Embrace Assessment OF/FOR/AS Learning
The following material is a piece of advocacy to promote the Assessment AS Learning. The material here is meant to set the foundation and direction for work that will hopefully create conditions that are favorable for the students that are doing this work to exercise the Assessment AS Learning. However, the Assessment AS Learning is a descriptive set of circumstances that are the result of a process, so, as teachers, it is our prerogative to work toward building that environment that is favorable to exercising Assessment AS Learning.
I do not know about you, but in my early life as a student and until late into my experiences as a student, I never really had to think about how I was being taught, let alone how I was being assessed. Currently, with experience and training as an instructor, I can think back on several of those experiences. Some were good, some were bad and all of them were during a different time. I am not saying that, in hindsight, I had all terrible teachers, although I am also not saying I had all amazing teachers, but the demands and expectations of teaching were very different than they are now.
My hope for everyone involved in the learning processes would be for everyone to be mindful and aware of how we experience this practice, and this includes how we are assessed, how we assess the process of learning, and what we are our expectations as a result of assessments should be. Dwayne Harapnuik refers to the New South Wales Education Standard Authority’s distinction of Assessment of/for/as learning, is a useful tool to consider what we are aiming for during this experience.
I have thought of the distinction between assessment of/for/as learning through an analogy that I hope works for you when thinking about how these three objectives of assessment can be understood through enjoying a piece of content. I, personally, went for music, because I love music and had a piece of literature more-or-less top of mind to rely on, but it can be any form of content or media you feel more comfortable engaging with. Simply put, and referencing a YouTube creator I enjoy, there is no “right” way of enjoying music:
For me, and I hope this serves as an invitation for you to rethink how we practice and engage assessment, it is a matter of being mindful and aware of how we go about assessing our experience when learning. I think it is important to note that the deciding factor to identify whether assessment of learning is better than assessment for learning and/or better than assessment as learning, and the other permutations of this ranking, is the circumstance during which assessment is happening. In other words, there is a time and place for assessment of learning just as there is a time and place for assessment for learning and a time and place for assessment as learning. If you agree, then I think we can also agree that the real challenge then lies in knowing which one to use in the right moment and that is where I reiterate my calling for mindfulness and awareness to use the assessment TOOL that best suits you in the moment.
[For anyone interested, you can check the script and sources here.]
Harapnuik, D. (2021, August 16). Assessment OF/FOR/AS Learning. https://www.harapnuik.org/?page_id=8900
12tone. (2021, July 30). You don’t need music theory [Video]. YouTube. https://youtu.be/zm01bKJpvFc?si=_PaUqLLlLFklwhuk
Copland, A. (1939). What to listen for in music. SIGNET CLASSICS.
CBS Television. (ca. 1960). Aaron Copland 1970 [Photograph]. Wikimedia Commons. https://upload.wikimedia.org/wikipedia/commons/0/05/Aaron_Copland_1970.JPG
The Wachowskis. (Directors). (1999, March 24). The Matrix [Film]. Village Roadshow Pictures, Groucho II Film, Partnership, Silver Pictures.
Penguin Random House. (n.d.). What to listen for in music eBook cover [Image]. SIGNET CLASSICS. https://www.penguinrandomhouse.com/books/303445/what-to-listen-for-in-music-by-aaron-copland/