i drew the cover for @feelisezine ! please look at the final pdf link included here !
I wanted to draw something that felt energetic but also a little elegant which led to elise running through the halls of the castle. I also felt like it was important to include Elise's favorite people, and a couple new friends as well. I think I could have done a little better with the foreground colors looking at it now but I also know I agonized over it a bit so at the time I did what worked best. LOL.
we've all gone through friendless periods in our lives. don't fall into the trap of thinking there's something intrinsically wrong with you - that is a) untrue and b) a belief that will make your isolation grow and cause feelings of worthlessness that will prevent you from accepting people into your life because you feel like you're not deserving of their friendship
When Everything Everywhere All at Once said “The only thing I do know is that we have to be kind. Please, be kind, especially when we don’t know what’s going on"
When the Good Place said “Why choose to be good every day when there is no guaranteed reward now or in the afterlife… I argue that we choose to be good because of our bonds with other people and our innate desire to treat them with dignity. Simply put, we are not in this alone.”
When Jean-Paul Sartre said ”‘Hell is other people’ is only one side of the coin. The other side, which no one seems to mention, is also ‘Heaven is each other’. Hell is separateness, uncommunicability, self-centeredness, lust for power, for riches, for fame. Heaven on the other hand is very simple, and very hard: caring about your fellow beings.“
I think the Hunger Games series sits in a similar literary position to The Lord of the Rings, as a piece of literature (by a Catholic author) that sparked a whole new subgenre and then gets blamed for flaws that exist in the copycat books and aren’t actually part of the original.
Like, despite what parodies might say, Katniss is nowhere near the stereotypical “unqualified teenager chosen to lead a rebellion for no good reason”. The entire point is that she’s not leading the rebellion. She’s a traumatized teenager who has emotional reactions to the horrors in her society, and is constantly being reined in by more experienced adults who have to tell her, “No, this is not how you fight the government, you are going to get people killed.” She’s not the upstart teenager showing the brainless adults what to do–she’s a teenager being manipulated by smarter and more experienced adults. She has no power in the rebellion except as a useful piece of propaganda, and the entire trilogy is her straining against that role. It’s much more realistic and far more nuanced than anyone who dismisses it as “stereotypical YA dystopian” gives it credit for.
And the misconceptions don’t end there. The Hunger Games has no “stereotypical YA love triangle”–yes, there are two potential love interests, but the romance is so not the point. There’s a war going on! Katniss has more important things to worry about than boys! The romance was never about her choosing between two hot boys–it’s about choosing between two diametrically opposed worldviews. Will she choose anger and war, or compassion and peace? Of course a trilogy filled with the horrors of war ends with her marriage to the peace-loving Peeta. Unlike some of the YA dystopian copycats, the romance here is part of the message, not just something to pacify readers who expect “hot love triangles” in their YA.
The worldbuilding in the Hunger Games trilogy is simplistic and not realistic, but unlike some of her imitators, Collins does this because she has something to say, not because she’s cobbling together a grim and gritty dystopia that’s “similar to the Hunger Games”. The worldbuilding has an allegorical function, kept simple so we can see beyond it to what Collins is really saying–and it’s nothing so comforting as “we need to fight the evil people who are ruining society”. The Capitol’s not just the powerful, greedy bad guys–the Capitol is us, First World America, living in luxury while we ignore the problems of the rest of the world, and thinking of other nations largely in terms of what resources we can get from them. This simplistic world is a sparsely set stage that lets us explore the larger themes about exploitation and war and the horrors people will commit for the sake of their bread and circuses, meant to make us think deeper about what separates a hero from a villain.
There’s a reason these books became a literary phenomenon. There’s a reason that dozens upon dozens of authors attempted to imitate them. But these imitators can’t capture that same genius, largely because they’re trying to imitate the trappings of another book, and failing to capture the larger and more meaningful message underneath. Make a copy of a copy of a copy, and you’ll wind up with something far removed from the original masterpiece. But we shouldn’t make the mistake of blaming those flaws on the original work.
Other examples of “blamed for things their copycats did” include Watchmen (blamed for the gritty antihero comics of the 90s) and Madoka Magica (blamed for excessively edgy and grimdark magical girl shows).
Four years on, and I think you might be the first person to add this type of comment to this post. After receiving so many comments that are like “THG is nowhere near on the level of LotR” or “THG didn’t invent YA dystopia”, it’s so refreshing to see someone understand exactly what I meant by framing THG as “a work blamed for its copycats”, and expand on it with examples that I didn’t know about.
It’s so rare to get an original comment on this post. Thank you so much.
I think another notable thing here between all four mentioned “blamed for their copycats” works is that ALL FOUR feature characters who are not in control. Frodo tells us this with “I will take the Ring to Mordor, though I do not know the way.” Katniss tells us this when the only thing she can do, the ONLY thing, is to volunteer to die. Madoka tells us this when she makes her final wish. And the whole point of Watchmen is that nobody is in control.
In every copycat work I can think of to these, the main character IS in control. Oh, they might be dragged along from time to time! But they’re never fighting the reins, begging for release, ready to die if only it means they can STOP, wishing for just one free breath, just one.
The copycats are responses to the idea of helplessness in these stories, and a rebellion against the idea that even within hopelessness you can have some kind of agency (not enough, never enough, but there is some, and there might be grace). They want to say “no, ALL the agency,” and in that, they strip out the central conflict of all the original works.
my prof just explained on the syllabus that he’s included more pionts in the class than we needed to pass, so we could skip up like?? 20 small assignments/quizzes/participation!! and still get a very high grade!!
the idea was that we could focus on assignments that played to our strengths - only do the participation stuff if we like to talk out loud - only do the quizzes/readings if we want to do the class remotely - only do online discussions if we like to talk and share opinions but struggle with anxiety in class ect.
and that’s cool enough but then he pulled up DnD character sheets with drawings he’d done of these hypothetical student player classes and how our various accessibility needs could be gamified to ‘max out’ different aspects of the class to get high grades and like!!!!!
hell yeah!!!! let’s treat accessibility in higher education not just as a necessity but as the fun, engaging, and creative aspect of learning that it is!!! I love this!!
other profs: sobbing and screaming bc someone needs to take notes on a computer
this dude: I record and upload every lecture for the paladins, monks, and rogues, but barbarians can watch them too I guess. Bards you only get one participation point per class, even if you talk multiple times, it’s only fair.
PSA: You should question news articles that make you not want to vote
Hey Tumblr friends, but especially young Americans in this, the year of our Lord 2024.
Unfortunately, it is an election year.
Unfortunately, a US election year becomes everyone's problem, and yes everyone else, we are very very sorry that you have to deal with our nonsense.
But in all seriousness, the level of propaganda that's going to be flung around on all sides is going to reach peak levels this year for the English-speaking internet in particular. There's going to be a lot of influence operations, on all sides, and yes including on sides you agree with but they are still influence operations.
Source: I am speaking as a cybersecurity professional who also did a great deal of work in election security.
So, here's what I am going to ask you to do. What I am going to beg you to do: be careful of any article that makes you think there's no point in voting.
That's it. I'm not going to tell you who to vote for, or how to think, or that you should trust or distrust every article out there. I don't care about that. I care about whether or not it makes you think you shouldn't vote.
A lot of influence operations are about making you feel like there's no point. That both sides are just as bad as the other. The the election is falsified. That you can "protest" by not voting (false: you will simply not be counted and your voice will be ignored). All sorts of reasons not to vote.
No matter what you do, what you believe, or who you trust, you really really have to vote this year, and every year, and you need to not listen to articles that say there's no point because among those articles are in fact active foreign influence campaigns trying to promote one side or the other for their own reasons, I am deadly serious right now.
(More context, sources, and examples sources below the cut.)
In 2016, Russian influence operations were focused on tearing down Hillary in order to specifically depress voter turnout among young men of color in the belief that this would help Trump get elected.
From the article: "“Buried literally in the middle of the indictment is a paragraph that should jar every American committed to the long fight for voting rights,” Anders wrote in a statement. “The Russians allegedly masqueraded as African-American and American Muslim activists to urge minority voters to abstain from voting in the 2016 election or to vote for a third-party candidate.”
This is the flavor of influence campaign that has been proven, that does exist, and is the sort of thing that does numbers here on Tumblr.
Things like the situation in Gaza, for example, are incredibly fraught situations. Articles don't even need to lie about facts on the ground there to make people feel hopeless and angry. Again, I am not telling you who to trust or not trust when it comes to news sources. But if an article about this event, for examples, makes you think or even outright tells you, "There's no point to voting, both sides are awful, I just shouldn't bother." You need to pause and at least consider that this might be an influence operation. You need to think critically. You need to check sources. You need to think about the world you want to live in, to vote for, and who might not want that world to happen for any variety of reasons.
Protesting by failing to vote isn't a real thing.
Old politicians ignoring young voters because they famously do not bother to vote is absolutely 100% a real thing. It is why so many policies that are popular with young people are low priority for politicians: they are not afraid of losing the young vote because no one plans on having it in the first place when it's never there in big enough numbers to matter.
So please, please, read what you want. Believe what you want. Follow your heart and your brain and whatever other organ you want to think with. I'm not here to tell you who is right, wrong, trustworthy, good, or bad. I'm just here to tell you that despite all of that, whatever you read, you must vote in your elections, no matter where you are in the world and you must not listen to voices that tell you not to as a protest.
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