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𓏲🪽˚. ˖ . ݁RABBOT WHEN... you call each of them daddy for the first time

CONTAINS: 18+ MDNI, oral f receiving, p in v sex, jack domestically in a wheelchair <3, use of daddy, obviously, spanking, dirty talk, not proofread! 𓏲🪽˚. ˖ . ݁

JACK ABBOT... absolutely melts. He furrows his brows, purses his lips and coos as he swipes sweet kitten licks along your weeping cunt. He's got you sprawled on the kitchen table, planted in his wheelchair while he lifts your hips to his mouth. He's messy with it, sloppy kisses and licks along your clit, can't help but drag his teeth over it. You jerk in his grasp, a soft whine followed by a guttural, "daddyyyy oh my god!!!" spilling from your lips. He pauses for a moment, and you can feel him smile against you. "Sorry, honey, that hurt?" You nod, whimpering and squeezing your eyes shut. "Daddy can't help it, little clit's just so cute," he murmurs into you, and the vibrations are enough to send you over the edge. White spots line your vision, an all encompassing ache lurching through you as you arch off the table. "Daddy!!" You whine, earning you a few more harsh sucks, some slaps to your thighs, even. "Yeah, that's it, sweet girl," he murmurs against you. "Just needed daddy to straighten her out, hm?"

MICHAEL ROBINAVITCH... is mean. He's smug, your back flush to his chest as he pile drives you into the mattress. Sneaking his hand aronud your waist, he finds your clit, and rubs a quiet "oh! daddy!" right out of you. He slows his strokes at this, and you can practically hear the smirk stretching his lips. "Yeah?" He asks, sardonic and sick as he swats at your ass. "Y'need your daddy?" He asks, and you nod desperately against him. It's not enough, of course it's not enough, as he pulls back at your scalp, a sharp yank slicing through your skull. "Yes, Mikey, mmph!" You groan, another sharp slap delivered to your ass. "Daddy! I'm sorrry, daddy, I'm sorry," you wail, pushing impossibly closer to the edge. "Good fuckin' girl, little brat just needs her daddy, hm?" You nod, desperate and blubbery as he pushes you closer to your peak. "Yeah," he croons, "just needs daddy, let daddy take care of you."

I think we need to personally thank Hudson Williams and Connor Storrie for bringing men who moan to our screens.

Shane and Ilya both being moaners is so fucking important to me and adds so much additional sexiness to their love scenes.

#heated rivalry #shane hollander #ilya rozanov #Hollanov #every scene they’re both MOANING #into kisses into each others necks #Ilya moans when Shane puts his thumb in his mouth #god #GODDD

What gets me about the krusie dynamic is that like. Kris has spent years of their life being treated like the odd one out, the problem child with whom no one really wants to deal with, mostly living in the shadows of their brother and being recognised through their connection to him — they didn’t really have any friends aside from Asriel, and even their relationship with Noelle seems to be somewhat strained, with her insisting that they aren’t exactly close, or at least not close enough to be considered friends (at least anymore).

And then Susie enters the picture. She’s the first person in a long time who seems to not only like Kris well enough to consider them a friend, but who can also get what Kris is going through. She’s a kid from a broken family who lives in poverty, and because of that, she actively struggles to openly communicate with others and is frequently left behind by those who were supposed to protect her.

Susie has grown up with the conviction that she’s The Bad Kid, and that she cannot step down from that role no matter how much she wants to. This obviously parallels Kris’ status as The Weird Kid Next Door. They both want to be accepted and fit in so, so badly, but in absence of healthy ways to communicate their feelings, they just end up weirding out others, causing them to become increasingly more socially isolated than they were initially.

That’s why Susie eventually becoming more accepted is so crucial to Kris’ development: yes, a lot of their jealousy actively stems from the fact that they are no longer her number 1 in the Real World, but it’s not just the uniqueness of their relationship that is at risk; Kris is actively losing that sense of companionship that they shared in being The Odd Ones Out: Susie is no longer lonely, so she can lean on the Dark World in ways Kris currently can’t — their home is no longer the safe space that it used to be for her; Susie is learning how to communicate her feelings properly, so she doesn’t feel the need to resort to violence to obtain what she wants anymore, and she’s increasingly more liked because of it; Susie is getting a girlfriend, and while Kris is still undeniably important to her, they aren’t her only source of emotional support in the Real World at this point.

And it hurts them so much, and yet the most heartbreaking part in their eyes is that if Susie becomes less attached to them that’s actually… a good thing somehow, because now she won’t have to suffer just as much when they’ll inevitably have to break her trust later on.

Yeah. Just shoot me in the head it would hurt less.