The Immortal Choir Holds Every Voice
I'm in the home stretch of my 20+ city book tour for my new novel PICKS AND SHOVELS. Catch me in PDX THIS FRIDAY (June 20) at BARNES AND NOBLE with BUNNIE HUANG and at the TUALATIN public library on SUNDAY (June 22). After that, it's LONDON (July 1) with TRASHFUTURE'S RILEY QUINN and then a big finish in MANCHESTER on July 2.
Margaret Killjoy writes fantasy stories of relentless tension, boundless wonder, thrilling adventure…and completely radical, unflinching anarchist politics. Her 2024 YA novel "The Sapling Cage" is a queer coming-of-age epic that motors with all the narrative energy of a genderbent Conan epic:
https://pluralistic.net/2024/09/24/daughters-of-the-empty-throne/#witchy
Today, Strangers In a Tangled Wilderness Press publishes The Immortal Choir Holds Every Voice, a collection of three linked short stories set in Killjoy's celebrated Danielle Cain series, which Alan Moore called "ideal reading for a post-truth world":
https://www.tangledwilderness.org/shop/p/the-immortal-choir-holds-every-voice
Danielle Cain is a freight-train-hopping, anarcho-queer hero whose adventures are shared by solidaristic crews of spellcasting, cryptid-battling crustypunk freaks and street-fighters. In Immortal Choir, the action opens with Danielle and a motley band around a campfire in a dark Idaho woods, surrounded by the night-screams of some distant demonic presence. It's Samhain, and the veil between the realm of the living and the dead is as thin as it gets. Bad things are stalking the night.
To save themselves, they must court their own dead, welcoming them to their circle. They pile a camp-plate high with food for the dead to eat, build the fire up, and begin the tell the stories of their dead comrades, summoning them as a defense against the monstrous forces that stalk the All Saints night. This is the setup for the three linked short stories that make up this short book.
This is a great setup: a group of endangered comrades, huddled together against the darkness without, telling tales to buoy up their bravery. It's the framing device that makes The Decameron an enduring classic after 800 years and counting. In Killjoy's hands, it sings.
The first story is "The Troll King's Court," a ghost story about a Norwegian troll cult that came to America in a failed Manhattan-Adjacent Project to create a mystical superweapon with which to win WWII. It's ultimately a story about how the competent people who have their shit together in our lives are just as broken as the rest of us, and about the many ways that release, fulfillment and actualization can take place. It's spooky as fuck.
The middle story is "The Fairies of the Spring," which summons up the old, mean roots of the Fair Folk, the cruelty behind their beauty and merry laughter. Pratchett did one of these (Lords and Ladies), and so have many others – but no one's done it where the resistance comes from a motley band of queer punk club-owners in a rural town, who team up with local shitkickers to hunt the elves and banish them to their realm.
The final tale is "The Battle of Miami," a story about a streetfighting anti-globalist battle. It's a tale of Black Bloc tactics and true queer love, that lights up with joy.
Killjoy's really onto something with this series. She's tapping into the deep roots of fantasy – maybe the socialist parables woven into William Morris's stories. She's also connecting with the roots of urban fantasy (I was delighted to see a reference to Terri Windling's superb, absolutely amazing Borderland series).













