The Lady Gambles (1949) Dir. Michael Gordon

seen from France
seen from China

seen from United States
seen from China
seen from China

seen from Türkiye
seen from United States
seen from Argentina

seen from United Kingdom
seen from China
seen from United Kingdom

seen from United States
seen from China
seen from Türkiye
seen from United States
seen from Malaysia
seen from Türkiye
seen from United Kingdom

seen from United Kingdom
seen from Netherlands
The Lady Gambles (1949) Dir. Michael Gordon
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1. Double Indemnity (1944) dir. Billy Wilder 2. The Lady Eve (1941) dir. Preston Sturges 3. Ball of Fire (1941) dir. Howard Hawks 4. Baby Face (1933) dir. Alfred E. Green 5. Christmas in Connecticut (1945) dir. Peter Godfrey 6. Stella Dallas (1937) dir. King Vidor 7. Remember the Night (1940) dir. Mitchell Leisen 8. Forty Guns (1957) dir. Samuel Fuller 9. Meet John Doe (1941) dir. Frank Capra 10. Sorry, Wrong Number (1948) dir. Anatole Litvak
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Barbara Stanwyck in BABY FACE (1933) dir. Alfred E. Green
Well, here we are. Married.
Irene Dunne and Robert Montgomery in Unfinished Business (1941) dir. Gregory La Cava
I love this shot from Wuthering Heights (1939) because it shows cinematographer Gregg Toland’s (known for Citizen Kane and The Grapes of Wrath) gift for blocking complex, layered shots. Instead of the shallow focus that was common at the time, Toland uses brighter lighting and faster film stock to stop down the lens, creating a deep-focus shot in which everything remains sharp. In Wuthering Heights, this leads to a kind of visual diorama in which everything is tack sharp, and the shot extends deep into the frame. It turns a simple, brief moment into something much more dynamic and immersive.
– Ah, young love. She’s going in alone so the family won’t know they’ve been out there together. – Now that’s cute. Darling, do you remember when we used to do things like that to fool my family? – Don’t be ridiculous. Your family practically threw you at my head.
Fast and Loose (1939) dir. Edwin L. Marin
You're old, and you're getting foolish, and you've made a mistake! It's me you should have hung! Because now I hate you in a way I didn't know a human could hate. Take a good, long look at me, T.C. You won't see me again until the day I take your world away from you!
Barbara Stanwyck as Vance Jeffords in THE FURIES (1950) dir. Anthony Mann