A votive relief depicting Haides/Aidoneus, driving a chariot pulled by chickens. In his hand, he holds a cornucopia, a symbol of agricultural fertility. Dated to the 2nd century CE. Located in the Thessaloniki Archaeological Museum

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A votive relief depicting Haides/Aidoneus, driving a chariot pulled by chickens. In his hand, he holds a cornucopia, a symbol of agricultural fertility. Dated to the 2nd century CE. Located in the Thessaloniki Archaeological Museum
An Olympian Family Tree. I wanted to make a color and style guide for myself that I could reference whenever I drew an Olympian, and in true me fashion it got completely out of hand. Greek Gods take all sorts of shapes and sizes and there is no “right” way to depict them, but for this I used what little descriptions were provided by writers in classical sources, as well as referencing colors from ancient frescoes.
For style reasons, Zeus isn't connected to his children from outside his marriage to Hera. However, you'll notice there is an eagle (or what passes for an eagle in Ancient Greek pottery) on the lowest branch, which is meant to signify his paternal status.
An Au where Hades accidentally goes back in time and meets his father Kronos before he went mad.
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Click here to presave the next one, which is entitled, “Run Away!” 🌸✨
Ode to Aidoneus (Hades)
Oh, sweet God of the dead, protect my soul
Your darkness consumes all and keeps us whole
Aidoneus, giver of wealth, the one unseen
Keeper of the departed, our endings foreseen
Rolling waves, leading to your tender embrace
Oh, the fear of your presence is misplaced
A respectable, fatherly being
Your watchful eye and doting, oh-so-freeing
Your eternal black, revered by the moon and stars alike
The realm of Hades’ where there is only night
Lost souls, wallow and pray
You are the light to lead our way
The lingering smoke of a candle wick burnt
You, to which our spirits will return
May their trepidation turn to serenity
As they learn, you are not our enemy
Mortal life is far too brief
Though I know you’ll bring comfort to our grief
Your Kingdom, mysterious and homely
How I know your arms will hold me
Oh, praise be to Hades and His arcane caress
There will be a day I must feel the kiss of death
And in His domain, there will be no rain
For I will know I am loved
This is an original poem. Please don't repost elsewhere! (At least not without credit or permission.) Thanks to @vibeswithrenai for the Hades themed dividers.
Okay okay catching up on Bleach because I was putting it off...
So the soul king has an actual name now and it's apparently Adnyeus(?*)[アドナイェウス] which at a glance I thought was some kind of weird mashup of Hebrew Adonai[אֲדֹנָי] and Latin deus as a kind of play on Yhwach's name being based on the tetragrammaton. But actually it's just the name Aidoneus[Ἀϊδωνεύς] which was an old epithet for the Greek Hades, supposedly meaning "The Unseen" which somewhat superficially fits for the Soul King as a king of the dead/underworld.
*(I have no idea where anyone is getting these romanizations I see flying around...)
It's actually not the first time the name has come up. some eagle eyed fans caught that what appears to be "ADNYEUS" was shown back in episode 6 of TYBW in Ryuuken's notes, above the illustration of the castle Silbern. And then at the end of the previous season the anime added a chant to Yhwach's Auswählen that ran:
Kakageyo Gin no Monshou, Haiiro no Sougen, Hikari ni Uzumoreta, Enkan no Michi, Menou no Gankyu, Ougon no Shita, Zugai no Sakazuki, ADNYEUS no Hitsugi. Kakageru mono wa, Omae no Shinzou: AUSWÄHLEN [掲げよ 銀の紋章 灰色の草原 光に埋もれた円環の途 瑪瑙の眼球 黄金の舌 頭蓋の盃 アドナイェウスの棺 掲げるものは お前の心臓 聖別(アウスヴェーレン)] "Raise up Crest of Silver, Ash-colored(gray) Meadow, Circular Road hidden in (the) Light, Eye(s) of Agate, Tongue of Gold, Grail* of Skull, Coffin of Adnyeus. That which is Raised up is Your Heart: Auswählen."
*notably in one of Uryuu's German chants, the Japanese word for a [杯]:"sake cup" was paired with the German word Gral:"Grail", and [盃] and [杯] are alternate kanji for the same word. At the most literal the chant in Japanese just uses the word for "sake cup" like the one he uses for the schrift eucharist, but I feel like the more implicitly western imagery evoked by "skull Grail" or maybe "...chalice" is more in line with the ongoing aesthetic of Quincy spells
I'm not actually in a position to go doing a real deep dive on this but it does seem like at a glance there are associations with that alternate title with a specific incongruous variation of the god of the underworld--that is to say: characterizations of him under this epithets are not consistent with other more common interpretstions-- where he's actually got a lot of strong sun iconography. This of course maps almost perfectly with a bunch of stuff I've ranted on about a few different times in my Bleach ramblings.
Incidentally it is also the scientific namesake of the Papilio aidoneus... a black butterfly... In the first place Bleach's hell-butterflies were already a play on the real world association of butterflies and death, often either as psychopomps or themselves the souls of the dead. That they tie back in to the Soul King himself isn't too big a stretch.
As for this "triplet world" thing... We were already told that Hueco Mundo isn't actually it's own formal realm, it's the interstitial realm that just naturally exists in the space between one world and the next. So it kinda annoys me that this feels like it's really only being acknowledged because after the fact it's just where a big chunk of Bleach's plot happened, rather than actually being cosmologically on par with the other two.
Anyway the translations going around I notice are a little sloppy, mostly in that a few are clearly just machine translated and so ignored the use of Bleach specific terminology, like "reishi" and "kishi" so here's my quick breakdown of it (thank god it's short...)
原初の海から分かたれた尸魂界,現世, 虚圏の三つの世界。 The Three Worlds of Soul Society, This (the mortal) World, Hueco Mundo divided* from the Sea of Origin. 遍く魂魄の流れを司る礎であり, かつ世界の楔たる存在によって, The universal flow of spirits is the foundation to control, as well as the lynchpin of the world which is due to existence, 霊子の世界,器子の世界,砂の楽土の三世界が分離され, the Three Worlds of The World of Reishi, The World of Kishi, The Paradise of Sand are detached*, 『生』と『死』が隔てられた。 "Life" and "Death" were isolated*.
*so interestingly all three of these different words could be translated into english as "separated" but seem to be fairly distinct contextual differences: the first means like cutting one big thing up into smaller things the "A came from B" dynamic being the focus, the second means to be separated out almost like being categorized, and the third is to be isolated or alienated.
So first it's saying the three worlds came from one sea of origin, and that the flow of spirits between those three worlds is the key to existence being what it is, which is to say three distinct realms where death and life are these things that can never coexist. All of which is stuff we really already knew.
Also we're supposed to have just completely forgotten about Hell since it's not the current plot line, I guess? If anything the Three Worlds should be Soul Society, the Material World, and Hell, with Hueco Mundo as the interstitial void/aether, like it was originally defined as. That would at least map more sensibly onto the buddhist 3 realms of
Form(Humans & animals: those bound by their physicality)
Formless(Deva & Asura: those who exist in a hightened mental/spiritual state)
Desire(Preta & those in Hell: those defined by their strong need for what they lack)
Maybe that only real point of interest is the reference to Hueco Mundo as suna no rakudo[砂の楽土], a "paradise of sand." In this voice I think the idea is that if life and death being separate realms is a bad thing that Yhwach seeks to rectify, then by being an inbetween realm, Hueco Mundo is a paradise, because it's a place of neither life nor death? But if it is a place of rest and comfort then I wonder if that doesn't validate my thoughts on the Vastolorde being the natural path of development for a soul in reincarnation afterall?
That aside, this mostly just lines up with existing Buddhist/Hindu parallels that were always pretty obviously implied but not so directly touched on. Once again things I've babbled about in some form or another already... I'm not about to go digging them all up right now.
I turned the Hades statue into a painting. It looks a little weird, but since this is my first time doing something like this in digital art, I'll add it to my list of accomplishments
Also this is the same statue drawn in my style:
Reference:
Valentine’s offering to King Father Hades 🖤💜❤️
Praise be to you, King Hades! Thank you for guiding and guarding me. I love you beyond measure. Having you in my life as my patron has truly made me who I am today, and I am forever grateful for you. Khaîre!