Your Incorporialness 👁️🪽 @tabris-13 - Tumblr Blog

Hello~ 👁️🪽 my second piece for Angeltober, prompt is Mantle 👁️🪽✨

#ultrangeltober #ultrangeltober2023 #angeltober #angel #angels #watercolor #watercolors #inktober #drawing challenge #october challenge

Hello there 👁️🪽 here be my first piece for Angeltober, the prompt was Many-Eyed 👁️🪽had lots of fun doing this so I'm leaving some pics of the full process too, hope y'all like it 🥹✨

#ultrangeltober #ultrangeltober2023 #angeltober #angel #angels #biblically accurate angel #biblically accurate angels #gouache #drawing challenge #october challenge #inktober

Will try my best to finish the whole week, so here’s Day 03 for @restructuralcommittee ‘s No. 6 Week~

My prompt is Dancing 🕺

#no.6week2023 #no6week2023 #no. 6 #no.6 #no6 #shion #nezumi #no.6 anime #no.6 manga #no.6 shion #no.6 nezumi #shion no.6 #nezumi no.6

starridge

tonight’s mood

Late but still trying my best, here’s Day 02 for @restructuralcommittee ‘s No. 6 Week!!

My chosen prompt was Star Gazing with a lil twist~

💫✨I love to stare at the stars in your eyes✨💫

#no.6week2023 #no6week2023 #no.6 #no. 6 #shion #nezumi #nezushi #no.6 anime #no.6 shion #no.6 nezumi

cetitanhasmoved

Creating Animated Cartoons with Character, Who Asked the Moon to Dinner, The Enormous Mister Schmupsle!

Aaaaagggggghhhh2h2222222222HGGGGBBBBBBbbhhg12322

cetitanhasmoved

I'm fucking doing laps around my house about this

Joining @restructuralcommittee for No.6 week!! For Day One I decided to go for a representation of The Sun & The Moon ☀️ 🌙

#no.6week2023 #no6week2023 #no.6 #no. 6 #shion #nezumi #nezushi #no.6 anime #no.6 shion #no.6 nezumi

⚠️LOSA SPOILERS⚠️

Since I finished reading LOSA, I haven’t been able to keep out of my mind the idea of a mesmerized Saffron,now with his Rowan Witch vision, staring at Cylvan with the opulence halo behind his head, hoping we get something like this in HOWM👀👉👈

#I love these books so much #prince of the sorrows #pots #lord of silver ashes #losa #rowan blood #rowan blood series

schweizercomics

The Schweizer Guide to Spotting Tangents

I do compositional lectures a lot in my classes, as well as at the occasional convention. I’ve been asked to post them, so here’s part one: The Schweizer Guide to Spotting Tangents!

Comic art is, as a general rule, a line-based medium. I know, I know, there are plenty of artists whose work is painted, or who depict their subject in ink using solely light and shadow. But these folks are unquestioningly in the minority, as the history of printing technology originally dictated the use of line to depict form in the early days of comics. This became a stylistic expectation, and it’s an expectation that I enthusiastically embrace, as have many others. But using line to draw the world invites chances for that cardinal sin of composition: the tangent. A tangent is when two or more lines interact in a way that insinuates a relationship between them that the artist did not intend. It can create confusion on the part of the audience as to what it is that they’re looking at. It can cause the spatial depth that one attempts to cultivate through the use of planes to become flattened. Most of all, it creates a decidedly unwelcome aesthetic response: tangents are just plain ugly. There are a lot of different types of tangents, as least according to the way I define them. In order to make it easier on my students when giving critiques, I’ve categorized them and named them. This may have been done before, but I’ve not encountered it. My hope is that, by making this “spot-the-enemy” guide, fewer artists will fall into the tangent trap by knowing what to look for. 1. The Long Line The long line is when a line from one object runs directly into the line of another This is the tangent that everybody knows. The one that’s easiest to spot, easiest to avoid. For a lot of folks, this is the only thing meant when one refers to a “tangent.” Even in the work of the very best comic artists, a vigilant eye can find the occasional tangent. Even when a cartoonist is constantly on the lookout, a tangent can slip through. But, as each of strive to better ourselves and the quality of our work and our medium, 2. The Parallel The parallel tangent is when the containing lines of two objects run alongside each other. This causes one of two negative outcomes. Either one object becomes “lost,” as the other overpowers it (figure 1), or one object feels strangely contained by another (figure 2). This can be avoided by ensuring that any object that COULD run alongside another is angled at least 45 degrees from the first. The next two are REALLY tough to spot, and most artists have fallen victim to them before. 3. The Corner The corner tangent is when two lines in an object meet in a way intended by the artist, but another (accidental) line runs directly into the place where they meet. 4. The Bump-Up A bump-up tangent is when the containing line of one object “bumps up” against the containing line of another object. When these two lines touch, it creates a bump-up tangent (and even when they don’t technically touch, if it’s close enough to raise eyebrows, they might as well). The bump-up gives the impression of containment. In figure 1, it seems as though her ponytail is physically unable to enter the space occupied by the pole. In figure 2, it feels as though her elbow is unable to LEAVE that space.

Also, be careful not to let elements of the drawing bump up against your panel borders! Either give them room to breathe or decisively crop them. Same goes for letting figures “stand” on the bottom panel border. 5. The Directional A directional tangent is basically just a long-line tangent that’s been broken by empty space. Now, this one isn’t always bad – it can, on occasion, be used to draw the reader’s eye through the image on a specifically determined path. 6. The Panel-to-Panel This one is exactly the same thing as the directional (in fact, I shouldn’t even classify it as its own thing), save that instead of empty space dividing a long-line it’s a panel gutter. My gutters are crazy wide, but with normal-sized gutters this can be a real problem. One more thing… This ain’t a tangent, but it is a compositional no-no. Fake Panels Comics generally have panel borders, so readers are used to having images contained by straight lines. Some artists don’t allow gutters between their borders. Though I believe that, as a rule, this can make it harder for new comics readers to follow the story (and new readers are always important), it’s done with enough regularity that we must expect the audience to feel comfortable with gutterless pages. What does this mean? It means that we can’t draw a straight line in any panel, either vertical or horizontal, without having some object overlap it. If we do, readers may think that it is a panel border, incorrectly breaking one moment into two. See how the overlap of the elbow causes there to be no question? That’s it for Lesson #1. Lesson #2 will come around in the next few days. Feel free to use any terminology that I’ve laid down in this one, or feel free to abandon it in favor of better, more accurate terminology.

funnytwittertweets

eilooxara

Ok but the meter on that line is SICK

i PRAY nobody KILLS me for the CRIME of being SMALL

Crisp

Delicious

That bug is an excellent poet

endreal

iambic heptameter. six feet for the bug, and the final one divine.

griseldajane

Glaze is out!

Tired of having your artwork used for AI training but find watermarks dismaying and ineffective?

Well check this out! Software that makes your Art look messed up to training AIs and unusable in a data set but nearly unchanged to human eyes.

I just learned about this. It's in Beta. Please read all the information before using.

digitaldiscipline

Art thieves already hate it:

fierceawakening

Dude, if you're stealing, you deserve to have the data poisoned. Because you could have asked and you didn't.

spooky-octagon-deactivated20240

The link is only in the original post inside an image, not as text, so here it is as plain text: https://glaze.cs.uchicago.edu/ and the paper about how it works: https://arxiv.org/abs/2302.04222

esoanem

As links (because some of us are on mobile and can't easily copy and paste to our browser), those are:

https://glaze.cs.uchicago.edu

Recent text-to-image diffusion models such as MidJourney and Stable Diffusion threaten to displace many in the professional artist community

sliceosunshine

A bit of a TLDR for some questions I saw in the notes:

The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)

It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).

Glaze is designed to protect artists’ STYLE--which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists--small or big).

It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.

The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing--it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).

It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)

It currently works best on painterly artwork, but can still be used on other forms (team is working on improving this)

IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).

Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)

The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)

When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers ---> You and NOT Team servers <--->You) One-way data street.

Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replaced the front-end code with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)

The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles

From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)

You can download it from their website and also contact them through email there with any questions, problems, or bugs. The website: https://glaze.cs.uchicago.edu/

💙Layla💙