#does https help in search engine rankings

[qewebby-blogs]

AI Search Visibility Audit Checklist Agencies Should Use in 2026

Search behavior is changing rapidly, and businesses that fail to adapt may soon lose visibility online. Traditional SEO is still important, but today users are increasingly relying on AI-powered platforms like ChatGPT, Google AI Overviews, and Perplexity to discover brands, services, and solutions.

Instead of browsing multiple websites, users now ask direct questions and expect instant answers. This shift has created a new challenge for businesses: if your brand is not appearing in AI-generated answers, you are missing valuable traffic, authority, and potential customers.

This is exactly why AI Search Visibility Audits are becoming one of the most important digital strategies in 2026.

An AI visibility audit helps businesses understand how AI search engines interpret their website, content, and authority signals. It measures whether your brand is being mentioned, cited, and accurately represented across AI-powered search experiences.

Businesses already investing in advanced SEO Services are now combining GEO and AEO strategies to improve both traditional rankings and AI-generated visibility.

Why AI Visibility Matters More Than Traditional Rankings

For years, digital marketing focused mainly on keyword rankings and organic traffic. But AI search platforms work differently.

AI systems analyze:

Content quality

Entity authority

Structured data

User intent

Brand trust

Contextual relevance

Then they generate summarized answers for users.

That means businesses are no longer competing only for page-one rankings. They are competing to become the answer itself.

If your competitors are consistently mentioned inside AI-generated responses while your business is ignored, the visibility gap can become massive over time.

This is why agencies are now offering AI visibility audits as a dedicated service for modern brands.

To better understand how future-ready websites are evolving for AI search, businesses should also explore the latest WordPress development trends shaping digital experiences in 2026.

What Does an AI Search Visibility Audit Measure?

An AI visibility audit focuses on how well your business performs across AI-driven search environments.

The audit generally measures:

Brand Mentions

Does your business appear when users ask relevant industry questions?

Citation Accuracy

Are your products, services, and expertise correctly represented by AI platforms?

Competitive Visibility

How often are competitors being recommended instead of your business?

Content Readability for AI

Can AI engines easily understand and extract information from your content?

Authority & Trust Signals

Does your website provide enough credibility for AI systems to trust your brand?

These insights help agencies identify gaps that traditional SEO reports often miss.

The Core Elements of a Strong AI Visibility Strategy

1. Technical AI Readiness

Your website must be technically optimized for AI crawlers and search engines.

This includes:

Fast-loading pages

Mobile responsiveness

HTTPS security

Crawlable content

Proper indexing

Updated XML sitemaps

Without strong technical foundations, even high-quality content may struggle to appear in AI-generated responses.

Many businesses now rely on professional Web Development Services to build websites that support modern SEO, GEO, and AI search visibility requirements together.

2. Structured and Contextual Content

AI systems prefer content that is clear, direct, and easy to understand.

Instead of overly promotional content, businesses should focus on:

Question-based headings

Simple explanations

Bullet points

Tables and comparisons

Step-by-step guides

Data-backed insights

AI engines often extract answers directly from concise and structured content blocks.

This is why answer-focused content is becoming more important than keyword stuffing.

3. Entity Building and Brand Authority

AI search platforms heavily rely on entity understanding.

In simple terms, AI wants proof that your brand is legitimate, trustworthy, and recognized across the web.

Businesses should maintain consistency across:

Website content

Social profiles

Author bios

Business directories

Reviews and mentions

Third-party citations

Around 220 words later, brands looking to strengthen website trust and protection should also review these essential WordPress security tips to improve security and website credibility.

The Importance of “Money Prompts” in GEO

One major difference between SEO and GEO is the shift from keywords to prompts.

Users now search using conversational questions like:

“Best WooCommerce development company”

“Top SEO agency for AI visibility”

“How to improve AI search presence”

“Best website optimization strategy for AI search”

These are known as “money prompts.”

Agencies now track whether businesses appear for these prompts across AI platforms.

This process helps measure real AI visibility instead of relying only on keyword rankings.

Why Agencies Are Offering AI Visibility Audits as a Service

AI search visibility is not a one-time task.

AI systems continuously evolve, competitor content changes regularly, and user prompts shift over time.

This is why agencies are turning AI visibility optimization into recurring monthly services that include:

Prompt tracking

Citation monitoring

Content restructuring

Technical optimization

Competitive analysis

AI visibility reporting

Businesses that start optimizing early will gain a significant competitive advantage in AI-driven search discovery.

Final Thoughts

AI-powered search platforms are reshaping how users discover businesses online. Ranking on Google alone is no longer enough if your brand does not appear inside AI-generated answers.

An AI Search Visibility Audit helps businesses identify content gaps, improve citation opportunities, strengthen authority signals, and optimize websites for modern GEO and AEO strategies.

Brands that adapt now will build stronger digital visibility, better authority, and long-term competitive growth across AI-powered search engines.If you want to understand how AI platforms evaluate and recommend businesses, explore the complete guide on AI Search Visibility Audit Checklist Agencies Should Use in 2026 and discover how GEO and AEO strategies can future-proof your online presence.

[magioffire]

(cw for discussions of drugs/drug use)

@ crime/detective fiction writers, urban fantasy writers, writers who want to put fancy made up sci-fi or fantasy drugs into their homebrew world, writers who write characters who use drugs, and people who just need a good resource for  learning about altered states of consciousness, ive got you.

 i recently remembered two sites i used to frequent for researching psychoactive substances, and they continue to be useful, thorough resources to this day. i also have had a few people come to me over the past few months asking for such resources to help with their writing. i feel like i should share them with everyone! most people might not even find these websites in an average google search.

its hard enough being a writer and having a search history full of ....questionable google searches, all for the sake of research of course. the more taboo or specific the information, the harder it is to find reliable and non-biased sources of research. drugs are likely among the most difficult topc to find information on.  where does a person need to go to learn about such things?  make a deal wth an evil dark web wizard in exchange for forbidden drug knowledge???

wouldn't it be nice if you just already knew some free, safe, surface web websites to go to that would take you directly to the information you're looking for, saving you tons of time of scouring search engines for little crumbs of info?. well, your prayers you didnt even know you had have been answered. here you go:

erowid.org

ive used erowid as my go to for reading other peoples personal experiences with pyschoactive substances since i was a teenager. its not just a drug experience archive though, it also hosts plenty of scientific and historical articles (some very old and rare that would be pressed to find freely available in many other places on the internet) about pyschoactive substances and altered states of consciousness of all varieties. another great thing about erowid: it lists the LEGALITY of each substance it catalogues in many dfferent countres. erowid uses legal, academic and community sources  to provide a much more well rounded view of the topics it hosts.

erowid catalogues personal experiences of real life people who have published their experiences to the site (located in erowid’s psychoactive experience vault). people have recorded their experiences using everything from coffee, to lsd, to cocaine, to 5-meo-dmt, to alcohol, to mad honey, to cough syrup.

it is a go to source if you need some insight into the mind of someone recalling the most intense mushrooom trip of their life, or if you are curious if anyone has actually even *tried* that one obscure drug you heard about in a movie once, or you need to know the hour-by-hour subjective effects of a certain drug. theres good experiences, bad experiences, spiritual experience, mundane experences.  i highly recommend erowid for anyone looking for a more organic, personal, and much less clinical AND less criminalized view at the effects of psychoactive substances on minds and cultures.

https://psychonautwiki.org

pyschonautwiki will give you pretty much everything you need to know about every single psychoactive, ever, and its always being updated.

on any given page you will find information like: historical and cultural use of the drug, what drug class it belongs to, the pharmacological make up, common routes of administration, subjective and physiological effects ranked in terms of how frequently they occur and at what doses, what is considered a threshold dose, an average dose, a heavy dose, an overdose, and a lethal dose (all lethal doses are overdoses, but not all overdoses of every drug out there are lethal), and lots of safety info. this site goes very deep into recording the cognitive, sensory, psychological, emotional and physical effects of drugs.

its a super clean, easy to navigate site. i believe its most useful as a resource to writers who want to know how to portray a drug trip or drug abuse accurately down to the last detail -- as every drug creates a unique and entirely subjective effect.  like erowid, this site’s collection of information expands beyond just substances: it also has information on other states of consciousness not induced by substances, including lucid dreaming, meditation, and near-death-experiences.

long gone are the days of portraying your character’s fever dreams or  sci-f space drug trp as a parade of pink dancing elephants (unless, of course, thats exactly what your’e gong for. then by all means). now you dont have to do nearly as much guess work  as to how a specific substance generally effects people, and get more creative ideas for how you can rattle your character’s psyche.

hopefully, these resources might prove helpful to find a no-bullshit attached  resource with minimal anti-drug propaganda, and most importantly credible information about drugs and drug use. so people can research these things without ever actually getting involved in anything dangerous. they are also, obviously, good harm reduction resources, which is the original intention of these sites.

i will continue to add if i find more good safe websites!

disclaimer: these sites are intended to be used for educational and research purposes. do not try anything illegal or dangerous that may be recorded on these websites.

[patsmarketing]

Does website loading speed helps in SEO?

Yes, website loading speed plays a crucial role in SEO. 

Here's why:

User Experience: Fast-loading websites provide a positive user experience, as visitors don't have to wait long for the content to load. Users are more likely to engage with a website that loads quickly, reducing bounce rates and increasing the time spent on the site. This signals search engines that your website is valuable and relevant to users, potentially improving your rankings.

Search Engine Crawling: Search engine bots crawl websites to index their content. If your website loads slowly, search engine crawlers may not be able to access and index all your pages efficiently. This can result in incomplete or delayed indexing, impacting your website's visibility in search results.

Mobile Optimization: With the increasing use of mobile devices for internet browsing, mobile optimization has become a critical factor in SEO. Mobile users expect fast-loading websites, and search engines prioritize mobile-friendly sites. Optimizing your website's loading speed for mobile devices can improve your search rankings and enhance the mobile user experience.

Page Speed as a Ranking Factor: Google has confirmed that page speed is a ranking factor in its search algorithm. Websites that load quickly are more likely to rank higher in search results compared to slower websites with similar content and relevance. Faster-loading websites have a competitive advantage in organic search rankings.

To improve website loading speed for better SEO performance, consider optimizing images and multimedia elements.

For more details, contact Pat's Marketing, a professional SEO company in Toronto.

https://www.patsmarketing.ca/toronto-seo-consultant/

[hammadagency22]

How to Start Content Writing.

By Maksudul Islam | 05-10-2022 | Content marketing

Writing content has never been easy, there are some things that professional writers do. For being a professional content writer the main thing you need to learn is KEYWORD RESEARCH. Let’s see how to start content writing. First, we need to know what is content and what is content writing.

What is content?

Content is anything you produce that your audience can consume with its senses.

What is content writing?

Content writing is the process of planning, writing, and publishing web content. 

Content writers are the storytellers of their content. Anybody can write content. But anybody can’t write quality content. Content is everything but quality content is king. A content writer needs the knowledge of SEO process also.

What is SEO?

SEO means Search Engine Optimization. It means the process of improving your sites/profiles/contents to increase its visibility when people search for products or services related to your content.

How does SEO work?

SEO works by optimizing websites/profiles' content, conducting keyword research, and earning inbound links to increase that content's ranking and the website/profile's visibility.

If you want to be a quality content writer at first you need to learn SEO. For starting content writing you have to know the types of content. There are many types of content.

Types of content:

Image content.

Social media post/text content.

Video content.

Website blogging.

There are some most important skills you need to become a content writer.

Having writing skills

Find Your Niche

Time management.

Problem-solving.

Grammar and vocabulary skills.

Research skills.

SEO and content strategy.

Creative writing.

Editing.

A content writer needs to understand that different client have different needs.

You have to know about the fields of content writing.

Fields of content writing:

Blogging.

Social media posts.

News writing.

Creative contents.

Articles.

E-Books.

White papers.

Case studies.

Newsletters.

Press Releases.

Product descriptions.

Whether you are writing content the following tips will help you organize your work for enhanced output:

Study about product/niche.

Choose your platform.

Research your competitors.

Find your audience. 

Start Writing.

Create a killer title.

Know relevant content writing formats.

Share your experiences and stories.

Ask for a comment.

Write content with easy words.

Improve readability.

No grammatical mistakes.

Collect all expert opinions.

Focus on benefits.

Edit and proofread your work.

Promote your work.]

Keep learning.

Be patience.

There are some on-page SEO factors. These are very important parts of content writing. A successful content writer always follows these rules and applies them to their content. If you want to be a professional content writer you must have to follow these SEO factors.

Some on-page SEO factors:

A blog should contain at least 300 to 1000 words.

Use your keyword in the title.

Use your keyword in the URL.

Maintain keyword density.

Use keywords in the image's ALT tag.

Shorten paragraphs.

Use bullet points & numbers.

Use Image/Video content.

Use internal & external links.

Content writing is very very important for any kind of business. Quality content is a valuable way to connect customers with your brand. There are many benefits of content writing for a business. Content writing boosts Search Engine Optimization, Sales, and Conversion rates. It represents your brand and retains viewers. Content writing helps you to reach new audiences. 

Start content writing:

Start content writing with blog. Blogs are impressive way for learning content writing. By writing blogs you can understand how Search Engine works. You can improve your writing skills.

Once you are confident you can start freelance writing. There are many famous freelancing sites. Like: Fiverr, Upwork, Problogger, Trvelancer, Worknhire etc.

Some tools to optimize your content writing experience:

Wordpress - https://wordpress.org/

Yoast - https://yoast.com/

Google docs - https://docs.google.com/

Grammarly - https://www.grammarly.com/

Semrush - https://www.semrush.com/

Canva - https://www.canva.com/

Buzzsumo - https://buzzsumo.com/

Hootsuite - https://www.hootsuite.com/

CoSchedule - https://coschedule.com/

Medium - https://medium.com/

To improve your writing work you must take feedback seriously. Paying attention to the critics is the best way for improve your content writing skill.

Thank You....

[dduane]

The BBC!Sherlock-affiliated websites: a look at the current WTFery...

Some thoughts about the current state of play, with a little under-the-hood sleuthing...

Let’s start with the one that’s least affected by the present changes (whatever they mean.) The Blog of Dr. John Watson, at http://www.johnwatsonblog.co.uk/, is still loading... though without formatting.

This kind of loss of format is well known among web designers as the Flash of Unstyled Content. When it happens for reasons we can’t work out, it drives us right around the bend. It is, however, also something that can happen when the person managing a website is changing the underlying “theme” that provides its user-facing look-and-feel.

So what does all this mean at the moment?

Difficult to say. Let’s take the diagnosis one step at a time.

Are we seeing current site output -- not something cached? The resource at DownForEveryoneOrJustMe (a good way to check server status) says that the site is live.

So far, so good. Now let's have a look at the information in the head of the webpage itself to see what it shows.

That info indicates a site that’s been designed and implemented by someone from the BBC. By itself, though, that doesn’t prove anything: someone else running the site might simply have left that information in place on an un-redesigned web page. So let’s doublecheck to see who presently owns the site by using the domain name info source Whois. (I’m using a version housed at DomainTools.)

That info looks like this:

The IP addresses shown in the full WhoIs record indicate that this site is still housed on the BBC’s servers.

There’s an uncomfortable implication here, though. The domain name’s present registration only runs until July of this year. That things are starting to happen to the site now may mean that the BBC is preparing to relinquish the domain as something they don’t need any more (or don’t feel like paying to keep any more...).

So: let’s run the other site we’re mostly concerned about, Sherlock’s “The Science of Deduction” website, through the same process.

Here’s the metadata from the top of its front page.

This (as far as I can tell) is the plain-vanilla page header of a default WordPress theme -- their “2021″ theme, specifically. The BBC would not be using WordPress. So we can safely deduce, immediately, that the BBC has at some point or another declined to re-register the “thescienceofdeduction.co.uk” domain, and someone else has bought it.

Doublechecking this at WhoIs:

...So what we see here are all the signs that a domain has been allowed to lapse, has been bought by someone besides the BBC, and is now being revived... in some form.

But why? The only guide we have here is the names of the websites mentioned in the new registration: statefactory.com and hartgallery.co.uk.

The second of these is also a WordPress site, but as empty (at the moment) as the revived Science of Deduction site is. The first one is a company that helps sites achieve higher search engine rankings.

So what does this mean for the Science of Deduction domain? Probably that somebody’s looking to exploit (or monetize) its historical web ranking in some way. (And sure enough, when you put the domain’s name into Google Search, it comes up at the top of the page. Not unusual for a site that would have been very, very popular, back in the day...)

...Anyway (and regretfully) that’s all I’ve got for you at the moment. If I find out anything more useful or illuminating, I’ll append it here.

ETA 1: Those concerned about the preservation of the original content of the sites -- please note that both of them have mirrors on Tumblr, at https://thescienceofdeduction-co-uk.tumblr.com/ and https://johnwatsonblog-co-uk.tumblr.com/ .

ETA 2: Had a set of questions come along from @garkgatiss​ and wanted to deal with them here, as it’s less unwieldy than handling them in the comments. But also, the answers are of general interest.

If I'm reading this correctly, it's still not clear what is causing the loss of formatting, but it does indicate to you *some* recent fiddling has been happening with the site. Is that accurate? Or can these mystery reasons for loss of formatting include things outside of the web designer putting hands on the website? 

They can. One thing that happens all the time in corporate web structure is that the locations of static/source directories get changed, and (large companies being what they are) not all the people who need to know about it are always notified: especially when the projects in question are legacy projects or have otherwise been locked down into “no further changes” mode. (Or in some cases, the people who used to handle that project have been moved to another one, and those presently in charge of the one you’re interested in may not realize that this issue is going to become, well, an issue.)

Anyway, we know this sort of lockdown has happened to johnwatsonblog.co.uk becuse the HTML of the source page clearly shows a set of instructions for a “mothball” popup to appear when the page is loaded: a text box explaining that the page is no longer being updated. ...But this by itself doesn’t explain why the page’s formatting has gone south.

 A useful clue here is that this page seems (to me anyway) to take an awful long time to load: as if its code is instructing it to look for something it can’t find. (Just for curiosity’s sake, I ran it through Google’s PageSpeed tool, and that tool failed with a “try again later” error.) My first guess was that the page’s CSS file -- its set of instructions for how it’s supposed to look -- might have been moved.

When this occurred to me I pulled the address of that file out of the HTML, added the master BBC.co.uk “home address” to the front of it (as the version in the page’s source is truncated) and attempted to load it. This resulted in a “Can’t find that page, sorry” (404) page coming up. ...No real surprise there: the odds of a CSS file being so easily accessible to rando outsiders aren’t great. So the data on whether or not the CSS file has been moved is inconclusive.

However, this led me down another, potentially more revealing path. Styled or unstyled (and the BBC website’s “best practices for accessibility” resource makes it plain that a page’s content is expected to be accessible whether or not its CSS/style file is loading correctly), the page still says “For more info about this project, go to the Sherlock programme website.” And when you go there, what you find on scrolling down the site is that it clearly still links to the “The Blog of Dr. John Watson” page.

Now if I was a web page manager working for so large and (in this mode anyway) well-organized an operation as the Beeb, I’d think that leaving an active link to a page in the process of being decommissioned would be damn near anathema. If I was getting ready to decommission a page, I would put a notice on that page saying as much, but otherwise I would leave it and its links to its master page strictly alone. And when it came time for the plug to be pulled, I wouldn’t change just one thing at a time (like killing or moving the page’s style sheet while leaving the page in place). I would do everything at once... within seconds or minutes of each other, ideally. Hours, at worst. Anything else strikes me as really sloppy, and very bad practice.

So what does all this mean?

tl;dr: Damned if I know. There are too many variables in this equation that could be affecting the result. ...In the short term, I’d think that there is no reason to be sure that the “blog page” is about to go away. I’d suspect there had been some kind of error involving either (a) the CSS file or (b) the other Javascript-running page loader we see referred to in the source HTML.

Which brings us to the next question:

The domain registration expires July 7, 2021, which appears to be the anniversary of its original registration date in 2010. The other date listed is that it was last updated on July 3, 2020, which, if I had to guess, would be the registration being renewed for another year a few days before it would have expired last summer. Are domains are typically renewed on an annual basis like this? Is there any reason to believe that that wouldn't happen again this year? 

Not at all. I routinely renew domain registrations only a year or two at a time when I’m not sure whether I’m going to want to keep them any longer than that. (Or when I’m short of money.) Waiting till the last minute to renew, or renewing only for short periods, isn’t necessarily a positive indicator, but neither is it necessarily a negative one.

So in short... it’s impossible to tell what this means in terms of what’s going on with the Dr. John Watson’s Blog site. Probably the safest bet at this point is for someone interested (and I suspect I know who that’s going to be...) to nose around a little in the “Contact the BBC” department of their main site and see if I can find a way to get in touch with their IT people, and ideally to whoever handles website maintenance issues like this. (And this could take a while, as there’s no telling whether or not this aspect of management is something they’ve contracted out to a third party.)

So leave it with me. I’ve got some (website-based, what a surprise...) time-sensitive stuff going on at this end of things, but when I have a few moments to breathe I’ll nose around a little and see what can be discovered.

As we used to say back in the day, “Stay tuned...” :)

[namelocals]

What are a Backlink and its importance?

Hello friends,

In this post, I will try to give you complete information about what are backlinks and how they work.

You must be aware of SEO, if you want to bring your blog to the first page in search results, then it is very important for you to do SEO on your blog.

SEO is done in two ways mainly

1. On-page SEO 2. Off-page SEO

On-page SEO includes all the things that you apply while writing your blog post, to do on-page SEO well, you have to write an SEO-optimized article/post.

Off-page SEO includes all the things that you apply outside your blog. The most important of these are link-building and social media presence. In social media presence, you have to promote your blog on social media, and in link building, you have to create backlinks for your blog. The more backlinks your site/blog has, the higher your site ranks in search results.

Now without much delay let me tell you about backlinks. Then let’s know what are backlinks and why it is important for your blog/website.

What is a Backlink and what is the importance of backlinks?

If everyone understands what is a backlink, backlinks are those links that go from one website to another. For example, if I add a link to your site on any of my posts or on my blog, then it receives a backlink to your site.

What is the benefit of backlinks in SEO? Backlinks are very important for your blog. The more backlinks your site has, the more value Google gives to your site in search results. But Google gives value to your blog only when the backlinks of your blog are from quality (good) sites.

There are many other benefits of backlinks such as the search engine starts indexing your site quickly, your site gets referral traffic, and the authority of your site increases.

What is a quality backlink? Quality backlinks are what you get from quality sites. Hindimehelp is a quality site and if you get backlinks from Hindimehelp then Google gives more value to your site and provides a higher ranking to your blog in search results.

To make quality backlinks, you also have to take care of relevance, that means if your blog is related to technology, then you have to get high backlinks from other technology-related blogs, on the other hand, if you get backlinks from a food blog, Google Does not give much value to such backlinks.

Here is the information on how to create quality backlinks,

The higher the quality, the worse the bad link for the site, or what is a bad backlink, their information is here.

What are the types of backlinks?

1. Dofollow backlink 2. Nofollow backlink

What is a No follow or Do follow backlink?

DoFollow Backlink Do-follow backlinks help in passing the link juice, that is, such links help a lot in increasing the ranking of your blog. Dofollow link example:

“<a href=”http://www.google.com/”>Google</a>”

either

“<a href=”http://www.google.com/” rel=”do-follow”>Google</a>”

By default all links are do-follow, but if you want the link just to pass en from the link you are giving to other sites, then you can add the link me no-follow attribute.

Nofollow Backlink: These are backlinks that do not allow passing links, their value in search engines is less than that of do-follow links. No-Follow Links do not play a role in search engine ranking. Example of no-follow backlink:

“<a href=”http://www.google.com/” rel=”no-follow”>Google</a>”

If ever there is a chance to add a link to such a site on your site, on which there is some wrong thing, then you can no-follow us.

How to make backlinks in Hindi | How to create backlinks to your site? Now you must have understood the importance of backlinks, so now the question must have come to your mind that how to start making backlinks. You can use these simple methods to build backlinks to your site:

1. Quality Ingredients like: If you want to make maximum backlinks for your blog, then for this you have to write quality content on your blog. The post should be in very simple language, to the point, and in detail. That is, you have to write such articles in such a way that your readers can relate to them and that article can do their help.

By writing high-quality content other bloggers can post the link to your article for me to help their readers. If this is a poor article.

2. Start Commenting on Other Blogs:

This is a free and easy way to build backlinks, just start commenting regularly on other blogs in your niche. By commenting on the blogs on which Commentlove is enabled, your blog receives a do-follow backlink, which is very beneficial for your blog. But by commenting on those blogs you get a No-follow backlink, which is also helpful for your blog. Although no-follows don’t matter much in search results, it doesn’t matter to me.

Keep in mind when commenting you will spam comments and add this your comment will not be accepted, always try to add value in comments. ie avoid comments like – “Great post!” Awesome post! Keep it up” etc. Such comments are spam comments, avoid them. Read the post then give your opinion on us. Such comments are good and you will also get to learn something new from them.

You will get information about how to comment later. Take care of all that, comment time.

3. How to start guest blogging: Guest Blogging is very beneficial in making Quality Backlinks. In this, you have to submit your guest post on some popular blogs of your niche (topic) and also add one of your blogs. But keep in mind, for Guest Blogging, choose Popular Blogs of your Niche and submit them by writing Guest Posts with High-Quality Content.

If your blog is related to the internet then you can also guest post on NameLocals

4. Submit Your Blog to Web Directories: Submitting your blog to web directories is a simple way to create backlinks, for this submit your blog to various web directories, but make sure that you submit your blog to quality web directories.

Backlinks are sometimes created with the following in mind: 1. Backlinks can be very helpful for your site, but if you build backlinks using the wrong methods, you can do a lot of damage to your site. So keep in mind the following steps while distributing backlinks to your site.

2. Try to get backlinks for your site from quality sites only. 3. Never buy paid backlinks from other sites. 4. Avoid getting backlinks from low-quality sites such as porn sites or spammy sites. 5. Quality matters more than the number of backlinks. 6. Avoid getting backlinks from blogs different from your niche. 7. Create a lot of backlinks together and Google can be suspicious and can do your site.

conclusion: In my opinion, now you will know about backlinks, what are backlinks or how backlinks are made and what are the benefits of backlinks.

If you have any questions related to Backlinks then you can ask through comments.

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[hypnopalaceduckfire]

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[tiesandtea]

The Quietus | Features | A Quietus Interview | Blue Sky Thinking: Suede Interviewed

John Doran spends the afternoon with Brett Anderson, Neil Codling and Richard Oakes in order to get to the bottom of The Blue Hour - one of their strongest, wildest and most experimental albums to date

A Quietus Interview October 1st, 2018

Blue Sky Thinking: Suede Interviewed

John Doran spends the afternoon with Brett Anderson, Neil Codling and Richard Oakes in order to get to the bottom of The Blue Hour - one of their strongest, wildest and most experimental albums to date

To celebrate The Blue Hour’s second anniversary, here’s my favourite Suede-related piece of media of all-time. Full article by John Doran for the Quietus under the cut.

I have to walk some distance from Notting Hill Gate to get to Brett Anderson’s house. Past a record shop I haven’t visited for years, beyond the penumbra of Carnival, to a tidy arc of elegant townhouses lining a peaceful street I’ve never had reason to walk down before.

Inside, nothing is on view. Everything is immaculate. He clearly lives to a minimalist ideal, with life’s necessary bits and bobs tucked out of sight behind featureless doors that could well be mistaken for wall panels. Even dressed in his scruffs (faded jeans! moccasins!) Anderson is impossibly - irritatingly - handsome. His chiselling maintains its youthful spatial integrity; his skin does not bear witness to his many historical years of debauch. He is welcoming and a good host (“Do I have green tea? Of course. Let me get you some”); and this is despite the fact that simply by being in his gaff, plugging in an iPhone, throwing my jacket over a chair, setting up a recorder, getting crumpled sheets of notes out of an old tote, I am clearly cluttering the place up. He unfolds immaculately onto an unreasonably large sofa facing me on the other side of the room. There’s a big space between us but nothing fills that gap. There are no photographs in frames, no niknaks, no piles of shoes, no half read newspapers, no childrens toys, no takeaway fliers, no TV remote… no TV in fact. At first it feels like Brett Anderson himself is the centrepiece in the dream home.

But in reality if this excessive tidiness is evidence of anything it is of a larger shift in focus. The core of the Suede singer’s life has been relocated to the Somerset countryside, where he now lives with his wife, a stepson and Lucian, his six year old. And this of course has knocked on to everything else, creatively speaking at least. The unthinkable has happened and the clearly defined milieu of Suede - the modern city edgelands of housing estates, late night cab ranks, bedsits, sodium-lit mean streets - has transmuted. The urban has become the rural.

One of his first creative acts on moving out to the sticks in the Summer of 2016 was to write a book and co-write an album in parallel. His (genuinely excellent) memoir, Coal Black Mornings came out in March of this year and deals with his life pre-fame so his move to the countryside is reflected most clearly in Suede’s new studio album - their eighth in twenty five years - The Blue Hour.

Speaking about the intense period of creativity Anderson says: “They definitely bled into one another. I’d be writing the album during the day time when the kids were at school, so I could make a lot of noise, and then once I’d done the school run and got them back home, I’d sit at my computer and write Coal Black Mornings quietly.

“And the memories that writing the book dredged up fed back into the writing of the songs for the album. A track like ‘The Invisibles’ was a very specific example of that. The protagonist is like a callow 17 year old who is tortured by unrequited love. So I was projecting myself now back into that version of myself and it ended up becoming a dialogue between me and my father.”

The idea of fatherhood looms large over both projects. Coal Black Mornings may well be dedicated to his son Lucian but Anderson went a step further with The Blue Hour, which features the six year old in a speaking role. He says: “Early on I knew I wanted the album to be from a child’s point of view. For the last two albums my muse has been my son. It used to be friends or lovers but now it’s him. I see life through his eyes. Every picture I take is a picture with him in it somewhere.

“With the album I wanted to write about childhood but not in a sugary way. And so I imagined the fearful world that a child sees, and in a way that became a reflection of my own childhood.”

As well as his son, his (eccentric and occasionally overbearing) father is also present on the album. (“There are little references to him here and there.”) It is clear he has spent a lot of time recently considering his place between these two figures: “The father is a reflection of the son and so on and so on. He is a point on a continuum.”

The phrase ‘speaking as a father’ is often the last refuge of the scoundrel so, speaking as a member of the human race, I feel duty bound to point out to him that there is a darkness on the album that I wouldn’t wish upon my worst enemy. The subject matter is not something I could spend any amount of time meditating upon myself. There are no spoilers in music but I’m aware that talking excessively about the narrative of this album could detract from a perceived puzzlebox element to this record. Let us leave it at this: the blue hour of the title refers not just to twilight but it marks the point where concern for a missing child turns into anguished hysteria as night falls.

Anderson considers the question carefully: “I almost don’t want to let these things into the room but then I can’t help it. The way I deal with it, morally, is that there’s no suggestion in which I’m wishing any of this upon my son. The scenario is a fear that all parents have, and the album also involves me seeing myself as a child and displaced and lost in the woods. So the theme is more metaphorical than anything else.”

Lucian’s star turn behind the mic is undoubtedly one of the album’s odder moments. The proud dad explains: “‘Dead Bird’ is a recording of me and my son talking; it was just a lucky accident. I had tried to get him to read things out but because he’s only five, it just sounded really wooden. It didn’t work at all. So I just thought, ‘Ok, I’m going to go into the garden and try and to create a scene which will pique his interest.’ So I went into the garden and started digging and, intrigued, he came over and said, ‘Daddy, what are we digging for?’ So I said, ‘You know what we’re digging for.’ And luckily he said, ‘The dead bird.’ And it was just brilliant. A few months before I’d buried a dead bird for him, you see, because we were going to dig it up and look at its skeleton. I do this sort of thing with him quite a bit. How was it? It was horrible really - I think we’d dug it up too early. It needed a while longer.”

Referring to the other field recordings - of a group of adults frantically searching for the missing child played by his son - he says: “I’ve lived properly in the Somerset countryside for two years now, where it’s legal to do things like that and no one can hear you scream.”

He continues, gingerly: “If there’s one thing that no one tells you before you have a child, it’s how terrified it will make you. The utter fear that if something happens, how impossible it would be to recover and the fact that your life would effectively be over. In a way it’s stronger than the fear about your own mortality, it’s a different level of fear.

“I’ve always had this… my mother died of cancer. I’ve always had this obsession with cancer and avoiding it if I possibly can but that’s nothing compared to my fears for the wellbeing of my family. I suddenly feel much more vulnerable now I have a family. When it’s four in the morning and you’re thinking, ‘God, what if something happened?’ I absolutely reject the idea that if you have a so-called straight or comfortable life this stuff is somehow easier - it isn’t. When you have a family you have so much more to lose.”

He brightens and adds: “So initially all I had was this theme of childhood. And once I had that initial idea then I had to come up with more ideas, through brainstorming. I isolated myself in the countryside with Richard and Neil and started writing songs. It felt almost like we were in a creative crucible…”

And if you speak of handsome devils, then they will arrive. Lead guitarist Richard Oakes and keyboard player and rhythm guitarist Neil Codling, join the lyricist on his remarkably large sofa. Together they make up the songwriting core of the band. The two guitarists are dressed like the eternal students that I guess in some ways they are but each having his own sartorial spin on this look that probably mirrors his role in the wider songwriting dynamic. Codling, who has recently become the band’s de facto arranger and producer, is more of a fine-detail aesthetician to Oakes’ (self-proclaimed) engineer; someone unafraid to roll his sleeves up and take a peek under the bonnet.

If Anderson is a country gent now, this hasn’t been a move adopted by the whole band. Codling is keen to re-establish the urban credentials of the rest of them: “Yes, the rest of Suede are still city boys, apart from Simon who lives in rural Thailand next to a rice paddy. That’s about as countryside as you can get.”

The singer chimes in: “Moving to the countryside has made me miss London. When I come back to London I just breathe it in. The countryside is amazing when the weather is good and at this time of year it’s beautiful. I go out and sit in the garden with my boy and I say, ‘We are blessed.’ But then in November it’s like a fucking nightmare.”

Codling jokes good naturedly: “You know how Brian Wilson had to put the feet of his piano in sand while he was writing? Well Brett now has his piano standing in a gravel pit to remind him of the city.”

Anderson recalls the trio’s initial songwriting sessions in his rural kitchen with a perverse fondness: “We wanted to do that thing of us three disappearing off to the countryside. And in the process I thought we would go a bit mad, and end up almost murdering each other.”

Luckily it didn’t come to that and one of the first things to emerge from the session was the maximal, jaw-dropping and gothic ‘As One’. Oakes says, “As soon as we came up with it we said, ‘OK… it’s going to be that kind of record.’ So despite the blazing sunshine outside, we knew it was going to be a cold record.”

Anderson explains: “There are always what I call anchor songs on each album. And it’s often that song that sets the blueprint for the album. When you start making a new album you’re fumbling about with vague ideas but until you write that song, you don’t quite know where to go with it.”

‘As One’ is certainly the most dramatic album opener the band have written since ‘Introducing The Band’ and probably their most dramatic album opener full stop. Anderson says it had a Cecil B. DeMille size from the start and Codling agrees that even as a demo it had a menace to it: “However big you want to make it, you can do. It can still take a choir, it can still take a string section.”

Oakes drops a tantalising hint that ‘As One’ is perhaps Suede’s ‘Helter Skelter’, an epic, and heavy track possessed of so much gravity that needed heavy editing to make it album compatible. He suggests that really they could have gone much further with it: “For a while Neil and I were fiddling about with this 15-minute-long version which just smashes into a wall and goes straight into ‘Wastelands’. But nobody will ever hear that…”

Even as it is, ‘As One’ set the tone for what would become a bold record indeed. Taking something of a gamble in today’s unforgiving marketplace, the band opted for producing a cohesive whole designed to be listened to in one sitting, as opposed to a collection of stand alone Suede bangers ready to be strip-mined and isolated for Spotify playlist inclusion. If this approach has seen them shunned by the kind of radio stations who would normally support them, then more shame on the querulous, narrow shouldered types who construct radio playlists and have little faith in the intelligence or taste of their listeners. (And double shame on them for not fully realising the radio potential of ‘Cold Hands’, ‘Life Is Golden’ and ‘Flytipping’ - experimental album or not.)

As it is The Blue Hour stands alone in their back catalogue as a fully realised concept album which achieves cohesion via narrative, lyrics, spoken word passages, repeated musical themes, field recordings and narration. If I had to compare it to anything from their back catalogue I’d mention Dog Man Star - not something I do lightly - and that would be in terms of ambition, execution and impact. It slaps hard. Once you have acclimatised to it, The Blue Hour makes you grin and shake your head at their sheer chutzpah. It makes your heart rage behind your ribs. It reactivates long-snoozing sensuous psychedelic glam glands. It demands an immediate rewind.

Like with any classic album in a band’s catalogue, it can feel like everything has been leading up to this point. After their return in 2010 they had a lot to prove. First that they had to show that they had the damned verve necessary simply to be Suede as a live entity once more. This was quickly asserted with savage efficiency by a blistering fanclub gig at the 100 Club and then an all time best show at the Royal Albert Hall. The Bloodsports album in 2013 was, in part, an act of contrition for relaxing their standards somewhat with 1999’s Head Music and abandoning what it meant to be Suede entirely with 2002’s A New Morning. They were reconnecting with the core idea of the group in 2013 - it was a reboot, if you will. With Night Thoughts, in 2016, the cinematic sequencing of the tracks created its own forward momentum and bound the tracks together somewhat but it was The Blue Hour that sealed the deal.

Referring to the album as a unified piece of work Codling says: “We live in the world of Spotify and Deezer when you’re supposed to write songs and hope that they end up on playlists, because that’s how you play the music business these days. We thought we’d be bloody-minded and make something that people would have to listen to for three quarters of an hour. People do listen to long playlists and they do watch box sets, so they do have longer attention spans than they’re given credit for. We decided to introduce listeners to a sound world that they can move through. The narrative is there but you don’t necessarily need to know what it is; it’s more like the scaffolding.”

Anderson nods: “Yes it is. The narrative is the scaffolding that allows us to arrange the tracks and once they’re in place we can take the scaffolding away.”

“Otherwise”, notes Codling, “it becomes like Jonathan Livingston Seagull or some turgid, 70s concept album.”

The band have referred to the album as the closing chapter of a triptych. If the original intention was to have a unifying sonic identity binding the three albums together in a series however, this was upset when original producer Ed Buller left the project before it was complete - something that has actually proved serendipitous in the long run.

Buller - who had previously worked on Suede, Dog Man Star and Coming Up as producer and engineer as well as producing all of Bloodsports and some of Night Thoughts - was so trusted that he had essentially become a sixth member of the band, song veto and all. But he was courted by Hollywood and relocated to California, thus creating a very Suede-like problem. The tone in Oakes’ voice when he says, “Well, we weren’t going to record the album in Los Angeles...” suggests that actually a winter recording session in the frozen ice fields of the permanently night-bound Patagonia was a more likely scenario. Anderson nods calling the very idea of them recording in America at all “bizarre”.

The band, impressed with his work on various albums by Ride, Foals and The Killers, got in touch with lauded mixer Alan Moulder, who agreed to come out of retirement as producer to work on their record at Assault and Battery studios, London. “I think once we reassured him that we weren’t dysfunctional and were actually hard working he was quite happy with the idea. I think he’s worked with a lot of dysfunctional bands in the past. He did the second Elastica album didn’t he? You can imagine what that must have been like”, says Oakes, before adding: “Bless them…”

But really, all due respect to the great alt-rock mixer, the most significant thing about the departure of Buller wasn’t that it created room for Moulder but that it created even more room within the band for Codling. Self-effacing isn’t quite the term for it when the keyboardist says: “We had to pick up what [Buller] left us of Night Thoughts and cobble it together into what came out.” All the evidence shows that the six months he spent completing that album gave him the confidence to assume the role of de facto producer, or co-producer, on the current one.

Anderson agrees: “The fact that Neil did most of the last six months on Night Thoughts on his own gave us the confidence to look at The Blue Hour slightly differently. Ed previously had been a real tastemaker, saying, ‘This is good’ or ‘No, that’s not good enough’ which created a bit of a weird dynamic. You stop being able to really trust yourself. And with The Blue Hour we got confidence back in our own judgement.”

When Codling says, “There are songs that would never have made it onto the album if Ed had been involved, songs like ‘Roadkill’, ‘Chalk Circles’ or ‘Tides’ for example”, he hits on something quite important. Ed Buller’s departure freed up Suede to make their grandest and yet most experimental album to date.

In terms of grand ambition, the most noticeable thing on the album is the use of strings and a choir. The Prague Philharmonic appear on nine tracks - all but one of which were arranged by Codling. (‘The Invisibles’ was the work of Craig Armstrong who had worked with the band on Coming Up.) But this isn’t the case of an orchestra being used to hide a multitude of sins or to imply emotion or drama where there is none. As Oakes points out: “Strings framed things on the last album whereas on this album they are part of the picture.”

It is fascinating hearing a string section suddenly become a vibrant and essential part of the Suede sound, rather than simply an occasional colouring device. But any fans worrying that this heralds a slump into tepid, middle age should reassure themselves that if anything, the opposite is true. Just as Neil is happy to list classical pieces which informed his approach to writing orchestrally for the group (“Ravel’s ‘The Child And The Spells’ and ‘Mother Goose’… Debussy’s ‘The Snow Is Rising’… The strange sense of foreboding created by ‘The Threnody To The Victims Of Hiroshima’ by Penderecki…”) he is also happy to list the more leftfield influences that informed the album’s wild and psychedelic moments such as ‘Chalk Circles’ and ‘Dead Bird’ (“Velvet Underground’s ‘The Gift’... Electric Ladyland by Hendrix…”)

‘Roadkill’ is one particular dramatic, narcotic, poetic passage that ramps up the manic air of rural terror, standing somewhere between Edgar Allan Poe’s ‘The Raven’, Ted Hughes’ ‘February 17th’ and David Bowie’s ‘Future Legend’, being conjured amid the ebb and flow of scraped strings, controlled feedback, heavily phased vocals and dubbed out tendrils of noise disappearing recursively into the mix. The singer says: “I think it’s a risk. And if people want something to beat us with we’re handing them a stick with these songs but sometimes you just have to take that risk.

“It’s quite a brave track to come up with - you have to be quite confident. It teeters on the line doesn’t it? Some people would say it was quite pretentious with me reading this Edgar Allen Poe-like verse about a dead bird. I mean, it doesn’t sound like the Stereophonics.”

And the influences don’t just stem from the musical leftfield either. Codling adds: “A lot of folk horror is set in that kind of Claude Lorrain, chocolate box, pastoral vision of the rural before it ends up revealing itself to be something much darker. When we were writing the album we wanted to reference films like The Wicker Man (1973), And Soon The Darkness (1970) and Penda’s Fen (1974). At the same time I was reading a lot of [British folklore inspired fantasy novelist] Alan Garner and it kind of bled into the whole feeling.”

The carrion and the folk horror all conspired to create a very specific geographical place. Anderson says: “The Blue Hour in a very unpleasant version of the English countryside and not what you would find in a or John Constable painting. I wanted to portray the countryside as quite a bleak, unpleasant landscape. The roadkill, the b-roads, the fly-tipping. As a city dweller you can kind of romanticise the countryside as this kind of Arcadian idyll. And having lived there again for a couple of years, it just isn’t. There is a lot of ugliness and cruelty. Take the cows lowing. Someone told me the reason female cows low a lot - you hear them groaning - is because they’re separated from their calves. That puts a really different perspective on things. We live near a farm and I used to think, ‘Oh, that’s a nice sound isn’t it?’ And now when I hear it I just think of these mothers who have had their babies torn away from them. I like to think about the darkness in all things and I don’t really think Suede works unless we look at the darkness. It’s what I like to tease out in our music.”

The Blue Hour is out now