11 heron place, queensburgh by alka dass, 2025, cyanotype, calico, silk & maple wood
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11 heron place, queensburgh by alka dass, 2025, cyanotype, calico, silk & maple wood
Wang Keping
jacqueline de jong in her studio, 97 rue de charonne, paris
Jacqueline de Jong (1939-2024)
Jacqueline Beatrice de Jong (3 Feb 1939 – 29 June 2024) was a Dutch painter, sculptor, and graphic artist. via W
Enrico Prampolini, Il Perfido Incanto, 1916
Cyanotype photography by Kantorka
Ralph Gibson
Suzan Pitt working on the miniature theater set, with an audience of clay figures, from her animated film Asparagus, 1979
Thato Toeba, Someone’s angel, 2022
“An ancient Italian bronze statue is examined after being discovered in the ruins of a Roman bathhouse.” (Artnews)
"FUNGAL CULTURES" (2006), DAVID MIDGLEY
Chiharu Shiota 塩田千春
Dialogue with Absence
Kati Horna (Hungarian/Mexican, 1912–2000)
Mujer y Mascara (Serie) Mexico, 1963
Jan Saudek
"The stillness of the water captured in this vintage photo evokes a sense of quiet reflection, as if frozen in time. Taken around the early 1900s, this era was characterized by significant social and technological changes. The photograph reflects a moment where nature and human presence intertwined, and the calm surface of the water symbolizes a peace that was soon to be disrupted by the rapid industrialization of the 20th century. During this period, the world was moving from the horse-drawn carriages of the Victorian era to the dawn of the automobile age, and from steam power to electricity, altering both daily life and landscapes.
The late 19th and early 20th centuries were rich with photographic experimentation, especially in the form of cabinet cards—portrait photographs mounted on card stock. These photos were typically taken in studios and offered a personal glimpse into the lives of individuals from a bygone era. This type of photo, in particular, tells a story not just about the subject, but about the time period itself, capturing a slice of life before the world was irrevocably changed by war, technological progress, and global conflict. The calmness of the water here contrasts sharply with the fast-paced transformations of the era.
In Victorian photography, the framing and composition were essential in conveying the values of the time. The attention to detail and the serene, almost meditative quality of this image invites the viewer to consider the personal stories that lie behind these photographs. Perhaps this image is a tribute to a woman of the past, capturing her stillness, her connection to the environment, and the grace with which she navigated the challenges of the 19th century. As we look at this vintage photo today, we are transported to a time where every moment was carefully preserved and cherished, offering us a rare glimpse into the lives and thoughts of those who lived during a period of profound change. " via :StarEra Notes
Henri Matisse, Exhibition Invitation for the Museum of Modern Art, 1951
18.25" x 4" unframed Private collection
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Lorna Simpson, Collage from 'Everrrything'
August Tegtmeier: Granada, Alhambra, circa 1935.
Rock Textures - Norway 2026