#interview with the vampire#iwtv#amc tvl#jacob anderson#sam reid
seen from Spain
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Convermity Comic, Issue #2: Lost in Translation
Written & Illustrated by: @vemmies on Twitter
Me when i have to wait for another update of convermity
Please forgive me, for I have made the mistake of having this app slip from my mind. How foolish of me!
Anyway HAAIII hiiiiii
coxxon,,,,,, 👅👅
Anumae Puerie from Convermity The MSPFA go check it out!
See the timelapse!
Hello everyone!
We have some amazing news to share... (⚆_⚆)
Recently, the CONVERMITY team has been granted the opportunity to appear in SAHcon's FINAL FRIDAY SHOWCASE!
We are very excited to showcase CONVERMITY to a wider audience of Homestuck viewers and connoisseurs. We'd love for you all to join us tomorrow on October 24th, 5PM PST!
See you there!
Not necessarily an ask but I adore you guys color palletes so much for both scenes and characters can I ask what you guys do to make the colors so cohesive and nice to look at when together
(If that's too long an answer then you're free to just take the compliment I'm very excited to see where this goes so far)
Apologies for the late response!
I'll be answering this. My name is Eli, and I'm the art director & co-director of Convermity! When it comes to choosing colours, I mostly approach it like this-- what main aspect of this character/scene do I want to show, and how can I make it pop?
For trolls, I consider this process pretty easy. Unless you abide by the "trolls don't wear colours casually" rules of Alternia, you're usually going to want the main colour of your troll to be their blood colour. What's some complimentary colours to teal? Orange & pink! Khorda's pants and glasses are these colours to bring more attention to her chest and her sigil, which are teal in comparison.
Scenes are a bit different. Those I usually choose complimentary colours for and work entirely off of that. Once again, Reds/oranges and teals. Much darker this time, though, as this takes place at night.
A lot of the time, when drawing items in the background that get further away from the camera, I usually tend to use a lower-opacity brush to let the items farther away blend into the background scenery. This usually results in a smooth transition from the colours in the foreground, pulling your attention, and the colours in the background, muddying together to hide away from focus.
I hope this helps! Thank you for the question!
PGs. 91-102 of Convermity have been released!
A tragedy of the finest caliber.
PGs. 83-90 of Convermity have been released!
A tragedy of the finest caliber.
