybe you spoke too soon.
One second he was tending and the next he was limp and leaning to the side. Panic striked you. You weren't trained for this! "Oh! Uh, hey, wake up. Don't- uh die. Please don't die."
You grabbed his arm. And damn, was he heavy. Grunting, you slowly but surely managed to get him inside. Probably not your best idea. Letting a strange man in your home.
He remained impassive. You pressed down on his wound, it looked knife like. You couldn't tell if it wss deep or not. So you kept the pressure until you couldn't feel your fingers.
Slowly, he came to, blinking slowly. Observing but as still as a statue. His fingers twitched. "You brought me inside." He noted. "Of your home. Which is very unfurnished."
You stared at him in disbelief. "I'm trying to help you."
He sat up and removed your hand none too gently. "Don't need it." Then he grabbed the needle and thread. "What I do need is to get out of here as soon as possible."
You watched in mild horror as he pushed the needle through one side of the wound and out the other. He took the pain in a stride. "What if you pass out again?"
"I'm more worried about you, love. You look about ready to piss yer' pants." He snorted. Threading it in again.
You sighed in annoyance. "Fine. Let me atleast get you some water or something." You stood up and went to the kitchen.
He said nothing, only turned to watch you. Closely, like you were under his microscope before you came back.
Your hand brushed his as he took the water, downing most of it in one gulp. "What made you help me anyway?"
Crossing your legs beneath you as you thought of the answer, you messed with a stand of your hair. "Basic human empathy."
He raised a brow. "Love, you pulled an armed man inside your house. I think theres a bit more."
You sighed and threw your hands. "Why does it matter?"
His hands paused on the needle. "Because most people wouldn't have. Not in my experience."
Your expression shifted a fraction. A moment passed. Then too. And he was still looking at you. "Why do you keep calling me 'love'?" You asked quietly.
"Because I only call preety birds 'love'."
I actually think 96 minutes is plenty of time to present a cohesive and well-thought out story that doesn’t waste itself on convoluted and ultimately useless plot points while hinging on the retconning of established and vital canon (which still doesn’t help it much)
The issue with the finale isn’t the shortened time. The issue is that at the end of the day, bad writing— whether stretched across an hour and a half or six hours— is still bad writing.
how did we go from people making their own film reels with robin's monologue to people coming out in fear of ending up like mike
While it's a common issue with all the more recent remakes (The Little Mermaid, Snow White, etc) one of the most frustrating parts of the Lilo and Stitch remake is how carelessly it lifts scenes and dialogue word-for-word from the original script. And without any of the original context attached, what they've carried over from the animated film completely clashes with the things that the new writers have changed or removed.
They still keep the setup of the mosquito joke, with Pleakley explaining that they're an "endangered species" so they can't just destroy Earth.
But unlike the original, this doesn't lead to a running gag - Pleakley never sees or even mentions mosquitos again for the rest of the film - nor do we get the final payoff where it's revealed Cobra was the one who told them this (he has no prior contact with the aliens at all in this version).
So now there's no actual reason for how or why the aliens think this, and one of the best jokes from the original film is reduced to a weird throwaway line that makes no sense.
They also keep the scene where Stitch and Jumba destroy Lilo and Nani's house. Only now, it has completely different circumstances leading up to it, and the consequences this incident is supposed to have are completely skipped over.
It doesn't prompt Cobra to take Lilo, nor does it lead to Lilo running away (the closest equivalent happens before this scene) or getting captured, and when seeing the destruction themselves, Nani and the others are just mildly confused at best before they go back to the issue at hand.
So instead of a genuinely devastating culmination of all the film's mishaps, the destruction of the house now serves no purpose in the story and is completely pointless.
Even the music suffers from this, like Nani singing Aloha Oe or Lilo listening to Elvis.
In the first film, these songs tied into the characters' cultural heritage, and the film's running commentary about America's modern day colonisation of Hawaii. But, this being modern Disney, the more political themes are omitted entirely from this version - certainly not helped by the fact that they didn't even bother to cast a Native Hawaiian actress as Nani - and other than playing a few of this songs, the movie downplays Elvis' prominence so much that it never even mentions him by name.
So instead of actually serving the story or themes, there's no deeper meaning or purpose whatsoever behind the songs beyond the fact they're in the animated film, and now they're just included out of obligation.
That's only a few of many, many examples (feel free to share others), but perhaps even moreso than the other Disney remakes, this one really makes you appreciate how layered and well-structured the original film was in comparison.