#brian koppelman

[alwaysshipping1]

Shaw's crab house caters for The Bear

[sonoranbumblebee]

It is very important to me that you know that Chris Witaske (Pete) has offered to fight scared little racist bitch Stephen Miller in a PPV UFC cage match and Brian Koppelman (Computer) volunteered to "corner" for him and Adam Shapiro will bring pretzels for everyone.

[djkerr]

BTS of The Bear Season 4

📷🎥 @oliverplatt, @mitrajouhari IG

[stuff-diary]

The Bear (Final season)

TV Shows/Dramas watched in 2026

The Bear (Final season, 2026, USA)

Creator: Christopher Storer

Directors: Christopher Storer and Duccio Fabri

Mini-review:

The day has come for The Bear to finally close down its doors, and it went out with a bang. Bringing things back to basics is the best thing they could have done for the final season. Many of the two previous seasons' issues came from the ever-sprawling ensemble and storylines, so setting these final episodes around (mostly) one single day kind of puts a stop to that. It might seem like that would cripple the character development or the story's resolutions, but the writers made it work surprisingly well. The last three episodes are particularly remarkable. And of course, the cast's work is simply pitch perfect. All in all, The Bear had a somewhat rocky run, but all's well that ends well.

[unladyboss]

Any thoughts on Computer?

I haven't heard him say anything that makes me believe that he's a legit accountant or business manager.

He talked about Chargers, drew a terrible expenses diagram and tried to fire the most reliable and quite frankly the heartbeat of the Bear, Marcus

He's also has his teeth redone since last time we saw him. No shade. Just an observation

He's probably really good at money laundering. That's it.

[nothingunrealistic]

SEITZ: It’s interesting to me to meet you, to meet you in person, just like, you know, “in real life” as they say these days, these wacky kids. Because you don’t carry yourself the way that character does, you don’t have the same walk, you don’t have the same posture, you don’t make eye contact in the same way. So these are all choices. So, you know, if you can, if it’s even possible to explain these sorts of things, why are you making those choices? What are they doing to put across the idea of this character? DILLON: A lot of it is instinctual. The way that Taylor speaks, the cadence that Taylor uses, how quick Taylor is to get to the heart of the matter and to the point, someone who speaks like that instinctually to me is going to hold someone’s eye contact the whole time. Because they’re not afraid of what they’re saying, they’re sure of what they’re laying out. Someone who is unsure of themselves, to me, can’t look someone in the eye. And Taylor is very sure of themselves. And, I would say, even in the moments when Taylor maybe isn’t sure of themselves, they’re certainly trying to convey that, you know, they do know what’s going on and they’re on top of it. And then in terms of the way that they walk, a lot of that is actually the costume. Slipping into Taylor’s wardrobe, shoes, pants, belt, the tie that’s, you know, all the way up, the shirt that’s buttoned all the way up, it limits one’s movement, actually, in a way — for any of you who are wearing, you know, suit coats and ties, you know this. And so that will naturally, for me, inform the way that a character is able to — I mean, Taylor, for instance, can’t cross their legs comfortably in the pants that they’re wearing. And that will inform the way that Taylor is sitting in a chair, or the way that Taylor is standing. Or, you know, if the button is buttoned all the way up, that informs how much Taylor can sort of move their head. And all of that ultimately informs the character and what the audience is seeing. SEITZ: You have this, it’s almost like a T-square posture a lot of the time, like there’s a straight line across the shoulders and you’re like, like that. Did you think about, did you have any models for this performance? Not entirely, but just other characters or other performers that you drew some inspiration from for one piece or another? KOPPELMAN: There are secret things that we’re not saying. DILLON: Yeah. That’s true. SEITZ: Oh, is this like — oh, okay. DILLON: Yeah, there is a secret thing that I won’t share. But on top of that, I’ll just say that, when I got the audition for the show, and I went and I binge-watched season 1, I knew that I needed to show up fully prepared, and that you shouldn’t show up — not that you shouldn’t show up fully prepared to any job, but that this job in particular required me to be even more on top of my game than everyone else that had already been on the show since season 1. And I think that Taylor arrives to Axe Capital in the same way, ready to say, you know, “I know I have just as much, if not more, to give than everyone else here, and I’m just as worthy of all of these people.” And so that’s how I as Asia entered into working on season 2, as an actor, and I think that’s also how Taylor enters into working at Axe Capital.

[happy-watching]

billions s06e06

[19mel83]