Elena Ferrante: “I imagined the Bay of Naples filled with sirens who spoke in Greek as in a lovely story by Giuseppe Tomasi di Lampedusa.”
Q. There are many, many classical references in your work, not least the names Elena, or Helen, and Leda. Why the interest in the classical world? What about it speaks to you?
A. I studied classics. You’ve recognized the traces of it in my works and I’m pleased by that, but I hardly notice it myself. I recognize my education more in stories that I wrote as exercises and that fortunately have never seen the light of day. I have to say that I’ve never seen the classical world as an ancient world. Instead I feel its closeness, and I think I’ve learned many things from the Greek and Latin classics about how to put words together. As a girl I wanted to make that world my own, and I practiced with translations that tried to remove the lofty tones that I had been taught to use in school. But at the same time I imagined the Bay of Naples filled with sirens who spoke in Greek as in a lovely story by Giuseppe Tomasi di Lampedusa. Naples is a city in which many worlds coexist. The Greek, Latin and Eastern worlds; medieval, modern and contemporary Europe; even the United States, are all side by side, neighbors, especially in the dialect and also in the historical stratification of the city.
Excerpted from Ferrante's Q & A with Rachel Donadio on the New York Times site. The story that inspired the young Ferrante has been newly translated by Stephen Twilley as "The Professor and the Siren."
Illustration: Johann Greuter after Giovanni Ianfranco, 1646, Mermaids and Mermen in bay of Naples.