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BenQ V7000i Projector Review

BenQ V7000i Projector Review

If an 85-inch picture is not enough for you to watch movies and does not match the sound of your surround sound theater system, then there is only one way out - a projector. And if at the same time you do not want or cannot implement a classic projection system in your living room, then the solution is to use an ultra-short throw projector, for example, BenQ V7000i.

It all started with projection TVs. At the end of the last century, when the most popular screen size of televisions (then still kinescope) was 25-29 inches, projection devices could offer a picture with an unrealistic for that time diagonal of 50 or even 60 inches. And those projection models looked like real TVs, because they combined a rear projection projector, a screen and speakers in one case.

Years have passed. The screen size of mass-produced TVs has steadily grown, and many home cinema fans have chosen projectors that provide a picture with a diagonal of more than 100 inches. But building a home theater based on a classic projector involves solving a number of problems - from organizing a darkening of the room to laying wiring to the projector, and only great enthusiasts are ready to solve them. But what about other movie lovers who prefer to watch it on a really big screen? And here good old projection TVs come to the rescue - more precisely, ultra-short-throw projectors, for example, BenQ V7000i, combining a large screen size with ease of installation and operation. However, first things first.

We study

In addition to the possibility of obtaining a large image, the projection method of forming an image has another important advantage - it is more natural for the human eye. Our vision perceives surrounding objects through sunlight or electric light reflected from them. This type of perception of visual information is familiar to humans, and it is on this principle that the work of the projector is based. Unlike projectors, the TV screen emits light in the direction of the viewer, and such an image is perceived by the brain as artificial.

Ultra-short-focus optics allows you to place the BenQ V7000i directly next to the screen - most often the device is installed on a TV cabinet under the screen. Thus, firstly, there is no need to hang the projector from the ceiling and lay long enough cables to it, since it is located next to the rest of the system components, and, secondly, this arrangement prevents viewers from getting between the projector and the screen - that is, viewing nothing can interfere.

One of the main problems of using a classic projector instead of a TV is the need to darken the room. The BenQ V7000i Ultra Short Throw Projector can take some of those worries away. A high light output of up to 2,500 lumens, combined with a short projection distance, provides a very bright picture - in direct sunlight, of course, it will be difficult to perceive it, but pitch darkness is not required for viewing. BenQ V7000i can be viewed quite comfortably in the background electric light or with loose curtains drawn in daylight. However, regular TVs also fail in direct sunlight.

A special ALR-screen (Ambient Light Rejecting) will help in obtaining a bright picture from an ultra-short-throw projector, blocking up to 85% of stray light due to the use of black-and-white linear Fresnel lenses. The black lens layer absorbs background light, while the white elements reflect the projector's radiation directly to the viewer. Often such a screen comes with ultra short throw projectors, but BenQ decided to give the freedom to choose the required screen size and not tie the buyer to the option that comes with the kit.

The necessary high luminous flux in the BenQ V7000i projector is provided not by the usual high-pressure mercury lamp, but by a laser-phosphor light source, which is characterized by radiation coherence, that is, the ability to maintain the phase difference of the waves that make up the radiation in space over time. As a result, it is possible to obtain more juicy and natural colors.

Another distinguishing feature of the laser light source was the almost complete absence of inertia when changing the brightness of the glow, which makes it possible to realize at a qualitatively new level the increase in image contrast, which in projectors with a high-pressure lamp was achieved using a much more inertial dynamic lens aperture.

The third advantage of a laser light source in comparison with a high-pressure lamp is a significantly longer resource, quite comparable to the resource of an LED or OLED panel of a conventional TV. If the projection lamp in the projector was actually a consumable with a resource of 2 to 5 thousand hours of operation, then for the laser source of the BenQ V7000i projector, the manufacturer declares a resource of 20 thousand hours.

And the long list of advantages does not end there - the laser light source gains nominal brightness when turned on much faster than the lamp, and when turned off it does not need long-term heat removal, which is strictly necessary for a high-pressure lamp. That is, turning the BenQ V7000i on and off is no different from controlling a regular TV.

The light source in the BenQ V7000i is based on an assembly of blue laser diodes and a phosphor wheel that converts blue light to white. The blue laser was chosen because the output power of laser diodes depends on the wavelength of light, and the highest intensity can be achieved in the blue spectrum.

BenQ has long been a trusted partner of Texas Instruments in advancing micromirror imaging technology. It was in BenQ projectors that the latest versions of micromirror chips were the first to appear. The BenQ V7000i was no exception. It uses single-chip DLP technology based on a Texas Instruments micromirror DMD assembly with a diagonal of 0.47” and a physical resolution of 1920 x 1080 pixels. 4K resolution (3840 x 2160) is achieved with an XPR (Expanded Pixel Resolution) optical actuator. Moreover, this is not at all some kind of artificial method of increasing resolution - as a result of its work, an image with a real 4K resolution is formed on the screen. The technology of "optical shift" uses the inertia of human vision - several images are sequentially projected onto the screen with an optical shift, which is produced by the XPR actuator. The high rate of change of these images does not allow the eye to fix these "switches" and the frame is perceived as a whole - with a multiple higher resolution. I note that a color image is formed in a similar way in single-chip micromirror projectors - red, green and blue color components are sequentially displayed on the screen, and the eye integrates a full-color image.

The BenQ V7000i projector supports HDR10 high dynamic range video. There is a proprietary HDR PRO mode, which enhances detail in bright and dark scenes. Reference color reproduction is achieved not only by factory calibration of the projector and the implementation of a special Filmmaker Mode, but also due to the widest coverage of the DCI-P3 color space , which, according to the manufacturer, reaches a record level of 98%.

As noted earlier, the BenQ V7000i projector is equipped with an audio system, which allows it to work autonomously - an external surround sound system is not necessary to accompany movies. At the same time, we are not talking about a small full-range speaker, which is usually equipped with presentation models - here, behind the acoustically transparent fabric that trims the front panel of the projector, there are two three-way (!!!) speaker systems, each of which is powered by a 5-watt amplifier. The virtual surround sound is simulated by the DSP. Of course, the built-in audio system will not replace the full-size surround sound system of a home theater, but most of the regular TV acoustics will replay for sure. TreVolo took part in the development and tuning of the audio system of the BenQ V7000i projector.

With a modern TV, the BenQ V7000i projector is related to the smart functions of the Android TV operating system, implemented in the external dongle BenQ QS01, connected to the HDMI port. On the one hand, this solution reduces the number of available HDMI ports to one, and an external device connected to the projector complicates the installation. On the other hand, such functionality is developing very quickly today - over time, to get new features, it will be enough for you to replace an inexpensive dongle, and not change the entire projector. In this sense, this solution provides more flexibility.

The BenQ QS01 dongle is based on the Amlogic S905Y2 processor with four Cortex-A53 cores and is equipped with 2 GB of RAM and 16 GB of permanent memory. Integration into the home computer network is implemented only through dual-band Wi-Fi (2.4 GHz / 5 GHz, 802.11 a/b/g/n/ac). There is also a Bluetooth 4.2 LE adapter. The dongle is equipped with HDMI 2.0b and microUSB ports for power supply. The projector comes with two remote controls - the larger one allows you to fully control the settings of the projector, and the smaller white remote control is also optimized for dongle control and contains special buttons for calling Google Assistant, Amazon Prime Video and other services. At the same time, using this remote control, you can control the main functions of the projector, which allows you to manage them in everyday use, and use the large remote control only to configure the projector.

Without the help of a dongle, the BenQ V7000i projector can play media files from external USB drives, for connecting which there are two USB 2.0 ports and one USB 3.0 port. Supports video playback inMPEG1, MPEG4, H.263, H.264, H.265 and Motion JPEG formats in all popular containers. The only point is that the built-in player does not support playback of full disc images in ISO files and in the directory structure. However, I did not attribute this to shortcomings, since not a single TV model that I had to deal with has such an opportunity.

Installation and setup

To test the BenQ V7000i ultra short throw projector, we chose the BenQ ALR 100" branded ALR screen with a diagonal of 100 inches, specially designed for BenQ V7000i / V7050i projectors.For a maximum diagonal of 120" these figures would be 33.1 cm and 31.3 cm, respectively. the screen will have to be done mechanically - the optical system of the projector does not provide any adjustments other than focus adjustment. However, this is a common situation with ultra short throw projectors.To help the installer, the manufacturer has provided the ability to adjust the height of all four legs of the projector, and also provided the BenQ V7000i with two retractable rulers to control the distance to the screen surface.The system menu of the BenQ V7000i projector provides access to an advanced set of picture settings, including detailed settings for color temperature, gamma, advanced color component control, and so on. But BenQ home theater projectors are factory calibrated to deliver true-to-life color out of the box. Therefore, it was enough to turn off all kinds of “enhancers” of motion transmission and activate the Filmmaker Mode.

When testing the BenQ V7000i projector, we used both its built-in multimedia player that played content from an external USB hard drive and an external OPPO BDP-203 player connected via HDMI. In addition to 4K UltraHD Blu-ray discs, the test included Full HD material from Blu-ray discs, as well as movies from streaming services.

We watch and listen

You can look forever - at flowing water, flames and ... driving off when you turn on the top panel of the BenQ V7000i projector. In addition to the visual effect, this detail performs a very important function. The fact is that in ultra-short-throw projectors, the lens is actually located, albeit at an angle, but upwards with an external lens, which is open not only to dust, but also to the encroachment of small film enthusiasts and pets. The protective panel in the BenQ V7000i projector reliably protects against possible troubles. And it's just beautiful!

The BenQ V7000i projector showed a picture saturated with the smallest details with natural color reproduction. Usually, when evaluating, special attention is paid to the ability to reproduce deep blacks, but here you immediately pay attention to the juiciness, but not the loudness of almost the entire palette. The projector carefully works out the finest shades of color and brightness transitions, while natural color reproduction and a serious margin of contrast give a truly three-dimensional frame.

The second point - even in background lighting conditions, the brightness of the projector was quite enough to form an expressive picture - no degradation of the dark areas of the frame was observed, and on the video material with a wide dynamic range HDR, the image became even deeper and more voluminous.

The third point (in order, but not in importance) is the high-quality work of the video processor - the most dynamic movements in the frame are reproduced with minimal blur and the absence of halos. Sports competitions or dynamic action scenes of modern blockbusters are presented by BenQ V7000i without a hint of strobing or friezes. Ideally performed by the projector and upscaling Full HD material from Blu-ray discs to 4K resolution.

And, finally, about the soundtrack of the video sequence - the TreVolo audio system built into the BenQ V7000i demonstrated a rather expressive sound with detailed high frequencies and tight bass. At the same time, I was not able to overload the acoustics - of course, it will not be able to amaze the imagination with thunderous explosions, but the built-in audio system is quite capable of accompanying the film with a clean soundtrack without distortion - and it even knows how to create a semblance of some volume.

Passport data:

Type - Laser Ultra Short Throw 4K Projector | Full name - BenQ V7000i | Luminous flux, ANSI-lm - 2 500 | Light source - laser, resource 20,000 hours | Image resolution, pix. – 4K UHD 3840 x 2160 | Physical aspect ratio - 16:9 | Matrices: type, size (inch) - 1 x DMD Ti 0.47 | Matrix resolution physical, pix. – 1920 x 1080 (4K resolution generated via XPR optical image shift) | Video streaming support - up to 4K/60Hz HDR10 | Screen diagonal, inches - 70 - 120 | Projector installation distance from a 100-inch screen, cm - 22.2 | Video Inputs – HDMI v2.0 (2) (one with ARC support) | Audio Output - Digital Optical Toslink | Network Integration Capabilities - Wi-Fi 802.11ac (2.4GHz / 5GHz) - via BenQ QS01 dongle included | built-in speakers, Tue – 2 x 5 | Optional motorized lens guard, BenQ QS01 external dongle with Android TV, two remote controls | Power consumption, W - 480 | Dimensions (W x H x D), cm - 50.0 x 15.7 x 38.8 ‎| Weight, kg - 10.0

Ratings

Pros: expressive detailed picture with natural color reproduction, wide color gamut, factory calibration, HDR10 support, long laser light source life, Android TV capabilities, built-in audio system, stylish design with motorized privacy shutters: there is no projection screen in the kit, the need to ensure a rigid fixation of the projector relative to the screen, integration into a computer network only via Wi-Fi

Design – 100

Workmanship - 95

Image - 95

Functions - 95

Total - 95

Conclusion:

A modern laser ultra-short throw projector is quite capable of competing with top-end TVs. Offering a huge picture size that even flagship TVs are still beyond the reach of, the BenQ V7000i has full-fledged smart TV functionality and high brightness, enough to not bother with special measures to darken the room. And installing the projector directly below the screen will eliminate the usual problems of installing a classic projection system. The stylish design of the BenQ V7000i with a motorized privacy shutter is a bonus.

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Klipsch RW-34C Speaker system

The Klipsch RW-34C center channel speaker is designed for use in wireless surround sound systems based on WiSA technology. The Klipsch RW-34C is equipped with proprietary speakers, including a Tractrix horn driver, as well as powerful amplifiers. WiSA technology allows you to create an easy-to-use and easy-to-install home theater system.

TECHNOLOGY WiSA

WiSA allows you to create multi-channel home theater without the use of speaker cables. High quality sound is ensured by DSP signal processing and individual amplifiers for each speaker in the speakers. In addition, the presence of built-in amplifiers eliminates the need for external devices (AV receivers).

EASY INSTALLATION

Reference Wireless speakers can be installed in minutes without the need for cables. This gives you the freedom to place your speakers anywhere in your room without having to worry about running speaker cables. Connect these speakers to WiSA compliant devices (including 2019 LG SUHD and OLED TVs, Windows 10 and Mac OS computers, or Xbox One) with a certified AXIIM Link module. This transmitter transmits a lossless digital signal for Klipsch Reference Wireless speakers.

HORN TRACTRIX 90X90

Klipsch Tractrix 90x90° proprietary horns deliver high frequencies efficiently and reduce unwanted sound reflections. The use of this patented technology delivers clear, dynamic and detailed sound for movies and music.

LTS TWEETER

Klipsch's aluminum dome Linear Travel Suspension (LTS) tweeter delivers detailed sound with minimal distortion. The tweeter dome suspension uses Kapton, an extremely light and stiff material that provides high performance and improves sound resolution and detail.

IMG DIFFUSERS WITH COPPER COATING

The IMG woofer cones are exceptionally light yet very rigid, delivering deep bass without resonance or distortion. In combination with a horn LTS tweeter, this guarantees the highest speaker sensitivity among models in this class.

MOUNTING OPTIONS

Thanks to standard mounting holes, the Klipsch RW-34C can be mounted on a variety of universal brackets, including wall brackets (sold separately).

Characteristics

Frequency Response:                            82 Hz - 21 kHz

Power:                                                    amplifier 80W (nominal) / 160W (peak)Crossover Frequency:   1600 HzTweeter:   

25mm aluminum dome with LTS suspension in 90 x 90 Tractrix horn

Type of shell:  Tractrix bass reflexHousing material

:                                  MDF

Weight:                           6.5 kg

Dimensions (HxWxD):   660 x 133 x 157 mm

Price:   per piece

Wireless technology:    WiSA, up to 24 bit / 48 kHz

Woofer: 4 x 87 mm, IMG diffusers

Guarantee: 1 year

Production:      USA

Finishing:                             black texture film

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Acoustic Energy AE 509  Floor standing Loudspeaker

Acoustic Energy has taken the next step in its evolution by showing pre-production samples of its top-of-the-line 500 speakers at the Bristol Hi-Fi Show 2019. Traditionally, AE starts with stereo-oriented products with the AE500 bookshelf monitors and floor-standing speakers. AE509.

Both models use specially designed carbon fiber tweeters and carbon fiber woofers. The carbon fiber diaphragms have the same rigidity as the company's traditional ceramic-coated aluminum cones but have better internal damping.

The tweeters are loaded on small aluminum waveguides, and in the mid/bass drivers, in addition to the new cone material, oversized voice coils are used. The bodies of the models are made of a multilayer composite (RSC) of different densities, based on the technology used in the reference series (AE Reference). The wall thickness is 18 mm. All surfaces are internally coated with an anti-resonant compound. What makes the sound of the speakers clear and focused - without any unnecessary overtones and resonances.To further improve damping, the base of the AE 509 cabinet is filled with sound-absorbing ballast, plus the floor standers received anti-vibration milled aluminum mounts and massive spikes.

Main characteristics

Manufacturer:                                                                                                                    Acoustic Energy

Category:                                                                                                                             floor acoustics

A country:                                                                                                                                England

Guarantee:                                                                                                                                1 year

Color:                                                                                                                              Black High Gloss

Finishing material:                                                                                                                   varnish

Weight (piece), kg:                                                                                                                      22

Height, mm:                                                                                                                              1000

Width, mm:                                                                                                                                185

 Depth, mm:                                                                                                                                270

Acoustic design:                                                                                                                 Bass-reflex type

Power, max, W:                                                                                                                          175

Sensitivity, dB:                                                                                                                            89

Resistance, Ohm:                                                                                                                          6

Frequency range, Hz:                                                                                                              32-28000

Sound pressure, dB:                                                                                                                     115

Number of lanes:                                                                                                                            2

Number of speakers:                                                                                                                      3

tweeter:                                                                                                                                25 mm carbon

Midrange speaker:                                                                                                              125 mm carbon

Speaker woofer:                                                                                                                  125 mm carbon

Crossover frequency:                                                                                                             2.8 kHz

Terminals:                                                                                                                               screw

Bi wire:                                                                                                                                     No

Peculiarities

To further improve damping, the base of the AE 509 cabinet is filled with sound-absorbing ballast, plus the floor standers received anti-vibration milled aluminum mounts and massive spikes.

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Floor acoustics Waterfall Niagara Platinum

Floor-standing speaker system Niagara Platinum, produced by the French company Waterfall, is a unique phenomenon in the market of modern Hi-Fi acoustics. Exclusive materials and technologies are used to create an uncompromising visual and acoustic experience.

Named after one of Earth's greatest waterfalls, the case is crafted from 15mm diamond glass, nappa leather and solid aluminium. It has exceptional rigidity and very low self-resonances, however, it is also extremely difficult and expensive to process. The company's vast experience in the manufacture of glass enclosures guarantees their amazing acoustic properties.

Waterfall Niagara Platinum will be a spectacular addition to a variety of interiors, whether it's a cozy living room, a clean modern office, or a stylish home theater. With equal success, she can both draw attention to herself and visually dissolve in the environment, depending on what role you assign her.

Waterfall Niagara Platinum has a 2.5-lane configuration and consists of two separate units. A high-frequency horn emitter with a neodymium magnetic system is mounted in the upper one. The main unit has two proprietary 180mm Atohm speakers. Acoustic Damping Tube technology eliminates sound reflections from the speakers and delivers exceptionally accurate sound. Bass/midrange drivers are loaded on a passive woofer with a diameter of 210 mm at the base of the speaker.

The use of a passive radiator is a high-tech solution, which, in light of its complexity, is far from being accepted by every manufacturer. It allows Niagara Platinum basses to sound even more powerful and deep, and also slows down the natural frequency response decay at the lowest frequencies. Moreover, special weights are supplied with the speakers, which you can easily attach to the passive radiator cone. By making it heavier in this way, and thereby lowering its resonant frequency, you change the bass response of the entire speaker. This setting is very useful for matching the sound of the speakers to a particular room: you can not be afraid that the low-frequency resonances of the room will coincide with the resonances of the passive radiator, making the bass unnecessarily boomy.

The crossover filter, made from high-quality components, is hidden in a massive support platform, and a pair of gold-plated screw terminals serves to connect the amplifier. The conductors connecting the speakers with a crossover filter located at the base of the speakers are made in a very unusual way - in the form of silver "spokes" penetrating the front panel of the speakers from top to bottom.

The manufacturer recommends using Waterfall Niagara Platinum acoustics with 60-250 W amplifiers in large rooms.

Features floorstanding speakers Waterfall Niagara Platinum

Glass cabinet Horn

HF driver

Downward-facing LF driver

Main characteristics

Manufacturer:                                               Waterfall

Category:                                                      floor acoustics

Side:                                                             FranceGuarantee:                                                   1 year Finishing material:                                       Glass

Height, mm:                                                 1200Width, mm:                                                  320

Depth, mm:                                                  300Acoustic design:                                          closed type Power, min, W:                                            60

Power, max, W:                                           250Sensitivity, dB:                                            89

Frequency range, Hz:                                  36-28000Number of lanes:                                         3

Number of speakers:                                   4

Dynamic HF:                                              21 мм, Athom SD 21 EXDynamic SC:                                              2x180, mm Athom LD 165 EX Speaker woofer:                                         210 mm passive Athom UFR 210 By-Wire:                                                    No

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DeFunc Home wireless audio systems

Wireless audio is gaining popularity, confidently pushing classic stereo systems out of modern homes. Of course, it is premature to talk about the death of the classic component stereo - enthusiasts remain true to the canons, but if we take into account the mass segment, we can state that music has gone to cloud services and is played in most cases through headphones or compact wireless speakers. Exactly the ones offered by the Swedish company DeFunc in the Home series.

The name of the Swedish company DeFunc is made up of two words - design (De) and functionality (Func). The company started with the development and production of TWS headphones, and now introduced the Home series of wireless audio systems. As the name implies, the series includes models designed for permanent indoor installation. As a result, the main channel for broadcasting content is Wi-Fi.

DeFunc's Home series of wireless audio systems include two models whose unpretentious names clearly distinguish them - Large and Small. The case of first has a diameter of 30 cm, the second - 20 cm. These are wireless active speaker systems made in a two-way configuration. Both models feature the same 19mm soft dome tweeters. The drivers serving the mid-range and low-frequency range differ in size - Large is equipped with a speaker with a polypropylene cone with a diameter of 178 mm on a rubber suspension, and a small driver with a diameter of 102 mm is installed in Small.

Amplifiers built into audio systems also differ in power. The DeFunc Home Large has a 100 watt amplifier, while the smaller model is content with 40 watts. And, finally, the models are equipped with external power supplies of different power - the Large model comes with a 100-watt power supply, and the power unit for the Small speaker is 40 watts.

Otherwise, the models are identical and offer the same network functionality. Wi-Fi is used to integrate DeFunc Home audio systems into a home computer network. The initial connection to the network is carried out through a proprietary application for mobile gadgets DeFunc App and does not cause any difficulties. By the way, we note the attention of the Swedish manufacturer to the little things - everything from packaging to the application interface is carefully thought out and executed at the highest level. In this regard, DeFunc products are reminiscent of the products of the California "apple" company, considered the standard of ergonomics and quality.

Through the same application, you can control all DeFunc Home audio systems installed in different rooms of your house - for example, navigate through the music libraries of streaming services and assign certain content to different speakers. Support for TWS (True Wireless Stereo) technology allows you to connect two DeFunc Home audio systems to work together through the application and get a full-fledged stereo system in the right room. There is also the possibility of live broadcasting content from mobile gadgets - for this, the audio systems support Bluetooth and Airplay 2. For those who like to chat with smart electronics, DeFunc Home has the Amazon Alexa voice assistant in its arsenal of skills.

The only cable going to the DeFunc Home speakers will be the cable between the power supply and the audio system. Its length is three meters, which provides a wide field for maneuvering when installing acoustics. And the manufacturer has provided a lot of options for installing audio systems. Comes with a compact metal stand for mounting the speaker on a table or shelf. As options, you can purchase a whole range of stands and suspensions - a floor stand with the ability to adjust the height, which can be used as an alternative desktop stand with a round base, as well as brackets for mounting the speaker on a flat wall and in a corner. All fasteners allow masking the supply cable.

Returning to the attention to detail mentioned above, it is necessary to note the possibility of customizing the design of DeFunc Home audio systems. Both models are available in two finishes - black with gold accents and white with chrome details. In addition, the manufacturer offers the so-called Design Kit as options for each of the models - eight options for removable protective grills of various colors, complete with special covers for the power cable of the corresponding color. Given that the grill completely covers the front panel of the speaker, you can either make the audio systems as inconspicuous as possible in the interior, or vice versa - revive the design of the room with bright accents using DeFunc Home. Moreover, under the order, the manufacturer can produce grills with an arbitrary print according to your order.

DeFunc Home Large and DeFunc Home Small wireless audio systems were tested in an acoustically prepared showroom of DeFunc's distributor in Russia, DIGIS. The floor area was about 40 square meters. The speakers were auditioned both solo and as part of a stereo pair. In the first case, the audio systems were installed on the table, in the second - on racks for shelf speakers. Management was carried out through the proprietary application DeFunc App installed on a Samsung A52 smartphone. The test tracks were played from the TIDAL streaming service.

Despite the confident filling of a fairly large hall with music by a monoblock audio system, a pair of DeFunc Home speakers paired to work in stereo pair mode is required to form a surround sound canvas with a clear arrangement of sound sources on the stage. And if two small DeFunc Home Small organically takes their place on a desk or chest of drawers in a small cozy office, then a pair of older DeFunc Home Large on branded racks is quite capable of replacing a mid-range Hi-Fi stereo system. On the one hand, in this case you will lose the opportunity to listen to your favorite vinyl record or CD, and on the other hand, the price of such a replacement will most likely be significantly less than the total cost of component Hi-Fi. In addition, if you have long preferred streaming music, the first argument will not matter much.

Type - wireless audio system | Name – DeFunc Home Large | Price, rubles - 34 990 | Built-in amplifier power, W - 100 | Number of bands - 2 (HF - 1 x 19 mm, soft dome; MF / LF - 1 x 178 mm, polypropylene cone with rubber suspension) | Acoustic design - phase inverter | Frequency range, Hz - 30 - 20,000 | Wireless interfaces - Wi-Fi, Bluetooth 5.0 | Inputs - 3.5mm analog mini jack | Additionally - support for TWS (True Wireless Stereo), Airplay 2, app control, support for streaming services Amazon Music / Apple Music / Deezer / iHeartRadio / Napster / Qobuz / Spotify / Tidal / TuneIn, support for Amazon Alexa voice assistant, alarm clock | Power of the external power supply, W - 144 | Audio system dimensions (W x H x D), cm - 30.0 x 30.0 x 15.0 | Weight (without power supply), kg - 3.7

Type - wireless audio system | Name – DeFunc Home Small | Price, rubles - 19 990 | Built-in amplifier power, W - 40 | Number of bands - 2 (HF - 1 x 19 mm, soft dome; MF / LF - 1 x 102 mm, polypropylene cone with rubber suspension) | Acoustic design - phase inverter | Frequency range, Hz - 50 - 20,000 | Wireless interfaces - Wi-Fi, Bluetooth 5.0 | Inputs - 3.5mm analog mini jack | Additionally - support for TWS (True Wireless Stereo), Airplay 2, app control, support for streaming services Amazon Music / Apple Music / Deezer / iHeartRadio / Napster / Qobuz / Spotify / Tidal / TuneIn, support for Amazon Alexa voice assistant, alarm clock | Power of the external power supply, W - 60 | Audio system dimensions (W x H x D), cm - 20.0 x 20.0 x 10.1 | Weight (without power supply), kg - 1.5

Ratings

Pros : advanced network functionality, support for True Wireless Stereo technology, expressive sound, stylish design, affordable price

Cons: for Bluetooth wireless channel, there is no support for aptX and aptX HD codecs

Design - 95

Workmanship - 95

Sound - 95

Functions - 95

Total - 95

Conclusion:

The combination of modern networking capabilities and Hi-Fi sound quality is not uncommon in wireless audio systems. The Swedish company DeFunc, with its Home series of wireless acoustics, proves that such solutions can be affordable - and this is already a very rare combination of qualities. Strict Scandinavian design and an abundance of options for mounting and customizing speakers are a bonus here.

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Meridian DSP8000 XE at ISE 2023

Meridian has announced in detail its participation in ISE 2023, which will open in Barcelona on the last day of January. The headliner of the exposition, apparently, will be the flagship acoustics DSP8000 XE, developed under the Extreme Engineering Program, which Meridian started 6 years ago. The company talks about a new sound architecture, increased power and improved performance, and taking into account the achievements of psychoacoustics. The novelty will appear before ISE visitors in Volcanic Red color.

Another representative of the Meridian DSP line, number 750, is capable of creating up to 120 dB of sound pressure in a range that starts at 30 Hz. The system, according to the manufacturer, demonstrates excellent dynamics, low levels of noise and distortion, and is not tiring for the listener.

Another model, the DSP3200 (in Volcanic Orange, in the title image) is a compact system with two built-in amplifiers and built-in digital signal processing that works both on its own and in a variety of acoustic combinations. It uses Meridian digital signal processing technologies.

In addition, the 210 Streamer, 218 Zone Controller, 258 Power Amplifier, 271 Digital Theater Controller and 251 Powered Zone Controller models are announced at the Meridian exposition at ISE 2023. The firm also intends to promote its free service for automatic maintenance of installation projects.

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Paradigm XR 11 and XR 13 subwoofers

The Canadian company Paradigm has released two new models of active subwoofers XR 11 and XR 13, part of the Founder series. Between themselves, the models differ in the size of the woofer - 11 inches versus 13 inches - and the power of the built-in amplifier. The Paradigm XR 11 delivers up to 1,100 watts (2,200 watts peak), while the Paradigm XR 13 delivers up to 2,200 watts (4,400 watts peak).

Both models are made in a closed case, and the drivers are equipped with carbon fiber cones with a long stroke. Each speaker received a dual voice coil wound on a ventilated frame, as well as a double Nomex centering washer. The magnetic system uses three ceramic-metal alloy magnets.

The internal volume is divided by partitions of the original form, optimizing the movement of airflow inside the case, and the external side machines have a profile that matches the design of other AC series models. Both subwoofers are supported by shock-absorbing metal and rubber feet called Advanced Shock-Mount.

The included microphone and the ARC Genesis app are used to adjust the response of the subwoofers in the room. Model Paradigm XR 11 has dimensions of 41.2 x 38.8 x 42.9 cm and weighs 29 kg, the older Paradigm XR 13 is more imposing - 47.8 x 43.8 x 49.3 cm and 47.1 kg.

Active subwoofers Paradigm XR 11 and Paradigm XR 13 are sold in the European market for 4990 euros and 6290 euros, respectively.F

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ELAC Debut Reference 5.1

With the Debut series, speaker specialist ELAC from Kiel proved a few years ago that good sound can be achieved at a reasonable price. Having modernized the popular series of speakers both visually and technically, ELAC also offers the Debut Reference line.

Team takeoff

A few years ago, Andrew Jones, a world-famous speaker designer, joined ELAC, headquartered in Kiel. One of his first big projects was the realization of the Debut series, a line of surprisingly good-sounding speakers at enticingly affordable prices. Having upgraded the sound with Debut 2.0, ELAC has introduced a further improvement in sound quality as well as design with the Debut Reference series. Andrew Jones continues to be in charge of technical and sonic performance, and the Debut Reference's price range remains pleasingly affordable.

Debut Reference

Undoubtedly, in addition to the best sound for current buyers, an attractive appearance and the ability to bring modern fresh aspects to the living room environment are also important. Elegant shapes and proportions are in demand, and the combination of light woods and white brushed lacquer surfaces meets the prevailing tastes of the moment. The Debut Reference series picks up on these trends with slender speakers with matte white lacquered fronts and light oak cabinets. Debut Reference speakers are also available with black front panels and walnut finish. If you look closely, you will notice that the surfaces are not covered with natural veneer, but with a scratch-resistant film that realistically imitates wood. This approach is due only to the price range and does not affect either the overall visual impression or the sound quality. For ELAC, it turned out to be much more important to equip the Debut Reference models with first-class redesigned drivers and maximize acoustic performance, rather than cladding them with natural wood. For our test, we put together a 5.1-channel cinema set from the models in the series, consisting of DFR52 floor standing speakers, DBR62 bookshelf speakers and DCR52 center channel speakers. Since the Debut Reference series does not include a subwoofer, the SUB 2030, a proven active woofer, has joined our team. This compact device fits perfectly into the series for the price. Of course, you can pick up another, larger, option,

Technology

Small but important changes have been made to the Debut Reference series in terms of sound improvement. For example, the optimized waveguide in front of the inch tweeter in all models of the series ensures the best radiation divergence around the listening room. The built-in metal grille with baffle protects the sensitive tweeter. For the mid/bass driver, ELAC uses membranes made of composite material reinforced with aramid fibers. The DFR52 floorstanding units, about 101 cm high, have two woofers with cones with a diameter of 110 mm and a midrange driver of the same size, while the compact DBR62 bookshelves have a slightly larger driver with a 130 mm membrane for reproducing low and medium frequencies. The DCR52 center channel speakers have two drivers with 110 mm cones that act as mid/bass drivers. All speakers have a bass-reflex design with small slots on the front panels, which are ports of the bass-reflex. This configuration is particularly beneficial when the center and rear speakers are placed close to the wall, allowing low-frequency sound waves to enter the listening room unhindered.

Subwoofer SUB 2030

The SUB 2030 is a powered subwoofer with dimensions of only 30 x 35 x 31 cm, yet packed with many features. With a 350-watt power amp and a 210mm down-firing driver built into a closed cabinet, this small model really delivers surprisingly deep and dynamic bass reproduction. This low-cost component is suitable for everyday use and can even be upgraded to a wireless version if needed, as an optional Bluetooth receiver can be connected to its USB port.

Lab Research and Listening

In our measurement lab, the Debut Reference columns have impressively demonstrated their high quality standards. Frequency response measurements on the DFR52 and DCR52 confirm their neutral and balanced sound character. Even at listening angles of 30° it hardly changes, the center speaker does its job almost perfectly and faithfully reproduces relevant content for listeners in the room. Compared to the previous version, the impulse response of the Debut Reference has also improved. In the cumulative spectrum of DFR52, only minor resonance phenomena can be noted in the mid/low frequency range, and above 1 kHz they are practically absent. The SUB 2030 extends the remarkably extended - up to about 60 Hz - floor-standing speaker bass range already up to 20 Hz, which is very good for such a small subwoofer. When listening to a set of speakers from the ELAC Debut Reference series, it turned out to be on top - beautiful in appearance, it also demonstrates a surprisingly dynamic and lively sound, delivering a lot of pleasure both when listening to music and, of course, when watching movies thanks to its balance and high detail. The Debut Reference is particularly good at the dialogue and cinematic effects. Even away from the optimal listening position, conversational scenes sound crystal clear and fit perfectly into the overall acoustic picture. The DFR52 and SUB 2030 work together to produce crisp, deep bass impulses for rich sound in action scenes. Even for medium-sized listening rooms, when played at high volumes, the dynamic range of the Debut Reference and SUB 2030 is more than convincing.

Center speaker and subwoofer frequency response: DCR52 balanced sound even at a listening angle of 30° and excellent bass range down to 90 Hz. The compact subwoofer SUB 2030 extends the playback bandwidth of the kit to a frequency of about 20 Hz.

Front Speaker Frequency Response: Over a wide frequency range, the DFR52 delivers balanced sound and excellent directivity. You can only notice a slight drop around 800 Hz, but this has almost no effect on the sound.

The cumulative spectrum of the front speakers: in comparison with the previous version, the impulse response of the new Debut Reference has also become better. The DFR52 has only minor resonance phenomena in the low/mid range, and above 1 kHz they are practically absent.

Conclusion

With the release of the Debut Reference line, ELAC has managed to improve the sound quality of the series that preceded it. In addition, the understated and sophisticated design has been incredibly successful, with Debut Reference models looking very elegant and timeless. If maximum sound quality and an attractive appearance at the best price are important to you, then the Debut Reference is the perfect choice!

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Mission 778 X integrated amplifier

Mission 778 X: A High-Performance Integrated Amplifier for Audiophiles

Music lovers and audiophiles alike will be thrilled with the latest addition to the Mission audio equipment line-up, the Mission 778 X integrated amplifier. This versatile and high-performance amplifier is designed to deliver exceptional sound quality, with features that make it a standout choice for anyone who takes their music seriously.

At the heart of the Mission 778 X is a powerful Class AB amplifier circuit, which provides ample power to drive even the most demanding of speakers. With its ability to deliver up to 100 watts per channel, this amplifier is capable of handling high-end loudspeakers with ease. The amplifier also features a high-quality preamp stage, which provides excellent soundstage, detail and separation.

One of the key features of the Mission 778 X is its flexible connectivity options. It has a range of inputs, including a balanced XLR input, RCA input, and a phono input for turntable connection, making it easy to connect a wide variety of sources. The amplifier also features an HT bypass input, which allows it to be used as part of a home theater setup, further enhancing its versatility.

The Mission 778 X also boasts an impressive design, with a sleek aluminum front panel and a robust steel chassis. The amplifier has a compact size, making it easy to integrate into any home audio setup, and its clean, uncluttered design allows it to blend seamlessly into any décor.

The amplifier is easy to use, with intuitive controls and a simple setup process. It also features a high-quality headphone amplifier, which provides an immersive listening experience for those who want to enjoy their music in private.The Mission 778 X is designed to deliver exceptional sound quality, and its performance lives up to its promise. With its powerful amplification, flexible connectivity, and outstanding build quality, this integrated amplifier is a standout choice for music lovers and audiophiles. Whether you're looking to create a high-end home audio setup, or simply want to improve your music listening experience, the Mission 778 X is an excellent choice.

In conclusion, the Mission 778 X integrated amplifier is a remarkable piece of audio equipment that is designed to deliver outstanding performance and versatility. With its powerful amplification, flexible connectivity, and exceptional build quality, this amplifier is sure to impress music lovers and audiophiles alike.

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Mo°sound acoustics: broadbands in porcelain balls

Mo°sound is part of the Audio Tuning group which is none other than Heinz Lichtenegger of Project. Mo°sound offers several models of acoustics, notable for their cabinets - these are spheres made of pure porcelain. Austrian designer and audiophile Roland Jaklitsch, founder of Mo°sound, believes that "the spherical shape is technically ideal" for speaker cabinets, and porcelain can form "a very hard hollow sphere with low vibration and absolutely uniform wall thickness".

The cabinets of these speakers are porcelain spheres with a diameter of 17.5 cm. Between themselves, the speakers differ in finishing (hand-applied glaze combined with screen printing) and speakers. There are two options for three-inch broadband.The oldest Viennese porcelain manufactory (part-time attraction, art object, and exhibition space) Augarten undertook the production of porcelain spheres. The almost closed, seamless spherical shape required the use of a complex "internal explosion" technology.

As a result, three models of Mo°sound acoustics appeared: Classic with classic speakers, the cones of which are made of aluminum-magnesium alloy, Superior, with bamboo cones and a copper-plated phase-equalizing central body, and Augarten, complemented by a luxury version of the porcelain cabinet. Close cooperation with Project resulted in the recommendation to pair these speakers with MaiA amplification or Stereobox BT. As a subwoofer, the Pro-Ject Sub 50. A bass model is offered.

However, Mo ° sound also has a bass support option. That's what it's called, Bass. Spherical satellites are installed on subwoofers in the form of a spherical segment with an 8-inch woofer directed upwards. The body of the low-frequency unit is cast from concrete.

In Europe, the prices of Mo ° sound acoustics look like this: Classic - 900, Superior - 1,500 Augarten - 3,300, and Bass - 6,700 euros.

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Monitor Audio Creator - a new series of built-in acoustics

The British company Monitor Audio, which celebrated its 50th anniversary last year, presented a new series of built-in speaker systems Creator at ISE 2023 in Barcelona. Innovative developments have made it possible to create installation solutions with even better sound quality and more convenient installation.The Monitor Audio Creator series consists of three levels of models. Such a hierarchy allows you to create a sound system of any complexity, absolutely logical in structure for both the installer and the end user. Monitor Audio's Creator line includes 19 models: 14 in-ceiling and 5 in-wall.

When creating speakers of the Creator series, the feedback and wishes of installers around the world participating in the Monitor Audio affiliate program were carefully analyzed. Technologies, materials, possible use cases and even model indices of new speakers help to achieve predictable results with minimal effort and maximum efficiency.

One of the important innovations implemented in Monitor Audio's Creator line of built-in speakers is the Quik-Link cable switching system. Anyone who has dealt with the installation of built-in speakers knows how difficult it is to hold a speaker in your hands and at the same time connect a speaker cable to it. The Monitor Audio engineers have made this task easy. The terminal block of the Creator models is removable. A cable is connected to it, and the block itself is attached to the column at the final stage using a magnetic lock.

Another example of facilitating the work of installers was the second-generation Tri-Grip recessed speaker mounting system in the mounting hole. In addition to ease of installation, this system provides a more secure fixation than the system of the first version.

The Creator series includes four models of built-in speakers in the Controlled Performance modification. These speakers are made in cases, so their sound quality is not affected by the presence or absence of preliminary acoustic treatment of the installation site.

An important feature of the new Creator series was that, while maintaining the same landing dimensions, Monitor Audio engineers managed to place larger speakers in the speakers. For example, instead of 6.5-inch drivers in previous generations of built-in speakers, Creator speakers are equipped with 7-inch drivers, and instead of 8-inch drivers, speakers are used an inch larger. According to the caliber built-in speakers Creator are divided into three classes: 5, 7 and 9 inches. The diameter of the mounting holes in this case is 173, 218 and 250 mm.

Also in the new Creator series, models are divided into three levels according to the technologies used. At the basic level, low-frequency drivers and tweeters created using C-CAM technology are used. In high-frequency radiators - with a Uniform Dispersion waveguide. This class can be roughly compared with the Bronze series of home speakers in the Monitor Audio corporate hierarchy. Models a class above are equipped with bass drivers with RST II technology. There is also the possibility of additional adjustment of the frequency response. This class of “inserts” can be correlated with the Silver series of home acoustics. All Creator built-in speakers of the first two levels are made in a two-way configuration.

The third level of the Creator line of built-in acoustics consists of three-way models with RDT III low-frequency drivers, a technology developed for the third generation of the flagship Platinum series. In addition, a Dual Concentric II coaxial midrange/tweeter is used here.

The in-wall model W3M is THX certified. The high frequency range is served here by the MPD II Hale transducer. In addition to the ribbon tweeter, an RST II midrange driver and a pair of RDT III low-frequency drivers are installed here.

The system of model indexes of the new Creator series has become an example of clarity and simplicity. The first letter in the index determines the installation location: wall (W) or ceiling (C). The next figure determines the technological class of the model - from the basic first to the top third. This is followed by a letter identifying the caliber of the AC: compact (S), medium (M) or full size (L). And finally, "optional" letters, separated by a hyphen, describe additional functionality. These are regular box (CP), combined 3 in 1 model (T2X), fixed installation angle (A) and so on.

An important point - in addition to models in a standard box (SR), all ceiling speakers of the first and second levels have an installation depth of less than 4 inches, and the third level - less than 5 inches. At the same time, the installation depth for wall-mounted speakers is only 85 mm.

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Quad VA-One+ Amplifier with Wharfedale Linton 85th Anniversary Speakers SalonAV magazine

At first, you don’t even know what claims to be the leading role in this set - new three-way monitors in a cool vintage design, released in honor of the 85th anniversary of Wharfedale, or a low-power tube Quad integrated circuit from the One series, modestly standing on the top shelf of a system rack. By the way, it is also new - it is endowed with a more advanced DAC.

TAKE FOR LIVE

This summer we already listened to one "old-school" Quad/Wharfedale tandem, made up of a Vena II transistor amplifier/DAC and two-way Denton 85th Anniversary bookshelves. When, a few months later, another representative of the Wharfedale Heritage line arrived in Moscow - twice as heavy and impressive Lintons, we expected to listen to them along with the second Vienna. But by this time, the delivery of the upgraded tube Quad VA-One + arrived in time and curiosity began to disassemble: isn’t this miniature amplifier best suited for creating a “classic” stereo system?

We look at the Linton 85th Anniversary data. The sensitivity of 90 dB with the current “market” standard of 87 - 89 cannot be called small. Bring a power of about 8-10 watts to such speakers and you can already count on a sound pressure of a hundred decibels (which, by the way, is even higher than the declared SPL for Dentons)! The nominal resistance of the three-band model is not 4, but 6 ohms, that is, they can be considered lighter and according to the "load" criterion. True, Wharfedale recommends connecting the Linton 85th Anniversary to an amplifier with at least 25 watts, and the tube Quad VA-One + does not have that much output - its "maximum sine" is only 15 ...

But that doesn't mean it won't fit. Acoustic manufacturers often overestimate the lower limit of the recommended power, since there have been cases of driver failure due to too sharp clipping, which can occur in low-power transistor amplifiers even at a relatively low output voltage. There is no such risk with tube amplifiers - they limit the amplitude of the amplified signal softer. And that is why on the official Quad website the VA-One + amplifier in the illustrations poses in tandem with Quad S-1 monitors, which, according to the company's recommendations, should also not be connected to amplifiers weaker than 25 watts.

In the meantime, we can only judge indirectly about VA-One +. Its predecessor VA-One never appeared in editorial tests, although reviews from music lovers are almost entirely positive. The upgraded model features a front panel design and a new digital-to-analog conversion unit. Like the PA-One+ headphone amp, the unit has an advanced 32-bit Saber ESS9018K2M converter instead of Cirrus Logic's standard 24-bit converter. Such a replacement radically raised the PA-One in the class, and in our case we can count on the same effect.

In terms of features and basic circuitry, the plus model is a replica of the amp that Quad released back in 2016. It has only one line input, which is almost directly connected to the volume control. The remaining four inputs are implemented on a digital switch, which allows you to receive a signal via coaxial, optical, USB, and Bluetooth. And that's what a classic Quad amp should look like for today's music lover - combining the "most original sound" of tube technology with today's sought-after PC and mobile connectivity. The amplifier can also be listened to through headphones and controlled via the remote control.Despite its small size, the VA-One+ is quite heavy and is a traditional transformer push-pull with three stages: pre-amplification is provided by ECC83 triodes, followed by an ECC82 dual triode driver that extracts the differential component, and then the signal is already symmetrically fed to the output pairs of pentodes EL84. The point of such textbook circuits is different: in the organization of power supply and the depth of environmental protection, in the control of lamp modes and output transformers, but Quad engineers prefer not to talk about this.

Linton acoustics repeat Denton 85th Anniversary conceptually, but its design is sharpened for playback with a much larger dynamic range (SPL can reach 110 dB). The bass part is given to a 20 cm driver with a Kevlar cone. The 630 - 2400 Hz range falls on a lightweight 135 mm driver, the membrane of which is also formed from the proprietary Black Woven Kevlar composite. The tweeter is identical to that used in Denton - with a silk dome and ferrite in the magnetic system. Both phase inverter ports are brought to the rear panel. Single line connection.

Especially for this acoustics, Wharfedale also released stylish vintage stands - extremely solid, heavy, and, by the way, functional (you can store vinyl records in them). I would also draw your attention to protective anthers. The fabric, which is stretched over the frame (the latter is fixed on the front side in the usual way - on steel pins), does not just resemble an old one in texture. The selected synthetic material feels thick and springy to the touch - the unusual three-dimensional weaving certainly somehow has a special effect on the acoustic properties. And this was clearly visible already in the first installation session with the Vena II amplifier. When located away from the walls, Linton built the music stage correctly and quite deeply, but after installing the grills, the sounding space became even more “visual” - it did not lose small details and gained expressive imagery! At the same time, the fabric slightly softened and neutralized the middle register, which at first caught a slight “overplay” (although it didn’t look like a tint).

The upper band is reminiscent of "Denton" in character - the emphasis is not on ideal linearity, but on a less formal and more important for musical perception) quality - uniformity of resolution over the entire band. Microdynamics on HF is transmitted almost exemplary, and this is eloquently evidenced by the distinguishability of all instruments in this band. Starting to listen to something, you first catch small tonal tints in the sound on sonorous or noise spectra, which are typical for old-school tweeters. But after five or ten minutes of adaptation, the ear completely switches to the "relax" mode - now it seems that the sound is exactly as it should be: nothing is brought here, nothing is retouched ...

Bass is also good precisely for its clarity, and not for volume or “meat”. However, at high levels, Lintons can give out not only a biting punch, but also a powerful blow, and linearity in this part, judging by the recognizability of the color of drums and bass guitars, is at a high level. The main thing is that neither box nor bass-reflex overtones are heard.

Now, not without some timidity, we switch the acoustics to the tube VA-One +. He actually needs some time after switching on to enter the “voice”, but he shows his different, in principle, musical interpretation right away. Musical drive is expressed, for example, not through the “weight” of drums, the fury of guitar bells and whistles, but through the density and richness of timbres, through the lively bulge of the voice, through the isolation of hi-hats and air trails. The naturalness of cellos and double basses is impressive – they turn out to be very saturated, focused and therefore especially “acoustic”. The same, however, can be said about brass, piano or acoustic guitar - the tones are lively and open. Such a textured clarity of timbres in a wide range indicates a good consistency of the mid-frequency head on each flank - and with a high-frequency driver, and with bass. And at the same time - and about the excellent "coordination" of native racks with speakers. If you put your palm on the acoustics during playback, then the body vibrations are almost not felt even at high volume levels.

The Linton/VA-One+ combo is just as good at reaching low bass, despite the lower amp power and less stringent bass control. A trace of compression due to the limitations of the output stages can only be heard on some powerful thunder or crushing shots from cannons, and for most music tracks the range is enough for the eyes (except for places where dynamic contrasts are very strong). The HF pattern is interesting - it is woven from clear sonorous dominants and soft clean atmospheric plumes. However, it all depends on the sound track being listened to - it is she who dictates both the form and the content of this picture. If with transistor amplification it seemed that the system was introducing a drop of some kind of “gag”, now the questions for resolution have disappeared completely. If somewhere something is embellished in sound, then only in the middle band,

Everything written above refers to playing audio files from a laptop via USB, and therefore includes an assessment of the work of the digital part. The analog input of the amplifier is so transparent that it allows you to hear the "hardware" nuances of another source - for example, a more restrained, but at the same time more verified feed by the DAC of a network streamer. But the most valuable quality of VA-One + is that, showing in the smallest gradations the difference between different sources, it still produces an amazingly musical and lively sound, even when powered by a smartphone via Bluetooth.If the VA-One+ had a price tag below the psychological threshold of "stallnik", we would without the slightest doubt award it with the label "Good Buy". However, among lamp models priced up to 2000 euros, it already looks advantageous in many respects.

As for the Linton, this pair of systems in any case looks like an extremely successful acquisition - both on their own and in combination with their own optional racks.

SYSTEM

Sources

Naim NDX 2 network player

Naim Uniti Core music server

laptop Apple MacBook Air A1465

smartphones OPPO Reno, iPhone 8

Quad Vena II Integrated Amplifier/DAC

Cables

Digital InAkustik Referenz High Speed ​​USB 2.0

interconnect RCA Atlas Hyper Grun Ultra

acoustic Atlas Ascent

power Atlas EOS and EOS Modular

Wharfedale Linton Stands

Quad VA-One+

Producer: Quad Electroacoustics Limited/IAG Group (Great Britain)Inputspair of linear RCA, TOSLink, Coax, USB Type-BexitsPhones 6.3 mmRCA input impedance50 kOhmSupported bit depthPCM up to  24bit/  96kHz (for S/PDIF inputs), up to 32bit/384kHz and DSD256 (via USB)RMS output power2 x  12W (into 8 or 4  ohms), 2 x  15W (into 6 ohms)Distortion level0.5%Frequency range20 Hz - 50  kHz (-3 dB)BluetoothA2DP, aptX, SBCFinishinggray mattDimensions (W x H x D)180 x 164 x 285 mmWeight10.8 kg

Wharfedale Linton 85th Anniversary

Producer: Wharfedale/IAG Group Ltd (Great Britain)Configuration3 emitters, 3 bandsAcoustic designphase inverterFrequency response40 –  20,000  Hz (with +/-3dB flatness)Sensitivity90 dBMaximum SPL110 dBRated/minimum resistance6/3.5 ohmRecommended Amplifier Power25 - 200  WFinishingnutDimensions300 x 565 x 330 mmWeight18.4 kg (each)

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Bowers & Wilkins 702 S3

The 702 S3 carbon dome tweeter is housed in an all-new massive chassis, and with a new down-port port configuration and three Aerofoil bass drivers, it delivers amazingly deep and razor-sharp bass.

Goosebumps guaranteed

Our flagship 702 S3 is the most advanced floor standing speaker system that sets a new level of performance in its class. If you want the very best, this is exactly what you need.

Home for Treble

The 700 Series features the latest generation of our iconic tweeter-on-top with an extended, massive one-piece cabinet. A longer load tube contributes to an even freer and more open sound at high frequencies. The carefully decoupled body is machined from a single block of aluminum to better resist resonance.

More clear details

The carbon dome tweeters are specially designed for the 700 series. A dramatic improvement over the aluminum double dome tweeter, they raise the first resonance frequency to 47kHz, delivering high fidelity and detail in the sound image

Really amazing sound

Thanks to its composite construction, the Continuum™ cone avoids the abrupt transitions in behavior that can degrade the sound of conventional speakers. The result is a more open, neutral performance that conveys voices and instruments with high fidelity and transparency.

Pure and clear sound

All 3-way speakers in the new 700 Series feature a dedicated midrange driver utilizing four key Bowers & Wilkins technologies: Continuum Cone, FST Suspension, Bionic Suspension Plate Suspension and Vibration Decoupling for minimal interference from the bass drivers

The triumph of science

Designed using advanced computer simulation techniques, the Aerofoil™ bass driver cone has a variable thickness, providing stiffness and strength where you need it most. The result: deep and dynamic bass.

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ELAC Vela FS 409

Opinions are divided over the look of the modern Reference series speakers from the traditional Kiel-based company. I liked them, although I have to admit that they do not always manage to look appropriate in the interior of the living room. This is the Vela line, a direct successor to the 400 series, whose speakers have been designed in a discreet yet elegant style that allows them to fit into any modern living space. ELAC has really managed to create the Vela FS 409 at 1.3m in such a way that, despite its size, it does not look bulky or conspicuous due to its slim silhouette.

versatility

Of course, there are also more compact models in the same range: small floorstanding FS 407 and compact bookshelves BS 403, as well as speakers of the center channel. They can be used to create superb surround sound – the right subwoofer can also be found in the diverse ELAC ranges.

Let's return to the FS 409: in a pleasantly shaped case with smoothed ribs, slightly tilted back, there are two woofers, a midrange driver and, of course, a JET tweeter, i.e. AMT (Air Motion Transducer) transducer, which has long been recognized as one of the main features of high-end ELAC loudspeakers.

Cone drivers are complemented by "crystal membranes" using the AS-XR technology introduced a few years ago. This is a multi-layer construction of a cone, "sealed" in front with a relief membrane, which increases the stability of work and, above all, prevents the development of resonances; this greatly simplifies the filter circuits in the crossover.

Two 18 cm woofers create the lowest frequencies, working in parallel only in the deep bass region. The lower of the two woofers leaves the race already at 140 Hz, and the upper passes the baton at around 360 Hz to a midrange similar to them, but with a diameter of 15 cm. At a frequency of 2700 Hz, the JET tweeter enters the race. This ribbon-type radiator features a newly developed waveguide that optimizes the angular radiation pattern and reduces side reflections. Two woofers saturate the space with sound, and a bass-reflex port that exits at the base of the speaker and points downwards supports them; with this configuration, the requirements for placing speakers in the room are reduced. This pedestal is made from a durable aluminum profile that provides excellent stability and doubles as a sturdy stand.

FS 409 also have base plates with bolted spikes and padded washers to protect the floor. The customer can choose from white or black glossy finishes, as well as walnut lacquered veneer. Optional round grilles are provided to protect the speakers. Sitting in front of the large Vela speakers in the listening room, we have to admit that, despite their imposing appearance, they do not “press” with their presence: you notice them, but thanks to their very organic shapes, they do not put themselves in the forefront. The same can be said about the acoustic characteristics: FS 409 does not try, playing quite neutrally, to emphasize any areas in the audible range. As for the dynamics, it notes exactly what you should expect from such large speakers: the combined surface area of ​​two 18cm drivers can deliver decent bass delivery. Depending on the product and volume, low-frequency impulses are able to penetrate to the depths of the soul. As an avid audiophile, you might not notice this - but let's be honest: listening to music should be fun, right? The transition to the midrange is smooth - which is not surprising, given the similarity of the speakers. The 15 cm driver is in no way inferior to low-frequency counterparts and provides excellent dynamics in the range where most real instruments have fundamental and overtones. The JET tweeter is beautifully built into a well-balanced reproduction - not an easy task, as far as I can tell, most speakers with this kind of transducer are a little too aggressive.

And, of course, in this case, the benefits gained from the experience of this company with rich traditions are affecting. In fact, the ELAC Vela FS 409 is one of the most advanced speakers I've tested in a while. These columns are definitely not for those people who care about the very fact of their presence. Trust my experience: they get bored very quickly. But in the case of ELAC, this is a completely different story: you can enjoy music for hours without getting tired even at high volumes, and enjoy the dynamics of their sound. This is possible with all genres of music and at almost any volume - the level at which ELACs begin to lose their abilities is definitely far beyond that at which "grateful" neighbors call the police. A few words about the sound stage: I had some doubts about this, because the tweeter is located well above the listener in a seated listening position. But my doubts were not justified: the scene is formed optimally in depth and width, while its overall scale can be precisely controlled by changing the distance between the speakers and the turn angle in relation to the listening position.

Commentary on the measurement results: balanced frequency response with a slight downward trend in the low-frequency range, but at the same time with very good extension. Quite high sensitivity and excellent angular response of sound directivity. THD values ​​up to -95 dB and the cumulative spectrum are unremarkable. The frequency dependence of the resistance will not cause any problems for any amplifier.

Conclusion

Visually and sonically, these are excellent and carefully balanced speakers that will be remembered for a long time even by the most demanding listeners.

Category: Speakers

Product: ELAC Vela FS 409

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Lyngdorf Cue-100 - Danish monitors with an unusual design

At the ISE 2023 exhibition that opened recently in Barcelona, ​​the Danish brand Lyngdorf Audio introduced the new Cue-100 two-way monitors, which stand out for their unusual design and a whole bunch of the latest technologies.

Lyngdorf Audio is best known to audio enthusiasts as a designer and manufacturer of the highest-quality electronic audio components for both music listening and high-end home cinema equipment. At the same time, acoustic systems have always remained in the area of ​​interest of Lyngdorf Audio. Head of Marketing at SL Audio A/S, which owns the Lyngdorf Audio brand, Roland Hoffmann says: “Loudspeakers have always been part of the DNA of the Lyngdorf Audio brand since the very first MH-1 and DP-1 loudspeakers. Now it's time for a new chapter that combines contemporary Danish design with Purifi's outstanding technology and our expertise in acoustics. The Cue-100 active monitors set new standards in music reproduction.

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Bowers & Wilkins Nautilus

Nothing looks and sounds like Nautilus™. It was a real revolution at the time of its appearance, and until now it remains an object of worship. His appearance shows what we are capable of. Nautilus is available in three standard colors: midnight blue - dark blue, black - black and silver - silver. We also offer custom finishes in any color from our sample palette.

Redefining sound

Long, tapered load tubes were revolutionary in their time, allowing you to optimize the performance of the speakers by absorbing the energy of the rear radiation of the cones.

Form dictated by sound

You can tell at first glance that the Nautilus is an extraordinary loudspeaker, and nearly a quarter of a century later, it still sets the standard for high-end audio.

The Magic of Incarnation

Making intricate shapes and precision drivers requires years of experience and meticulous attention to detail.

Creating a classic

The Nautilus is handcrafted to order only, by a select team of craftsmen in our Worthing factory, along with the older Series 800 Diamond™ speakers.

Countless finishes

Nautilus is available in three standard colors: midnight blue - dark blue, black - black and silver - silver. But, as befits a unique column, we also offer custom finishes in any color from the sample palette.

Setting standards for the future

The amazing Nautilus coils and tubes are the result of research and the desire to make speakers work the way we want them to. This is the Nautilus Tube™ load tube technology for which we received the Queen's Award for Innovation. Now they can be found in almost every column we release.

An idea that went beyond the usual "boxes"

The Nautilus is nothing like conventional rectangular cabinet loudspeakers - to pack the unique tubes, our designers developed the striking and volume-efficient shell-like spiral shapes from which it takes its name.

Why are Nautilus tubes needed?

We want to hear sound only from the speaker, not its side effects - in conventional cases, it mixes with the radiation from the back of the cone, which creates problems. The tapering Nautilus tubes absorb rear radiation and keep resonances to a minimum.