Always thought a fun horror piece would be a twilight-zone style narrated horror series where the Rod Serling figure is both diegetic and also very clearly trying to help out the protagonists without getting caught; raising his voice at an opportune moment to distract the characters from something dangerous to look at, taking plot critical documents out of a desk and putting them in plain view in the background of shots, moving around an office during the opening Serling Speil unlocking all the doors and windows, and in the climax the protagonists are able to crawl out a previously locked window. In the final episode the freak of the week notices he’s there, goes, “oh, this asshole again,” and abandons their pursuit of the nominal protagonist in order to kill the narrator who (and this is crucial) spends the whole chase sequence moving at the exact same measured pace, speaking in the exact same measured, overprepared monologue, as the antagonist blunders into carefully-prepared environmental hazard after environmental hazard. This is the narrator’s house. You’re visiting, but he lives here, and now he’s decided that he’s the story he’s narrating is Home Alone.
