If you have ghosts, you have everything...
π€ Fender (2013-2022) and Opal (2012-2021) π€
KIROKAZE
Cosmic Funnies

Product Placement

Andulka
taylor price

tannertan36

β

Discoholic πͺ©
d e v o n
trying on a metaphor
Show & Tell
Sweet Seals For You, Always
EXPECTATIONS
Mike Driver
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will byers stan first human second
Lint Roller? I Barely Know Her
tumblr dot com
Monterey Bay Aquarium
$LAYYYTER

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@swiftsnowmane
If you have ghosts, you have everything...
π€ Fender (2013-2022) and Opal (2012-2021) π€
It's so weird to me, as a person who grew up loving "period dramas," to realize that I haven't been really excited about a period drama in years. π I used to be so excited about them, and now it's like.. a trailer comes out... I watch the trailer. I go, "Oh." And then I move on with my life with a vague sinking feeling of disappointment again. And it is what it is. The world certainly doesn't revolve around me and my preferences. But it's a weird feeling. Kind of like mourning the loss of a friend who you used to be close to, but has now changed beyond recognition, and you miss them.
We should burn it down
''We can light a match And burn them down
Let me hold your hand And dance 'round and 'round the flames In front of us
Dust
to
dust''
(i was rewatching ''still'' aka best episode ever made. iΒ΄m still not over it)
A few weeks ago one of my historical pet peeves was activated when I heard about a new Robin Hood movie that takes the groundbreaking, unprecedented, bold and visionary step of suggesting that the Middle Ages were a time of brutality, cynicism, and lawlessness.
Sarcasm alert. Everything I've heard about this movie sounds like it was created specifically to annoy me, so I'm going to try to ignore it and just talk about my pet peeve, which is this pop culture myth that the medieval period was particularly filthy, brutal, misogynistic and lawless.Β
Which is simply not the truth, and here's a true story from 1348 that shows theΒ realΒ Middle Ages.
We know this story because it's a very important moment in the development of common law - that is, the facts and the conclusion of the story were written down and became the basis for how similar cases would be decided long into the future. This 1348 judicial decision (citation: I de S et Uxor v W de S (1348) yb 22 edw iii f 99) is still read by law students today when studying the tort (orΒ wrong)Β of assault. That's nearly sevenΒ hundredΒ years of judges and lawyers looking back at a medieval judicial decision and saying, "Yes! That was a good and just decision!"
To set the stage, it's the 1300s - a century famous for the Black Death, the Hundred Years' War, the Peasants' Revolt, and the Babylonian Captivity of the Church that saw the papacy moved to the French town of Avignon as puppets of the French monarchcy. But that's not the only thing that happens in the 1300s. This century also sees the publication of Dante'sΒ Divine Comedy;Β the Clockwork Revolution in which intricately designed clocks tracked everything from the hours of the day (which were measured in variable lengths) to the phases of the moon and the Sun's path through the zodiac; the creation of gorgeous books of hours and tapestries; the career of Christine de Pizan, the first woman known to have made a living from her pen; the writing of Geoffrey Chaucer and the radical social and religious reforms proposed by John Wyclif and his followers.
About the middle of this century a man known to history as W de S came in the night to the house of I de S and M, his wife, looking to buy some wine. The door to the taven was closed, so W pounded on the door with a hatchet, which he had in his hand. At this, M, the tavern-keeper's wife, put her head out the window and told him to stop. W responded by throwing the hatchet at M, narrowly missing her.
The tavern-keeper and his wife, contrary to what pop culture will tell you, responded exactly the way a couple of pub owners might respond today: they took the offender to court and argued that W had made an assault on M. W argued, in response, that he had committed no crime because the hatchet had not in fact struck M.
You might now be thinking that of course W would have won the case, since no actual physical harm was done to the woman he'd attacked. But you would be wrong! The judge in the case declared that the assault itself was harmful, and that W was liable to pay compensation for the fright he had caused M.Β
"Ever since then," states my old Torts textbook, "the tort of assault has extended protection to a person's right to be free of emotional disturbance brought about by intentional threats of physical violence."
LawΒ didΒ exist in the middle ages. Women, as well as men, could expect to be protected by the law from assault. And not only physical, but evenΒ emotionalΒ damages could be awarded for assault...all the way back in 1348.
It wasn't a perfect time, but it was far from the callous brutality depicted on our movie screens.
It was deeply painful for me to leave home. You see, everything dear to my heart was left behind. When I looked at those rugs β that's our lives, they had cost a fortune back in the day. Everything is soaked with our spirit. I asked Olenka what we should do with them, how we could take them with us. But how could we? Do you know what we did? We took them down, rolled them up, and hid them deep away, under the sofa, under the bed. Iβve lived most of my life without them, so I can manage now too; let them just wait there for us. We closed the door and left.
From an interview with an 82-year-old internally displaced woman.
Keith Robinson, for the Robin of Sherwood Annual 1987.
Cupid and Psyche, 1859 by John Gibson RA (1790 - 1866)
P.I. Telegram/ P.I. Facebook
JOYCELYN O'BRIEN as Nora
Oscar(1991)
π ππ’π©π¬π― πππ―π€ππ―πΆπ’π« π«¦
"Model of a Venus Fly Trap" 1983 - gold , amethyst and diamonds 8h Γ 8w Γ 4d in - Designed by John Siddeley made by Grant Macdonald
the humble Voyager One and Voyager Two with their never ending mission of carrying out the Golden Records into the depths of the cosmos is something that can be so devastating to me actually
Χβ°ββ€ππ ·π ΄ π Άπ Ύπ »π ³π ΄π ½ ππ ΄π ²π Ύππ ³
The Voyager Golden Record is a gold-plated copper phonograph record, launched with the Voyager 1 & 2 spacecraft containing a message to the cosmos, with sounds and images intended as a message from humanity to any extra-terrestrial civilisations that might encounter them. The record includes sounds of human laughter, thunder, birds, and spoken greetings in 55 languages, as well as a map showing how to locate our solar system relative to 14 nearby pulsars and how to play the record. The Voyager spacecraft are designed to travel far beyond our solar system, into interstellar space, possibly for billions of years, carrying the Golden Records as a message to any intelligent extra-terrestrial life forms.Β Β
Voyager 1, Europa Moon, Jupiter Planet
for @gauntlyt for being like the 1 other person on this website ive seen besides me be insane about robin of sherwood
Cloak of Feathers by Rebecca Guay
Basil Nightingale (British, 1864-1940). A White Squall, 1917. Watercolor, gouache, and charcoal.
MutualArt