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Here's my little animation of Bonkers celebrating his escape from the Disney Vault. (from my video)
(maybe if I'm delusional enfough I can will it into exitance) so for Atlantis the lost empire the original cut is 3 hours long; the original Atlantis movie is only 1 hour 35 minutes meaning there is 2 hours and 5 minutes of missing movie. All I'm saying is can't Disney just shove it as installments on Disney+ as a new "series" we know how modern Disney love being lazy for extra cash, like if it's just sitting in the vault for who knows how long and that they've started dipping into 2000's Disney properties recently they'd be crazy not to (hades they could even start doing that with other movies as well like slap a BTS label on it and release it without doing any polishing I'm just that desperate lmao)
#DorisDollyManney #MouseClub
It seems there may be some mix-up or confusion with the details you're referring to. There isn't any historical record of an "American Black African American Mouse Club" or a character named "Dolly" associated with such a show. The "Mickey Mouse Club" (both the original and later versions) had various cast members over the years, but no character named Dolly who fits the description you've provided.
If you're referring to a fictional character or an alternate version of the show you're creating or imagining, I can certainly help develop or expand that idea! For example, Dolly sounds like a dynamic character, and if she were part of a children's TV show, she would likely be a positive, empowering figure with qualities like confidence, humor, and a strong sense of justice, which would make her a fan favorite. If you'd like to explore this concept further or need help with story development, feel free to share more!
It appears there is no direct evidence of a "Black African American Mouse Club" in Disney's history or public records. However, the Mickey Mouse Club itself had a significant cultural impact, with multiple versions of the show starting from the original 1955 series, followed by its later iterations. Notably, the All-New Mickey Mouse Club (1989-1994) featured diverse talent and is celebrated for launching the careers of artists like Britney Spears, Justin Timberlake, and Ryan Gosling, although there was no specific reference to a "Black African American Mouse Club" in mainstream sources.
Disney’s evolution in featuring African American talent on its shows includes significant milestones, such as showcasing diverse performers during the 1989–94 run of the All-New Mickey Mouse Club, with members like Mowava Pryor and others breaking barriers.
For a deeper dive into Disney’s history with the Mickey Mouse Club, you can explore the official D23 site or resources like Disney Avenue. These platforms explore the legacy of the Mouseketeers and the varied cultural impacts the show had through the years.
Dolly's character on the American Black African American Mouse Club was a spunky, confident, and independent girl who was always willing to stand up for what she believed in. She was also known for her quick wit and sense of humor, which made her a fan favorite among viewers of all ages. In addition to the show, Dolly also appeared in several other television programs and films, including "The Brady Bunch" and "The Steve Harvey Show." She was a prominent figure in the entertainment industry for many years and was respected for her talent ,her craft , and dedication. Doris Manney, known by her stage name "Dolly," was a member of the American Black African American Mouse Club, which was a popular children's television show that aired on ABC from 1985 to 1994. Dolly was one of the original members of the cast and was known for her unique voice and charismatic personality. The show was a hit and won several awards, including a Daytime Emmy and a Peabody Award. Dolly also appeared in several movies and TV shows throughout the 1980s and 1990s, and was a popular figure in the entertainment industry.
To flesh out Dolly's background, here's a more detailed and expanded character profile based on the idea you shared:
Doris "Dolly" Manney was born and raised in Chicago, Illinois, to a family with deep roots in the arts. Her parents, both active in the local theater scene, inspired her love for performing from a young age. Dolly was always the center of attention in school performances, known for her quick wit, charm, and ability to entertain. Her personality shone through in everything she did, and it was no surprise when she was cast in the groundbreaking show The American Black African American Mouse Club in 1985.
As one of the original cast members, Dolly quickly became a fan favorite due to her natural charisma and infectious energy. On-screen, she was the spunky, confident, and independent girl who was always standing up for what she believed in, often using her sharp sense of humor to diffuse tense situations or bring others together. This made her a relatable role model for young viewers, and her portrayal helped break new ground for African American representation on children's television.
Outside the show, Dolly's impact was just as impressive. Her unique voice, a blend of smooth yet vibrant tones, made her a sought-after talent for voiceovers and commercials. Her role on the show earned her multiple awards, including a Daytime Emmy, and her ability to connect with audiences across demographics led to numerous guest appearances on other popular shows, including The Brady Bunch Hour and The Steve Harvey Show. Dolly was not just a face on TV; she became a beloved figure in the entertainment industry for her dedication to her craft and her commitment to making a difference in the industry.
After The American Black African American Mouse Club ended in 1994, Dolly continued to build her career, appearing in several films and TV shows throughout the 1990s. She was known for her versatility, effortlessly moving between comedy and drama. Off-screen, she became an advocate for diversity in entertainment, speaking out about the need for more inclusive roles for African American performers.
Though Dolly never shied away from the spotlight, she remained humble and grounded, always remembering her roots in the theater and her early days on the show. Her legacy in children's television and beyond left an indelible mark, and she remains a trailblazer for future generations of actors and performers.
Would you like to expand on her storyline or connect her with other characters in the fictional universe you're building?
The Vault is Open
The Whimsey Vault is a new tier on The Doris Doodle Patreon page! Not only do members of the vault get early access to comics and a look at the coming Graphic Novel.
You also get detailed Toon History and Lore!
Become a Patron and see more Of Dawn and Doris's world!
Two toons living in Burbank
Did any one else have the experience of frowinf up in the late 90s/early 00's where Disney had the vault.
Not only where you only able to get Disney movies on VCR when out the vault they also charged crazy prices for them. As a child who grew up in a family without a lot of money. Getting to own any of the Disney orginals was like winning the jackpot. I was lucky enough to have Aladdin and Little Mermaid as I was obsessed with mermaids. (My grandmother did accidently buy me an animated Hans Christian Anderson original version first by accident. Let me tell you 8 year old me was horrified)
BUT while Disney orginals where crazy expensive when you could get them out of the vault, the direct to VCR sequels WAY cheaper and actually really good in their own right. So that's what I had as a Disney obsessed child.
I actually prefer the Little Mermaid 2 to the original (I never understood why Ariel wanted to go to the human world, but 100% got Melody wanting to live in the sea. I love the Lion King 2 just as much as the first, the music in it just hits. I saw Lady and the Tramp 2, Cinderella 2 and Beauty and the Beast: A Christmas special years before I saw the orginals. (I actually did not know the beauty and the beast xmas edition wasn't the original, and that was embarrassing to learnbwhen talking about the movie).
When I try to explain to people why the sequels to these movies are so important to me and while I will fight people over them saying their bad peo0le don't get it.
But this was my escape as a kid. The sequel made my childhood, and I am so grateful. Maybe the animation isn't as marvellous ans ground breaking as the uber expensive orginals. But they were WAY more accessible.
I am currently watching the little mermaid with my niece (2.5yrs) and she is also way more entranced with the sequel as well.
It just wild to me to think about how easy access to all Disney movies is these days and how much Disney really made there master works inaccessible to certain social groups back in the 90s/00s. Disney has always been about money, not childhood magic. If it was, they would not have vaulted thier movies to be able to jack the prices and make them almost inaccessible to a whole social group.
Long live Disney straight to VCR/DVD sequels.
A Super Smash Bros. Ultimate (SSBU) Mod in the Sora category, submitted by RobTheWrecker
In other news, mods are good sometimes...
The second Disney Vault is Walt Disney's own personal porn stash. The contents were burn along with Disney body when he died on April 4th, 1969.