Faster is fatal, slower is safe.
Amit Kalantri, Wealth of Words
seen from United States
seen from India

seen from United States

seen from United States
seen from Spain

seen from United States

seen from Germany

seen from United States
seen from Malaysia
seen from United States
seen from Malaysia
seen from Malaysia
seen from China

seen from Germany
seen from Malaysia

seen from Germany
seen from China

seen from Portugal
seen from Brazil

seen from Italy
Faster is fatal, slower is safe.
Amit Kalantri, Wealth of Words
The world is administered by rich but it is constructed by poor.
Amit Kalantri, Wealth of Words
What a Writer Wants
There are moments when a writer says that they ‘Need’ something. And then there are the things that we all simply ‘Want’. I’m going to break down the things that should be in both categories, beginning with: What a writer Wants. The basic difference between ‘Wants’ and Needs’ is simple. The ‘Needs’ are the things that a writer cannot succeed without to be a writer. Not to be an author or even to…
View On WordPress
As writers, we like the most interesting scenes: the ones with all the action, the murders, the plot twists, and the tragedies. However, there are other types of scenes that we don't give enough credit to: filler scenes. It might be the most annoying part of writing because they might not be important to the plot or interesting to write, but trust me, they are important in their own way. And if you give filler scenes a chance, they might surprise you. If, like me, you are having trouble writing them, there are 7 ways I use to make writing filler scenes bearable.
What Remains Unspoken
There is a silence
that fills the space between us
like a gas that expands without permission,
breathing where words should be.
You ask, How was your day?
and I say, Fine.
But it’s not.
It never is,
and it never will be,
because in that single word
lives everything I don’t want to burden you with:
the crack in my chest
that widens every time you leave,
the days spent watching shadows
crawl across the walls
like old regrets.
I watch you,
but I never ask,
Are you alright?
because I know the answer will break
in places neither of us can fix.
I hold my tongue,
and it wraps around my throat
like a vine,
silent and tightening.
We sit,
drinking tea that’s gone cold,
our eyes moving past each other,
finding refuge in the cracks of the room,
in the dust that has gathered
on what we no longer touch.
When you say goodbye,
your lips form the shape of it
but the sound is hollow,
like a bell that has forgotten
its own resonance.
And I am left with all that wasn’t said—
the weight of the unsaid,
the absence between us
that swallows the air,
that stretches
and never releases.
Long one here, friends, but I wanted to share some miscellaneous trivia about the Hypnovember 2025 project before the year's out.
How to Write Powerful Characters With Hidden Weaknesses
Powerful characters are exciting to read about. They can wield magic, lead armies, solve impossible problems, or survive challenges that would break most people. But strength alone does not make a character memorable. What makes readers truly connect with a character is vulnerability. A hidden weakness can transform a seemingly unstoppable hero into someone readers care about and root for. The…