Little Fish by Amilovesgurumi
Free Crochet Pattern Here
Oh, I needed this!! 🤗❤📚🗂
@ericacrochets - Erica! This is awesome! Reblogging for my followers today x
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Little Fish by Amilovesgurumi
Free Crochet Pattern Here
Oh, I needed this!! 🤗❤📚🗂
@ericacrochets - Erica! This is awesome! Reblogging for my followers today x
Ciao! by Gretha Oceaan on Ravelry (free until December 31, 2016)
me externally: lit teachers arent pulling text analysis out of their asses
me internally: the reason people and especially students like to blame English for seemingly making up meanings where they cant see it is because literature is an art and art is widely regarded as ‘easy’, ‘anyone can do that’, ‘its stupid and useless’ unlike math and science which are widely regarded as difficult but important subjects so while students will readily admit that they have trouble with math or science they’re more likely to shift the blame when they dont understand a more artistic subject, seeing it as a sign of weakness that they dont get something thats supposed to be dumb and easy rather than seeing it as an important topic that’s just as crucial to their knowledge as any stem subject and just as difficult and in-depth as any math or science can be
i might get a ton of hate out of this but
as an artist, i dont feel safe on tumblr anymore. At first i used to upload my art in here all the time. Now, with all these fandoms making the rules for how to draw a certain character, how black do they have to be, and how fat, us artists are not making art for the sake of it anymore.
Everything on this site has to be appealing for them, the so called fandoms. You get behind walls and walls of texts naming each and every thing that makes you “oppressed”, you feel like you’re empowered enough to tell artists how to do the stuff we love. And you’re capable of harrasing us to the point of making us commit suicide, just because we didn’t make our character an obese sapiosexual transdemigirl.
Oh and dont we dare call you out on this bigotry. You’re just a mentally ill seventeen years old child, and somehow telling you that bullying people it’s not okay makes us child abusers.
If you’re old enough to get on this site and tell people to kill themselves over a fucking drawing, then you’re mature enough to take responsibility for your actions.
Like, whatever friend, you keep doing your thing: harrasing, doxxing, bullying, making yourself look like the victim over a piece of art that wasn’t made to offend you; but at least don’t hide behind a “i’m just a kid omg uwu” when people call you out on your bullshit.
And i didnt really make this post for me here. I have less than 200 followers, i havent even made friends on this site, tumblr isnt my safe haven or my happy place, I could delete my blog like it was no big deal. But for many other artists this is the place where they come to be who they really are, in this site they’ve met the friends that had kept them going when things were hard in school or in their homes. This was their favorite site, a place where they could take a break and have fun, without being judged for liking ponies or homestuck or whatever.
But look at what you’ve done. You’ve made a social network made for artists and fans a sjw circlejerk where you get to choose who stays and who is a racist ableist cis scum that deserves to be harassed to death. Well done.
Theses on Monsters by China Mieville
from here.
1. The history of all hitherto-existing societies is the history of monsters. Homo sapiens is a bringer-forth of monsters as reason’s dream. They are not pathologies but symptoms, diagnoses, glories, games, and terrors. 2. To insist that an element of the impossible and fantastic is a sine qua non of monstrousness is not mere nerd hankering (though it is that too). Monsters must be creature forms and corpuscles of the unknowable, the bad numinous. A monster is somaticized sublime, delegate from a baleful pleroma. The telos of monstrous quiddity is godhead. 3. There is a countervailing tendency in the monstrous corpus. It is evident in Pokémon’s injunction to “catch ’em all,” in the Monster Manual’s exhaustive taxonomies, in Hollywood’s fetishized “Monster Shot.” A thing so evasive of categories provokes—and surrenders to—ravenous desire for specificity, for an itemization of its impossible body, for a genealogy, for an illustration. The telos of monstrous quiddity is specimen. 4. Ghosts are not monsters. 5. It is pointed out, regularly and endlessly, that the word “monster” shares roots with “monstrum,” “monstrare,” “monere“—”that which teaches,” “to show,” “to warn.” This is true but no longer of any help at all, if it ever was. 6. Epochs throw up the monsters they need. History can be written of monsters, and in them. We experience the conjunctions of certain werewolves and crisis-gnawed feudalism, of Cthulhu and rupturing modernity, of Frankenstein’s and Moreau’s made things and a variably troubled Enlightenment, of vampires and tediously everything, of zombies and mummies and aliens and golems/robots/clockwork constructs and their own anxieties. We pass also through the endless shifts of such monstrous germs and antigens into new wounds. All our moments are monstrous moments. 7. Monsters demand decoding, but to be worthy of their own monstrosity, they avoid final capitulation to that demand. Monsters mean something, and/but they mean everything, and/but they are themselves and irreducible. They are too concretely fanged, toothed, scaled, fire-breathing, on the one hand, and too doorlike, polysemic, fecund, rebuking of closure, on the other, merely to signify, let alone to signify one thing. Any bugbear that can be completely parsed was never a monster, but some rubber-mask-wearing Scooby-Doo villain, a semiotic banality in fatuous disguise. It is a solution without a problem. 8. Our sympathy for the monster is notorious. We weep for King Kong and the Creature from the Black Lagoon, no matter what they’ve done. We root for Lucifer and ache for Grendel. It is a trace of skepticism that the given order is a desideratum that lies behind our tears for its antagonists, our troubled empathy with the invader of Hrothgar’s hall. 9. Such sympathy for the monster is a known factor, a small problem, a minor complication for those who, in drab reaction, deploy an accusation of monstrousness against designated social enemies. 10. When those same powers who enmonster their scapegoats reach a tipping point, a critical mass, of political ire, they abruptly and with bullying swagger enmonster themselves. The shock troops of reaction embrace their own supposed monstrousness. (From this investment emerged, for example, the Nazi Werwolf program.) Such are by far more dreadful than any monster because, their own aggrandizements notwithstanding, they are not monsters. They are more banal and more evil. 11. The saw that We Have Seen the Real Monsters and They Are Us is neither revelation, nor clever, nor interesting, nor true. It is a betrayal of the monstrous, and of humanity.
A human getting pissed at their vampire boyfriend so they put in a silver sterling tongue stud and bracelets and earrings and their vampire boyfriend is just standing five feet away like “babe. c’mon.”
#’what are we having tonight’ ‘italian’ ‘TALK TO ME’
Sam Wolfe Connelly
Extremely simplified meanings of the major arcana. [Minor arcana] (Source)
Rain & Peace by Masashi Wakui
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Hoisin Glazed Flank Steak
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*looks at you seductively* *lowers glasses* i can’t see a thing
#TO WAR
could you talk to us more about joss carter and how she feels about reese and finch and all that if you please?
[ two truths and a lie. ]
1.To be an interrogator, the instructors at military intelligence had been fond of saying, is to be a firm spot amid the universe. Whatever truths you discover, whatever games are played, whatever promises are made or broken—though the world may crack and shift beneath you, you know where and why you stand, you must know who you are. You must be a thing unmoved.
Joss is ten when her mother tans her hide and grounds her for lying. Joss cries afterward, alone—it’s October and she sits with her her legs dangling off the fire escape, cold to her bones. She makes a (childish, immutable) vow to never lie, not ever.
In hindsight it’s such a small thing, whether she borrowed a few dollars from her mother’s purse to buy an ice cream. But at the time, she’s betrayed truth itself, and the ache of that goes deeper than any blow could strike.
(A few hundred miles away, the U.S. Department of Defense is in chaos as the ARPANET outage drags into its third hour. Two thousand plus files have been breached, and 72 nodes are compromised. Cyberterrorism hasn’t been invented yet, but give it another hour.
If you wanted to keep people out, you should build better walls, a young man from nowhere special scoffs, his face eerily lit by the glow of a homemade monitor.
….does ‘to prove he could’ count as a noble motive?)
Twenty-odd years later, Det. Joss Carter looks down the barrel of her gun at a bleeding man she swore to put behind bars, and a man from nowhere who only recently discovered nobility.
The world moves.
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