Daniela mordançage da Giorgio Bordin Tramite Flickr: Mordan@age over contact print from 20x25 FOMA 200 negative, printed on Bergger Prestige. Redeloped in HC110
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Daniela mordançage da Giorgio Bordin Tramite Flickr: Mordan@age over contact print from 20x25 FOMA 200 negative, printed on Bergger Prestige. Redeloped in HC110
I will be doing a gilding demo and art sale at the Karin Clarke Gallery Annex in the big, new, glass-covered Galleria on May 1, so gotta get my act together! Here, Terry Way of Raven Frameworks works on framing two pieces, including “In the Cave of Dreams.” @terrywaycreate #idreamingold #artistsofinstagram #gildedphotographs #altprocesses #showyourwork https://www.instagram.com/p/CMpPRM-npcc/?igshid=1imgb7ukijl5n
Series: What Lies Beneath? Cloughy (1st Try). #alternativeprocessesinphotography #colorphotograph #iceogram #portraitphotography #altprocesses (at Las Vegas, Nevada) https://www.instagram.com/p/CByoL74ldFZ/?igshid=16a75ree32cmf
Close up of a new print. A rose from the garden. 11x14in cyanotype on watercolor paper. Available from my Etsy shop. #cyanotype #blueprint #alterntaivephotography #altprocesses #darkroom #analogphotography #fineartphotography #fineart
Abelardo Morell (American, b. Cuba 1948). Camera Obscura image of Garden in George Eastman's Mother's Bedroom, 2001. Gelatin silver print. George Eastman House, gift of the photographer and Bonni Benrubi Gallery. ©Abelardo Morell.
Currently on view in In the Garden through September 6, 2015.
Conversation Topic: Photographic processes in the digital age
Abelardo Morell's Camera Obscura series really opened my eyes to the possibilities of photography. He is using something that has been around for a lot longer than photography, but is the basis of how all cameras (film and digital) can capture light. In a darkened room he makes a small circular hole to let in some window light. The outside world is projected through the hole and the room is turned into a camera. I saw this photograph when I was first starting out in photography and it really inspired me.
How have older photographic processes and techniques inspired your art/photography in this digital age? Please share any examples!
- Andrew Murphy, student in the Photographic Preservation and Collections Management program, a joint program between George Eastman House and Ryerson University (Toronto, Canada).
Dusty miller inflorescence
Exposed under the sun for three hours using 5x7 in. Ilford warmtone paper.
cyber on Flickr.
Cyanotype, May 2011.