#crime plot

[heartxshaped-bruises]

✧･ﾟ 𝐏𝐋𝐎𝐓 𝐈𝐍𝐒𝐏𝐈𝐑𝐄𝐃 𝐁𝐘 "𝐇𝐀𝐋𝐅 𝐈𝐍 𝐋𝐎𝐕𝐄 𝐖𝐈𝐓𝐇 𝐃𝐄𝐀𝐓𝐇 " by Emily Ross

       Someone close to Muse A has vanished - their sibling, their partner, parent, friend, anything goes - and nobody but Muse A cares to figure out what happened. Nobody takes them seriously. Cue Muse B: The local baddie who has something to do with the disappearance of their loved one, whether they were directly involved or just know something. Muse A doesn't know that their loved one left a clue behind for them to put the puzzle pieces together and in order to not incriminate themselves and destroy the evidence of their involvement, Muse B tries to get close to Muse A.

       They "team up" to find the missing person, but both have their own ulterior motives to follow: Muse A wants to follow the suspicion that Muse B knows more than they let on, Muse B tries to get their neck out of the rope. If this ends well for any of them is purely up to the chaos gods.

[aceresources]

PLOT 002

Loosely Based of Nicole James’ Crash Evil Dead MC Book 2.

There will be Three main muses in this plot. MUSE A, MUSE B and MUSE C.

WARNING. DARK THEMES IN THIS PLOT, KIDDANPPING DOSE HAPPEN. 

MUSE A is being tracked and stalked by an ex. Because the Club/Gang/Mafia that they were saved from a kidnapping and they gave money over to one of those members of the Club/Gang/Mafia they call in a favor for help. The Club/Gang/Mafia agrees a met with them to find out what is going on. During the meet MUSE B sees MUSE A and thinks they are a spoiled brat from a comfy background and they are overreacting. When the  Club/Gang/Mafia starts to think twice about helping MUSE A, MUSE  B speaks up to take them on. The Club/Gang/Mafia agrees to help MUSE A but only under MUSE B’s rules. Whatever MUSE B says MUSE A must comply with in order to be protected. MUSE A reluctantly agrees to the terms. MUSE A is with holding who their stalker is at this time letting the Club/Gang/Mafia think it’s just a person their age and not their father’s associate. 

MUSE A goes home to MUSE B’s home. during that time MUSE A suffers from PTSD with triggers such as park garages and tasers. MUSE B has to help them through two of those break downs and starts to develop feelings for MUSE A. Later MUSE B confronts MUSE A about what happened and they tell them what happened to cause the triggers. MUSE B vows to protect MUSE A. 

Meanwhile MUSE C is a very very wealthy person. They are searching even putting out missing persons reports to try and find MUSE A. When they find out through bullying the bank MUSE A goes to about a transaction they made and find out that the money went to   one of the Club/Gang/Mafia MUSE C starts to dig into that Club/Gang/Mafia member. Finally a Privet Investigator takes a picture that reviles that she is indeed with that Club/Gang/Mafia which sets off MUSE C’s hunt to find MUSE A even more. 

Unknowingly to MUSE A and MUSE B that MUSE C is close to finding MUSE A , MUSE B takes MUSE A out of town as they have become close to spend time without the Club/Gang/Mafia around. MUSE A suddenly sees MUSE C’s body guards in the town they are in and wants to leave. MUSE B finally gets the real story as to who MUSE A is hiding from and makes a promise MUSE C will never get to MUSE A . A call comes from Club/Gang/Mafia for MUSE B to help them with a problem and to leave Muse A at the motel that they are staying at MUSE B tells the Club/Gang/Mafia what is going on and that they can’t so MUSE B is told to bring MUSE A with them so that they can have a chat. 

MUSE B takes MUSE A to another state for a job that is going on and the confrontation on why they didn’t tell them the whole story. Meanwhile MUSE C finds out that the bodyguard's lost MUSE A in the other state and puts in a plan. MUSE C kidnap's one of the Club/Gang/Mafia that MUSE A gave the money to wife/husband as leverage. The  Club/Gang/Mafia doesn't find out about it until a message is sent when they all get back home. 

MUSE A is protected by one of the Club/Gang/Mafia while they go to MUSE A ’s father to get the information as to where MUSE C took the  Club/Gang/Mafia family. When they finally get the info MUSE A over hears where the wife/husband has been taken and drugs their guard. MUSE A turns them self in as a trade to let the Club/Gang/Mafia family go. MUSE C tells the body guards to get rid of the Club/Gang/Mafia’s family. Unknowingly to them there is a DEA officer undercover building a case against MUSE C . 

Just when MUSE B and his Club/Gang/Mafia brothers/sisters/family get ready to make their move to go get Club/Gang/Mafia family back they get a call that MUSE A has turned themselves over in exchange for Club/Gang/Mafia family to be okay. They also tell MUSE B and the Club/Gang/Mafia not to make a move until this deal is done so that they DEA can arrest MUSE C before he goes to the airport and leave the country with MUSE A . 

On the night of the raid just when the DEA is about to get out before MUSE B and the Club/Gang/Mafia show up MUSE A attacks MUSE C killing them. Seconds later MUSE B and the Club/Gang/Mafia show up to rescue MUSE A only to find MUSE C is dead. Instead they take MUSE A and get out of there so the DEA has to clean up this mess. 

MUSE A and MUSE B are safe at MUSE B’s place and trying to get back to a normal life when MUSE A finds out that their dad dies. MUSE A wants to go back home to be with their family. MUSE B takes them home to be with family, but MUSE A’s father left a suicide note stating  MUSE B told them to kill themselves so they did. MUSE A blames MUSE B for their father’s death and breaks it off. 

Weeks/Month later MUSE A ’s sister/brother tells them the truth behind their father’s death. In that time MUSE A tries to win back MUSE B . 

*MUSE A doesn't kill MUSE C. Instead MUSE B is the one that is able to kill MUSE C.  *MUSE C get’s away with taking MUSE A out of the country and MUSE B goes to find them no matter what the cost is on them. *MUSE A’s father doesn’t die but puts MUSE A and MUSE B through hell due to the background of MUSE B and tires to pull them apart. 

[plotsforall]

Plot 170: Heist Help

When Muse A posts about their financial struggles on social media, they expect a handful of sympathy likes and a couple of encouraging comments from friends and strangers alike. What they don’t expect is a DM from an unfamiliar account (Muse B’s), promising a fast cash source if they’re truly desperate. Muse A is certain that this offer has to be something obscene, which they’re not willing to do no matter what, but Muse B insists that there’s nothing seedy involved. All they ask is that Muse A meet them in person to discuss details if they’re serious. Muse A leaves the DM unanswered for a few days, until an unwanted reminder of their money troubles shows up. Muse A agrees to meet with Muse B somewhere public and when they get to talking, Muse B reveals that they’ve been planning to steal from their boss who’s slighted them in some way [passed over for a promotion, subject of harassment, etc.], but they need someone else to do it so they won’t be easily connected to the crime. Neither Muse A or Muse B are expert criminals; Muse A has never so much as stolen a piece of candy from a store but the money is too appealing not to try. Plus, Muse B seems confident that this will work. Muse B lets Muse A into the target’s house during a social event with instructions on how to find the boss’ money stash and where to meet them later on to split it.  

[tazzyyyy-blog1]

Somebody give me a plot where muse a is a con artist or fraud of some sort and they meet muse b who is an undercover cop or FBI agent. Both of them are so good at keeping their covers that neither suspects each other of a thing until muse b uncovers something during his investigation that leads him to suspect muse a. Also they were starting to kinda fall for each other and had become really great friends at that point. Does muse b stick to the job or come around to see muse a’s side of things? Do they turn on each other? Help each other? Is muse b going to become a dirty cop? So many possibilities!!!

[aceresources]

PLOT 001

Loosely Based of Nicole James’ Outlaw Evil Dead MC Book 1.

There will be Muse A and Muse B as your main muses. Muse C is a side character. Muse D is the boss of Muse B and a side character. Muse E is the wife/husband of Muse B three years later. 

WARNING. DARK THEMES IN THIS PLOT. SMALL TALK OF HUMAN TRAFFICING. PLOT AROUND THAT CAN BE CHANGED TO SIMPLY KIDNAPPED INSTEAD. 

Muse A has been kidnaped and bought by another Muse C. Muse B happens to be at the club house/home in talks with Muse C Familia/Club/Gang to join the main branch that Muse B is in when they spot Muse A being carted around in handcuffs. Muse C owes Muse B money anyway so they call for a meeting to get their money back inside the main room that conducts business.  Muse B convinces Muse C that they needs their money and they will take Muse A as a two week grace period to get their money back. 

Muse B promises Muse A that they won’t hurt them. When Muse A begins to trust Muse B they tell them how they came about being handcuffed and was kidnapped. Muse B vows they will take care of Muse C so that won’t happen again and then promises to take care of the kidnapper. Muse A tells Muse B that Muse C is planning with another person inside the Familia/Club/Gang to bring down Muse B’s Familia/Club/Gang with charges and set them up. Muse B comes to the terms that Muse C is a rat now and with that Muse B has to take Muse A back to the place they found Muse A to ID the rat with their support of Muse B’s Familia/Club/Gang. Muse A ID’s the rat and Muse B takes care of them and plots against Muse C after they help them find the person that sold Muse A to them. Muse C agrees to get a meet up. Muse A ID’s the kidnapper and Muse B kills Muse C and the kidnapper. 

Once this is over Muse B brings Muse A back to their club/home base. Muse D wants to get rid of Muse A because Muse D fears that they will change Muse B and make them question being loyal to their Familia/Club/Gang. Muse D places a wedge between them when they send Muse B away for a job. Muse D tells Muse A that Muse B had a good time and they were done with them. Muse A thinks Muse B was just using them so they leave. Though they leave a note for Muse B before leaving and Muse D finds it and throws it away. When Muse B returns and is told that Muse B left they are hurt by them leaving with no goodbye or note.

Three years later Muse A returns to where Muse B is at and let’s them know that they have a not just one kid but two, but the second one needs a bone marrow transplant. Muse B leaves to go where Muse A is living in a different state to save their child. Muse A and Muse B rekindle their love for one another but Muse B is married to Muse E. Muse B finally gets around to telling Muse A and Muse A tells them leave. Muse B intends on getting a divorce so they can be with Muse A but when they return Muse E makes up a plot to keep Muse B with them by staying they are pregnant. Muse B is stuck and has to stay with Muse E for fear of their unborn child being left with Muse E who is unfit and selfish.  Several months later Muse B figures out that Muse E has been faking their pregnancy the whole time and gets a divorce. Muse B tries to get Muse A back but they are too heartbroken to accept calls. Muse A’s family member is trying to help Muse B get back with Muse A so the kids and Muse A and Muse B can be a family again. 

Muse B gets a phone call Muse A was attacked and is in critical condition. Muse B goes to Muse A and when they are in the clear Muse A still wants nothing to do with Muse B. Muse A tells them to go and Muse B instead of leaving go to see their kids. Muse A’s family member makes Muse B take the kids and promises that when Muse A is healthy they will come to their state to either get the kids or stay as a family. Muse B leaves the divorce papers and a letter as proof of the divorce and takes the kids with them. Muse A’s family finally tells Muse A when they get home they are selling the house to move to Muse B’s state and wants Muse A to go with them to either get their kids or talk to Muse B and work things out. Muse A leaves with their family member and when they show up at Muse B’s home they make the decision on what they will do.  * Muse A refuses to leave and Muse B returns to find them there. Muse D tries to find another way to get rid of Muse A. *When Muse A returns to tell Muse B about the kids Muse A returns with the children(child) and tells them they are a farther/mother. Twist Muse B isn’t married to another and they try to get to know their kid(s) and Muse A again.  * When Muse B goes to help with Muse A  and their kid. Muse E shows up and tries to tear Muse A and Muse B apart. 

[heartxshaped-bruises]

✧･ﾟPLOT INSPIRED BY BRIGHTON ROCK

MUSE A is the head of a mob / crime organisation. Currently, there's trouble and disturbances with a rival mob and when one thing leads to the other, MUSE A ends up killing a member of the others. That’s when MUSE B joins the game. They’re a shy wallflower, never getting into trouble but coincidence makes them an important witness in the murder case without even knowing.

So, the mob behind MUSE A pressures their leader to get a hold on the evidence MUSE B is possessing (ex. a selfie with the suspects and the victim in the background; something that proves any relation MUSE A could have to the victim). So, MUSE A ingratiates themselves with MUSE B, but even after they collected the evidence against them, their mob isn’t appeased. So, there’s only one possibility: MUSE A needs to marry MUSE B because spouses can’t be forced to testify against each other in court. And as you can imagine, what starts out at first as a necessary evil to keep MUSE A and their mob safe from authorities, MUSE A starts to actually like MUSE B in the process of winning them over.

[plotsforall]

Plot 166: Halfway

After being wrongly imprisoned for 2 years, Muse A gets out on parole. Adjusting to life on the outside is difficult with a conviction on their record, especially since no one knows the truth-- which is that Muse A was innocent and had to take the fall for someone who was threatening their family. As a term of their parole, Muse A must live in a halfway house and maintain employment for 6 months without committing any criminal offenses or they risk an immediate return to prison. Muse A just wants life to return to something resembling normal, so they take the first job opportunity that will have them. Muse B is a customer who frequents Muse A’s place of work. Although Muse A tries to keep to themselves in order to avoid any potential trouble, Muse B manages to crack Muse A’s hardened exterior. Over time, Muse B becomes someone whom Muse A looks forward to seeing and spending time with. As a tentative relationship grows, Muse A starts to feel like they can put their unjust past behind them. That is-- until Muse B invites Muse A to meet their sibling, Muse C, who Muse A recognizes as the person they went to prison because of. Now Muse A must decide whether their budding relationship with Muse B is more important to them than seeking revenge on Muse C and jeopardizing their freedom.  

Options:

The relationship between Muse A and Muse B is platonic, not romantic.

Muse A and Muse B are same sex.

Muse C threatens Muse A to do an illicit favor for them.

[plotsforall]

Plot 163: Proof

Muse A is a hard-working fashion photographer who’s accustomed to taking quality head shots for aspiring models. Muse B contacts Muse A to set up a shoot, supposedly to flesh out their portfolio; in reality, Muse B’s motives are more sinister. The photo shoot starts out innocently enough, in the downtown loft Muse A rents for work purposes. Muse A takes several stunning shots of Muse B who confesses to having zero experience nor ambition toward modeling as times passes. Muse A confused, but also intrigued when Muse B begins to disrobe, insisting that it might be fun if Muse A took risque photos of them. Muse A doesn’t usually do that sort of thing as their professional reputation is very important to them, but Muse B is quite persuasive.      

Shortly after their session concludes, Muse A and Muse B having fooled around, Muse B unexpectedly resurfaces at a fashion event that Muse A is attending. Displeased to see Muse A with a date on their arm, Muse B pulls the photographer aside to threaten them, promising to tell their own significant other (Muse C, who’s a vicious criminal) that Muse A manipulated them into taking the risque photos. Muse A is appalled; they didn’t even know that Muse B was in a relationship and it wasn’t their idea to take those photos to begin with! Unaffected by Muse A’s shock, Muse B demands a romantic affair with Muse A or else they’ll spill to their significant other and Muse A’ll have more to worry about than their professional reputation.