no thoughts just Heiji Hattori (HD)
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no thoughts just Heiji Hattori (HD)
I’m really not a fan of tumblr’s latest update that automatically condenses posts, so like if there’s more than a couple pictures it puts it basically under a read more and it’s even worse on the desktop version
the roleplay formatter has been updated!
It's been a few years since the roleplay formatter was launched and it was due a well deserved update. Of course, most of the functions you found as per the original post remain, with some new features that hopefully will make your lives easier.
The formatting options supported by tumblr are:
source: switch between html and rich text
B I S : bold, italics and strike-through
<s>: make text small
headline 2 (bigger) and headline 1 (biggest)
text color: like this.
numbered lists
bullet point lists
blockquotes
images
➜ what's new?
width toggle: This was a feature from the original release I feel like I should bring back. The width is set by default to tumblr's standard size of 540px, with the toggle you can switch between 540px so you can see exactly what your post will look like, and 1080px for more ample room and easier writing.
copy code button: If clicking on source, selecting all and hitting CTRL+C is too many steps, just click on the "copy code" button and that's it!
add double spaces: You won, people. I will still discourage you from using multiple spaces because they're hard to read. But hey, if your heart is so compelled by multiple spaces that you cannot give them up, the good news for you is that now you have a button to multiply the real estate in between words right there and ready to go.
the code itself!: The script I was previously using is deprecated and outdated so I had to code a completely brand new editor. This shouldn't be much of a difference for you, but it does mean that it's built completely from scratch with a different architecture. If things feel a little different this is why.
mobile optimization: I have done my best to optimize everything for mobile screens, so this formatter should be usable on mobile and on tablets.
bonus! useful links: I also included a little navigation bar with useful links to tools I use often to format my replies, this list is subject to updates and changes, but it should not impede with the functionality of the formatter otherwise.
If you come across any bugs please let me know! This project is a forever work in progress and I'm still learning coding.
if this tool has been useful, please consider using my referral code DPY34V1H to upgrade or renew your carrd plan 🩷
➜ click to go to the roleplay formatter
Masterpost of Transmasc Theory
The following is a list of posts, articles, sites etc that talk about transandrophobia and/or anti-transmasculinity, or broader issues and experiences of transmascs that may not use (or even like) this language. I think it's important to look at works from people of all perspectives, and I think it's important for us to be able to look at others' works and see if we can apply our own frameworks (i.e anti-transmasculinity) to the ideas they're presenting as well.
I have also included some texts that I consider foundational to these theories, and I highly recommend reading them to see the frameworks a lot of us are building upon.
Some of these works are much more academic in nature, which I understand is an entry barrier. If anyone needs help with parts of works that you may not understand or would like a second opinion, feel free to DM me or send me an ask and I'll try my best to help out if spoons and time is available.
** = contains more links you should also click through and read thoroughly. Some links may be repeated here, because I think they're also foundational and/or exceptional works.
Transmasc Issues & Experiences
Coiner's (st-dionysus) definition of transandrophobia
**genderkoolaid's intro to anti-transmasculinity
**Archive of Violence Against Trans*masculine People by genderkoolaid
**nothorses' pinned post
The Transgender Dictionary "Transandrophobia" page
Not transmasc invisibility, but erasure by S.L. Void
"irl we just kiss" by S.L Void
Boygirl Girlboy blues by S.L. Void
Eraserhead by Jude Doyle
TERFs, Trans Mascs, and Two Steve Feminism by Jude Doyle
Trans Man or Baby Boy? by Adrian Beyer
There is a hidden epidemic of violence against transmasculine people by Orion Rodriguez
Trans Male Privilege by The Trans Dandy
"My Story Is One of Many": The Criminalization of Testosterone HRT by Stann Fransisco
Strip searches, trauma, isolation: Trans men describe life behind bars by Aviva Stahl
**Repro Masculinity: “An intimate snapshot of trans masculinity, reproductive health and the care that keeps us alive” by Ale Pedraza Buenahora, with interviews of many others
Can the Monster Speak? by Paul B. Preciado
Youngman by Lou Sullivan (also known as We Both Laughed in Pleasure)
Sons of the Movement by Bobby Noble
Becoming a Visible Man by Jamison Green
A Trans Man Walks Into a Gay Bar by Harry Nicholas
Transmasculinity and Feminism by Liam Lair
Other Trans Theory
Trans, Feminism: Or, Reading like a Depressed Transsexual by Cameron Awkward-Rich
The Transunitist Manifesto by Luke B.
The Transfeminist Manifesto by Emi Koyama
A Short History of Trans Misogyny by Jules Gill-Peterson
**What is Transmisogyny? by Julia Serano
Articulating Trans-Misogyny by Julia Serano
Black Trans Feminism by Marquis Bey
Gender Trouble by Judith Butler
Who's Afraid of Gender? by Judith Butler
Black on Both Sides: A Racial History of Trans Identity by C. Riley Snorton
I Am A Transwoman. I Am In The Closet. I Am Not Coming Out. by Jennifer Coates
Feminism & Intersectionality
Feminism is for Everybody by bell hooks
The Will to Change: Men, Masculinity and Love by bell hooks
The Routledge Global History of Feminism by Bonnie G. Smith (editor), Nova Robinson (editor)
the problem with radical feminism by lou reading things (youtube)
Gender: A Useful Category of Historical Analysis by Joan Scott
The Urgency of Intersectionality TED talk by Kimberle Crenshaw
Demarginalizing the Intersection of Race and Sex by Kimberle Crenshaw
Mapping the Margins by Kimberle Crenshaw
There is No Hierarchy of Oppressions by Audre Lorde
The Master's Tools Will Never Dismantle the Master's House by Audre Lorde
Freedom is a Constant Struggle by Angela Davis
Women, Race, and Class by Angela Davis
This Bridge Called My Back, editors Cherríe Moraga, Gloria Anzaldúa; foreword, Toni Cade Bambara
**Masculinity and Gender Youtube Playlist by F.D Signifier
I need people to realize that while Noah Wyle is credited as writing episode 14, he did not sit alone in a room and write an idealized episode for himself to be the star of like so many of you seem to think he did.
One thing you have to understand about writing for a TV series is very rarely, if ever, will you have the whole writing staff credited at the end of an episode. In this case since Wyle took point on the episode he’s listed as the writer, but he isn’t the only one who worked on this episode. In the episode credits itself they list a staff writer and editor, but it’s also common practice for producers to also be in on the writing process as well.
So taking all the accomplishments and giving them to one man because you would have written the show differently than the writers is a disservice to all the diverse people and talent they have in that room. This show is a collaborative effort from the writers, the script may have originally been written by Wyle, but he is not in an echo chamber. He would take the script to the rest of the staff and they would edit and change what was needed so that it is coherent and fits with the rest of the series.
Another thing I need people to realize is that The Pitt is not an ensemble show. Yes, they have won awards for their ensemble cast, but Robby has always been the main character. In season one they may have shown more of the other characters, but that was because they were establishing them to the audience, and now that we know them more we can focus on the thing driving the plot, which is Robby getting ready for his “sabbatical”. So when you complain that this season is nothing but Robby’s story while sidelining the rest of the characters, I need you to know that the writers did that on purpose.
This season there is no giant MCI that is going to be the big bad for the whole ED to rally around and fight back against as a final climax. Robby being actively suicidal and the way he interacts with his staff and students as he is trying to say goodbye is the driving force behind this season.
I’ve seen so many people complain how this feels anticlimactic compared to last season, and that is also the point. If the Pitt was to try and one-up itself every season like so many of you seem to want, we would be in the apocalypse by season 4. The Pitt has always tried to show the unglamorous reality that healthcare workers have to go through, and that is the point of this season.
They are showing you the burnout of a man who devoted himself to helping others but along the way lost himself, which is a frighteningly real reality that many emergency medicine staff go through. Is Robby a bad person? No. He is a flawed human being who is going through one of the darkest times in his life, so of course he’s not going to really care to be nice to others when he can’t even be nice to himself. Does he have internal biases? Yes, and hopefully after he gets the help he needs to want to keep living, he will be able to work on himself and come out a better man.
Shikamaru accidentally becomes the second coming of Jiraiya via anonymously publishing BL novels with Sakura and Ino as his managers and editors
HEAR ME OUT. HEAR ME OUT.
Ok so, Shikamaru's grandfather passes away (aka my oc Shikasada, for those in the know) and among his things is a very old diary dating back to Konoha's founding. Shikamaru opens it to fund uhh. Many things. Many things he could have gone without knowing. Mostly revolving around his grandpa's apparent years long slow burn affair w some Hatake boy.
Shikamaru, sort of horrified but in too deep to back out now, resolves to at least finish the diary-- and despite himself, besides some of the more painful to read sections, there really is a lot of really interesting information in the diary.
Which brings Shikamaru to being unable to set down the diary, and bringing it to the academy with him in the morning.
(Quick note, lets set this like two or three months before graduation, so Shikamaru is like, ~13 I think)
SO, SHIKAMARU IS IN CLASS AND READING HIS GRANDFATHERS DIARY IN THE BACK OF THE CLASS (his first mistake, tbh) And he doesnt notice as Ino and Sakura appear behind him and Ino starts reading over his shoulder. And Ino, proud fujo, after a minute of reading goes really loudly,
"is that YAOI???"
And now Shikamaru essentially has two options. Both of them a uniquely kind of terrible. Does he,
a) admit this is his grandfathers very gay, very sappy, very depressing, kind of steamy diary about how he cheated on his fiance with a Hatake boy and even briefly debated running away from his wedding to be with him instead (but ultimately didnt)
or, b) let his classmates think hes a fan of doomed yaoi romance novels.
He decides that option b at least doesnt invoke a possible scandle for his clan (which his mom would kill him for) and says its a book.
Sakura immediately points out the fact that its hand written.
On pure reflex, Shikamaru blurts, "I wrote it."
(Instant regret.)
So anyways Ino and Sakura (mostly Ino) bully Shikamaru into letting them read 'his' book. And they come back to him with it going "omg, this is amazing! It's just as good-- maybe even better than most of the things on the market right now!!!"
And Shikamaru is like, "great can I have it back please."
And they're like "Shikamaru, you cant just let this kind of masterpiece rot in your closet!!!! This is incredible!!!! Heart wrenching!!! Hair raising!!! Super dramatic and filled with tension and drama and history and 𝓇𝑜𝓂𝒶𝓃𝒸𝑒 !"
And Shikamaru, again, is like, "Great. Can I have it back please."
"Shikamaru, you don't understand. You have a gift."
"Can I please have it back now."
So. One thing leads to another and after much peer pressure (and maybe some light threats of blackmail because Ino and Sakura have totally realized that Shikamaru didn't actually write the diary, and it instead belonged to his grandfather. (Mostly because Ino had actually met the man before, and obviously recognized his name)) Shikamaru has now gained:
a) two very eager 13 year old publishing managers / editors
b) the contact information of Sakura's cousin, who coincidentally works at one of the biggest publishing houses in Fire counry.
c) somehow, some way, the obligation to edit and publish his grandfathers diary as a bl romance novel.
Shikamaru hates his fucking life.
SO. THEY PUBLISH IT AFTER SOME EDITING AND CHANGING OF CLAN NAMES AND ITS A WILD SUCCESS. SHIKAMARU IS KIND OF MAD AT HOW MUCH OF A WILD SUCCES IT IS.
(Though, laying in his bed of money that now rivals his father's personal funds as the Nara clan head, he can't bring himself to be... as mad as he might have otherwise been.)
(Sakura and Ino, also with their giant piles of money, are also very satisfied.)
But the satisfaction doesnt last for long bc soon the girls are scheming to get Shikamaru to write something new for them to publish.
"But I didn't write the diary to begin with!" Shikamaru argues.
"What does it matter?" Ino insists. "You still edited it, and it was your grandfather who wrote it! Some of the talent has to be there!"
(depressingly enough for Shikamaru, some of the talent does seem to be there.)
And thus begins Shikamaru's life of becoming a famous romance author with his (blackmailers) managers Ino and Sakura <3
(In the pure lands, Shikamaru's grandfather is screaming into a pillow as his Hatake boy in question laughs his ass off and insists this is exactly what he deserves after keeping them a secret for so long. Really, Shika, you should be proud for having such a resourceful grandson.)
So anyways, this brings me to the fact that Sakura's first ever encounter with her new sensei, Kakashi, would have gone WILDLY different on her end. Because she saw the original diary. She, unlike the general public, didn't get the edited version of the story with changed clan names.
So when her teacher walks into the room and introduces himself, her very first thought is omg like the yaoi.
And her first act is to start giggling maniacally in the corner of the room like a little freak. In Sakura we stan
Kakashi meanwhile has no fucking clue what kind of drugs that little girl is on, but finds that he probably doesn't want to know.
WHICH ALSO BRINGS ME TO THE FACT THAT LIKE. Theres something profoundly funny about known icha-icha lover Kakashi reading this novel and becoming a huge fan-- absolutey 100% unaware that it's about HIS direct cousin, only two generations back.
Shikamaru put way more effort into disguising the Nara clan's involvement in the book-- both because he cares more about the Nara and because he kinda uhh... was under the impression that the Hatake were all dead, like, for real. In the book, the Nara's clan name is changed, the character names are changed, their sacred animal is changed to a rabbit and their traditions are all altered-- but the Hatake clan just becomes the Hasake clan and is largely left alone bc Shikamaru is 13 and can't really be bothered to go the extra mile.
(Editing so much is such a bother, Ino. You just dont get it)
So like, Shikamaru has no idea who Kakashi is, he only learns he exists when Sakura fucking bodyslams into him and Ino screaming about how HER NEW TEACHER IS RELATED TO THAT GUY YOUR GRANDPA HAD NASTY GAY SEX WITH !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
"THE ONE LIKE IN THE DIARY ONE???" Ino screams
"IS THERE ANOTHER GUY WHO HAD NASTY GAY SEX WITH SHIKAMARU'S GRANDPA WHO I'M SUPPOSED TO KNOW ABOUT??!?!?" Sakura screams back
Shikamaru just screams into his pillow. The girls both ignore him.
Meanwhile, Kakashi knows SHIT about his clan and recognizes nothing in the novel. Which is a special kind of tragic because as he reads it, he's being given more information than he's ever been given about his clan. And even specific stories and in depth recorded conversations about his grandmother-- and even occasional mentions of his own father as a baby, and he just... has no idea.
Man is literally reading about his ancestors, getting stories of his family only a single generation before him, going: "Wow something about this clan just speaks to me. Probably the dogs."
Literally getting his fathers childhood stories. Not a single clue.
Hes going on a mission going "Hmm, what would Haruka Hasake from hit bl series XXX do" like that isnt secretly his fucking GRANDMA
Meanwhile, all three of the kids are acting SO shady around him. Ino and Shikamaru specifically are so fucking suspicious bc they are largely successful in avoiding him like the plague-- so when they do interact, it's an Event(tm) for them, while Sakura is forced to learn to be normal near him via exposure.
Tho not even the sage himself can save Sakura from the day Kakashi pulls out THE book during training instead of his usual icha-icha. Sakura fucks up her aim on a body flicker and flies straight into a tree, giving herself a concussion. Rip!!
Anyways yeah. Let Shikamaru discover his grandfathers old, scandal filled diary and be blackmailed by Ino and Sakura into publishing it-- setting him on his journey of becoming the next big thing in naruto romance publishing. It'd be funny as hell.
Special thanks to @imsosleepyofyourbull and @halsaph for talking to me about this on discord, this is so fucking stupid and I had so much fun with it
Huh so the secret RO is fixed male too huh. So there's 3 gender selectable ROs and 3 fixed male ROs but not a single fixed female RO or nonbinary presence whatsoever. And since you can set the genders of the ROs and MC to male, you can end up with an ENTIRELY all male cast including the dads and Oswin's bro (females like the twins and Emre's wife do exist but hardly ever appear as more than a line or two of flavor text in passing) Rather imbalanced but hey it's your story I suppose.
Hopefully the natural diversity for your next project will include fixed female and NB ROs/characters written with their gender mattering more than a flippable switch that can just be set to male (unless it's an actual genderfluid character now that'd be interesting to see)
Sorry if I sound super bitter, just been reading too many things with sausage fest casts recently
Yup, ‘fraid so, Anon. I'm going to note real quick that the mystery suitor was always penned as a man, and is noted in the pinned post. There's also other relevant spoiler-things with this that I'm not diving into here.
I honestly nearly deleted this ask because I’ve responded to a similar prompt in the past before, but I’m responding on faith that you are not the same person as before.
To start, I don’t need to justify who I am or how I write to anyone, so I’m not going to do that, but I will provide a little perspective from my end. I’ve said before that one thing I’ve learned about myself is that the “feminine” to me isn’t the same as the feminine to you or anyone else. And I do not ascribe most traits, quirks, behaviors, etc., to either men, women, or anyone in between. In my writing, changing a gen-selectable character does not change their habits or personality. For me, that doesn’t make sense. Gender has been a matter of extreme conflict in my personal life, and that has bled into my work, but I’m not fully going into that here.
You don’t like that there doesn’t seem to be a balance of men and women - what in life is always in balance, though?
Our perspectives on balance and storytelling are different, but this is my story. This is how it came to life and how it will be.
A good portion of the men in my story are softer, exhibiting what many people would ascribe as more feminine qualities. The fathers are doting nurturers, Oswin cries at everything, and Emre is soft and flowery. I know this isn’t the balance you may be seeking, but I feel that it’s worth pointing out.
Again, I don’t need to justify my creation to you, but you’re neglecting to see all it is.
Honestly, if you want to be bitter about it, that’s fine; it’s how you feel - feel it. You’re disappointed because you’re seeing a gap in a medium you care about; I understand that intimately. But what I would encourage you to do, instead of trying to transfer that bitterness to an inbox, is fill the gap yourself. If you don’t enjoy writing, then find a team or start one - you can volunteer as a developmental editor, consult with those seeking help, etc., or use another creative avenue.
If that still doesn’t resonate with you, then create inspiration. Hype the authors who strike the balance you love. Focus on encouraging them - they already resonate with you in an area that I don’t.
You might be pleased with my next project, you might not. Maybe you’ll like the balance I create but dislike my execution of it.
Part of why GC came to be was that there were things in other IFs I did not see but wanted to. So, I wrote them.