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© Joel Bernstein - Young Cameron Crowe, Neil Young, 1974
“I first met Neil Young in 1973, on a bus to San Luis Obispo. He had come along to play guitar with the Eagles at a small benefit for the Indian community there. Young sat playing banjo, a grinning cipher in reflector shades. I was instructed not to talk to him, that he had nothing to say. After the show – which climaxed with a fiery “Down By The River” that Young and the Eagles still talk about – Young plopped down in the seat next to mine. His shades were off, and his eyes were dark, sunken shadows below an Indian-like forehead. But they were mischievous, adolescent eyes. Dennis the Menace eyes. “Hey,” he said, “Bernard Shakey.” We shook hands, and he began to tell me that he was an amateur filmmaker, that he was working on his first film (he was finishing Journey Through The Past at the time) and was a little nervous about it. He talked excitedly, punctuating his words with a smirk. “Tough business. I’d hate to go back to shooting Hyatt House commercials.” I turned to look out the window, remembering my impression of Neil Young as a depressed loner. Now here he was – a joker. I turned back around. He was gone, of course, and I was right back where I started.”
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