Ocean, by DEAD CAN DANCE (Live in Bremen, 1986)
styofa doing anything
we're not kids anymore.

ellievsbear

if i look back, i am lost
2025 on Tumblr: Trends That Defined the Year
taylor price
No title available
macklin celebrini has autism

Kiana Khansmith
he wasn't even looking at me and he found me
DEAR READER
d e v o n
occasionally subtle
dirt enthusiast
đŞź
Lint Roller? I Barely Know Her
Sade Olutola
Cosmic Funnies
cherry valley forever

â
seen from Morocco
seen from Germany

seen from Italy

seen from United States

seen from TĂźrkiye
seen from Japan

seen from Germany
seen from Kenya
seen from Canada

seen from Japan

seen from Germany

seen from Belgium
seen from Germany

seen from Spain

seen from TĂźrkiye
seen from Vietnam

seen from United States

seen from Canada
seen from Jordan
seen from United Kingdom
@sumaqkapchiy
Ocean, by DEAD CAN DANCE (Live in Bremen, 1986)
GyĂśrgy Ligeti - Lux Aeterna
GyĂśrgy Ligeti's Lux Aeterna performed by A Cappella Amsterdam, Daniel Reuss & Susanne Van Els
Iannis Xenakis - Metastasis
Metastasis or Metastaseis ("dialectic transformations"), is an orchestral work by Iannis Xenakis, a Greek composer-architect and a major figure in the postwar development of musical modernism worldwide. He is particularly remembered for the pioneering use of stochastic mathematical techniques in his compositions, including probability (Maxwell-Boltzmann kinetic theory of gases, aleatory distribution of points on a plane, minimal constraints, Gaussian distribution, Markov chains), game theory, group theory, Boolean algebra and Brownian motion. Metastasis was inspired by Einstein's view of time (a function of matter & energy) and structured on mathematical ideas by Xenakis's colleague Le Corbusier. The 1st and 3rd movements don't have a melodic theme to hold them together, but rather depend on the strength of this conceptualization of time. The 2nd movement does have some sort of melodic element. A fragment of a 12-tone row is used, with durations based on the Fibonacci sequence (1,1,2,3,5,8,13,21,34...) The preliminary sketch for Metastasis was in graphic notation looking more like a blueprint than a musical score, showing graphs of mass motion and glissandi like structural beams of the piece, with sound frequencies on one axis and time on the other. In this video I tried to display this by presenting the frequency spectrum (0-20.000Hz) of the piece and how Xenakis actually "drew" music. SWF Symphony Orchestra Hans Rosbaud, conductor October 1955
Soma Holiday - Art Dimension The video, entirely created with a 1984 kid's computer, was offered to the band by the New York-based artist and computer wiz Dov Jacobson. When they entered Shakedown recording studios in Manhattan to put the final touch to their 3 song EP, Soma Holiday and producer Eric Dufaure decided to keep the bare feel of the original "Art Dimension" demo in order to stick as close as possible to the unique live performances of the duo.
Allyson Anne Lamb
www.annelamb.com
Š Anne Lamb Studio 2011
Nicola Samori
Hildur GudnadĂłttir - Unveiled
JOHN DOWLAND - In Darkness Let Me Dwell
In darkness let me dwell; the ground shall sorrow be, The roof despair, to bar all cheerful light from me; The walls of marble black, that moist'ned still shall weep; My music, hellish jarring sounds, to banish friendly sleep. Thus, wedded to my woes, and bedded in my tomb, O let me living die, till death doth come, till death doth come.
My dainties grief shall be, and tears my poison'd wine, My sighs the air, through which my panting heart shall pine: My robes my mind shall suit exceeding blackest night, My study shall be tragic thoughts, sad fancy to delight. Pale ghosts and frightful shades shall my acquaintance be: O thus, my hapless joy, I haste to thee, I haste to thee.
Flow my tears by John Dowland
Interpreted by Valeria Mignaco, soprano and Alfonso Marin, lute
Interview with computer art pioneer Lillian Schwartz, filmed at her home in Manhattan in April, 2014. Video produced by the Office for Creative Research for the 2014 Eyeo Festival.
Tim Hecker - Chimeras
Shin Taga
Shin Taga is a self taught artist, and one of the very finest draftsman.He was born in 1946 in Hokkaido.Â
by Allyson Anne Lamb
www.annelamb.com
Š Anne Lamb Studio 2011
Test Dept interviewed on Dutch TV in 1988
PATATAP (no words for this great interactive site!)
"Breath Of Crows"
Brian Eno & The Words Of Rick Holland Drums Between The Bells [2011]
Marian Wawrzeniecki, âDeath appeases all,â c1905.