#interview with the vampire#iwtv#sam reid#jacob anderson#amc tvl

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Poppy Playtime:
ROBOT [PLAYER] AU
Hello, hello! This post will just be a bit of yapping about my Poppy playtime AU.
So, basically the whole concept works around the fact that the [PLAYER] character suffers a lot of life threatening injuries during the gameplay, but is not affected by them, and also doesn't seem to make decisions by themselves, mostly listening to what the toys have to say(like, bro, why the hell would you put a bunch of explosives on the factory when safe heaven is right around the corner😭 )
The [PLAYER] was created by Ludwig as an heir to his legacy and guardian to Olliver and Poppy.
He needed someone that would do right by him around the factory, and offer the love and care that he couldn't for his children. So most of the [PLAYER]'s actions during the game are result of Ludwig's orders about caring for his children and yada yada.
Happy family photo of what could have been
[PLAYER] caring for old man Ludwig
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I'm still brainstorming about this quite a bit, but mostly what I have for now is that [PLAYER] became Leith pierre's responsibility after Ludwig's passing, and the two of them HATE each other, mostly because [PLAYER] was a danger to Pierre's work, while Pierre basically ruined [PLAYER]'s life purpose. [PLAYER] never met the Ludwig children on person before the game events, and they were also a very secret type of project, Ludwig made sure to make them look like an average unimportant worker and that's why Harley doesn't have any info on them.
That's all for now, I might come with a few other things later :3c
Do you know this SFX? #1066
I know where it's from
It sounds familiar
I've never heard this
Sonic the Hellhound.
>BCC period drama >set in 1066 >battle of hastings >shows black saxon soldiers >shows the Earl of Northumbria as black >also shows the battle of Stamford Bridge >forgets the Bridge
Why are they like this
Cnut: The North Sea King
"Cnut: The North Sea King" by Ryan Lavelle is a short and engaging biography of the most ambitious and successful Scandinavian leader of the Viking Age. Lavelle captures both the brutality and pragmatism that allowed Cnut to govern England effectively for almost two decades, despite being an outsider and a foreign conqueror.
In 1066 and All That (1930), a parody book of English history, Cnut is described as a "bad king," who "became a good king." While this is a simplistic overview, it captures the essence of the portrait Ryan Lavelle paints in Cnut: The North Sea King (2017).
Lavelle is a Professor of History at the University of Winchester and the author of Aethelred II: King of the English, 978-1016 (2002) and Alfred's Wars (2010). Across six chapters, he begins with Cnut's conquest of England in 1016, then covers the brutality of his early regime and succession to the Danish throne in 1018. Chapter Four shifts to his conquest of Norway in 1028 and his relations with Normandy and Germany, while Chapter Five explains Cnut's approach to the church. Finally, the book concludes with Cnut's death in 1035 and the fall of his empire shortly after.
Arriving from his Danish homeland in 1015, still in his late teens, Cnut's initial attempt at conquest in England was only partly successful. His long campaign against the English warrior king, Edmund Ironside (r. 1016), ended in a stalemate and a treaty to divide England, until Edmund died a few months later, and the whole kingdom fell to Cnut.
While Lavelle considers it unlikely that Cnut was involved in Edmund's death, his early rule was violent and bloody. Several of England's leading ealdormen were murdered, along with Edmund's brother, Eadwig. In Cnut's darkest moment, even Edmund's infant sons were sent to Scandinavia to be murdered – fortunately, they were spared by their appointed executors. Although a modern audience might wince at such brutality, Lavelle explains that such political violence was " unusual in eleventh-century Europe," and that Edmund's father, Aethelred the Unready (r. 978-1016), was equally ruthless with his own magnates.
Cnut's early violence had its intended effect, and the rest of his rule in England was remarkably peaceful and stable. This was also, however, because Cnut recognised that he needed to present himself as a legitimate English king. In pursuit of this, Lavelle outlines how he adopted the identity of "a fully fledged member of the West Saxon royal kin." Cnut's transition into a pious son of Wessex included portraying himself and Edmund Ironside as "fellows and sworn brothers" in the written records of their conflict, marrying Emma of Normandy (Aethelred's widow), and reaffirming the laws of Edgar the Peaceful (Aethelred's father). He also patronised and promoted the cults of St Edward the Martyr and St Edith of Wilton (Aethelred's brother and sister). Far from the foreign conqueror he was, Cnut cast himself as the rightful heir to the dynasty he had destroyed.
Lavelle, however, also notes the limits of Cnut's success and the crisis of his later years. Illness and fear of a Norman invasion (to restore their royal West Saxon relatives) meant Cnut was confined to southern England in the final years of his life. Meanwhile, from 1034, Norway was in revolt, deposing Cnut's unpopular regent and first wife, Aelfgifu. For Lavelle, this went to the heart of Cnut's difficulty in managing his empire, as it was entirely built on his own "force of personality," making it almost inevitable that it would die with him, or at least when he could no longer personally assert himself over his territories.
It might have helped the final chapter if Lavelle speculated more about Cnut's succession plan – did he intend to divide his empire between his sons (as indeed happened), or keep it intact for another generation? However, sources from the period on this matter are so conflicting and biased that it remains an admittedly challenging task.
Overall, in just under 90 pages, Lavelle offers a concise yet informative introduction to England's most capable ruler between the reigns of Aethelstan (r. 924-939) and William the Conqueror (r. 1066-1087), which is easily accessible for newcomers to the period.
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⇒ Cnut: The North Sea King