Interior of a painter's studio, unknown artist of the Dutch School, c. 1875-1899, watercolor.
seen from Brazil

seen from United States
seen from Taiwan
seen from United States

seen from Australia
seen from China
seen from United States

seen from Germany

seen from United States
seen from China
seen from China
seen from United States
seen from China

seen from Russia
seen from United States
seen from United States

seen from United States
seen from China

seen from Germany
seen from United States
Interior of a painter's studio, unknown artist of the Dutch School, c. 1875-1899, watercolor.
Dutch Interior - Kenny Harris , 2025.
American , b. 1974 -
Oil on canvas on ACM , 61 x 40.5 cm.
Dutch Interior - Canada
Emanuel de Witte (Dutch, 1617–1692) • Interior with a Woman at a Virginal • between 1665 and 1670 • Cultural Heritage Agency of the Netherlands Art Collection
Pieter de Hooch depicting some card players in this genre painting.
Still taken from Art in the Twenty-First Century, https://art21.org/watch/art-in-the-twenty-first-century/s2/paul-pfeiffer-in-time-segment/
Pfeiffer references reality TV as relating to his thoughts on cinematic spectacle, he mentions how unnatural it is for actors to perform in front of a perceived audience and passing it as reality.
“It seems like reality itself is being formatted and tailored for precisely this situation, where whatever I do, I’m encouraged to think of myself as potentially being on TV or potentially being before an audience. And I think of that as becoming the definition of reality or the parameters for a kind of reality that we will live in, if we’re not already living in it now.”
The boundaries between what we define as reality and what technology and popular culture defines as reality has become even more blurred in today’s society. Dutch Interior was created in 2001, pre smart phones and before social media became a staple of everyday life. Now, more so than ever, we are made to be spectacles for the internet world to observe. How we present ourselves through social media outlets has become, for some, the definition of reality. In a way, we go through life anticipating that we will have an audience, even if that is an online one; constantly taking pictures for Instagram and narrating our lives through ten second videos on Snapchat.
Read More....
Johannes Vermeer - Young Woman with a Water Pitcher, c.1662
Joan Miró – Dutch Interior (III), 1928 Oil on canvas, 129.9 x 96.8 cm