It just wouldn’t be the New Year if it didn’t begin with the timeless classic, “The Boulder,” written and performed by the inimitable Colleen Wainwright. Enjoy. :-D

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It just wouldn’t be the New Year if it didn’t begin with the timeless classic, “The Boulder,” written and performed by the inimitable Colleen Wainwright. Enjoy. :-D
"Being friendless taught me how to be a friend. Funny how that works."
Colleen Wainwright
Being friendless taught me how to be a friend. Funny how that works.
Colleen Wainwright
Sometimes the cure for restlessness is rest.
Colleen Wainwright
If it helps we’re only renting The car you drive The house you bought Those shoes That ring This muffin It all passes through like it was never yours to begin with (Especially the muffin) I’m the caretaker for now of this hat that fridge these cells and once my term is up they will move on to the next caretaker in some shape or another entirely Be the container that is clean and good to hold these things for the time they are yours: these babies those thoughts this poem And be prepared to let go at a moment’s notice (or not) when the moment comes And if you feel sad or heavy or small let go let go let go All the stuff in the world is not half as wonderful as the room left behind once it’s gone. xxx c
“all the room in the world" by colleen wainwright
a poem from the desk of my dear friend amy. she’s leaving town for a bit to visit family today, and by the time she returns, i’ll have left town altogether to live and work somewhere new. what a happy time it’s been coming to know and love her in the many hours we’ve spent working and laughing together. and what a difficult goodbye.
Act Smart!: Breaking through The Breakthrough Myth
For best results, look at success as a thing you are always building rather than a place you get to "someday".
"If you haven't been disappointed by your supposed big break, you're not in the game." —Bob Lefsetz, music industry veteran, new media pundit It was an ordinary day, toward the end of rehearsals for a play my theater company was producing. In my capacity as resident graphic designer, I'd dropped by with a rough draft of the program to have the cast and crew sign off on their bios. There was some buzz among the ranks that this was THE show—the one that was going to kick an extra-special amount of ass, breaking through the clutter to gain attention, awards, and acclaim even outside the usual small community who usually enjoyed our plays.
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This is pretty much what journals are all about, at least to me. I knew as I wrote them that even though they provided an excellent place for brain (and heart, and psyche) dump, they were mainly a map of me.
Colleen Wainwright