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This is my review of the newest action film, The Furious. #TheFurious #ActionCinema #MartialArtsCinema
Mark Dacascos - Drive (1997)
Crimson Muse Studio released “Asian 4K.”
Ten heroines. Ten battlefields. One ultra‑cinematic 4K anthology spanning WW2 fronts, ancient last stands, modern ambushes, and high‑intensity missions across every terrain. Each story features a different warrior facing impossible odds with her own style, resolve, and final moment of courage.
https://powershopz.com/CrimsonMuseStudio/286800
Wu Jing is an absolute beast in Kill Zone.🔥
“Machine Gunner” channels Crimson Muse Studio’s signature battlefield aesthetic into a focused, high‑intensity action pack built around a lone fighter holding the line under impossible pressure. Expect bold visuals, roaring energy, and that classic CMS blend of grit, style, and cinematic firepower.
https://powershopz.com/CrimsonMuseStudio/270343
Scott Adkins - Special Forces (2003)
How's the state of Japanese action cinema these days?
Japanese action cinema is as good as it's ever been right nows, but only in a small pocket. Film makers like Kenji Tanigaki, Kensuke Sonomura and Koichi Sakamoto are putting out the best action in the world right now. Yes, better than John Wick. Films like Baby Assassins 3, Rurouni Kenshin, and Tatsujin Warriors (which is impossible to find) feature the best action of the last however many years.
Then you have upcoming action choreographers from Japan who are making waves online, via IG or YouTube. Take Ayane for example (no last name). Watch this and tell me it doesn't make you happy...
So Japan has the best action in the world right now - there's just not enough of it. There's a select few that are making waves and we need more of it. I think The Furious is going to open a lot of eyes to a new style of action and, quite frankly, I can't wait. Shoutoput to Japan.
Keanu Reeves - The Matrix Reloaded (2003)
