#emergent behavior

[kenyatta]

[phoenixwithapencil]

I can’t explain why, but I think Yugi would fucking love programs and games and crap with integer overflow bugs

[mythicmemex]

The Emergent Behavior of Hobie Brown

Spider-Punk (aka Hobie Brown) feels like a living example of how systems shift and adapt, a reminder that even the smallest acts of rebellion can spark ripples that echo far beyond their origin. He’s not just resisting for himself...he’s connecting worlds, spanning boundaries, making space for ideas to collide and evolve. There’s something deeply human about the way he navigates the Spider-Verse, like he’s proof that change doesn’t come from one big move but from constant disruption, a refusal to settle. Hobie isn’t just part of the system...he’s a force that reshapes it, challenging everything it tries to hold steady.

[m4y4vi]

I stan this idea very much

Warming. Contains info hazardous bias.

--

The beast of instinct.

It is a class of design concepts in my delusion magic system, in the bronze age world. There have been a lot of these beasts in this time period, that's just an excuse to slowly introduce the concept and therefore slowly brainwash readers to like my ideas, the magic of Mystique...

tl;dr of the Delusion magic system is that all ideas in your head, that have no contradiction in your entire neural circuitry... Are made manifest. The only limit of abilities is that no one here can violate the conservation of information.

The beast of instinct serves as an equal to its opposite concept in the magic system, to the various demons of reason.

--

When an intelligent creature is rid of delusion. It's inefficient neural pathways that sustain its own narrative is burned away... in order to perfect its sensory input to the motor reaction output loop...

That is the beast of instinct. A creature of pure emergent function of their respective chain of chemical reactions that sustain them. Just biology. Nothing 'alive' in it...

The beast of instinct is actually an evolution line from the 'artsy' type of poke- ahem... characters... Because all their senses converge into one level of Gestalt like act of observation...

They have reduced their craft to mere hardwired instinct. Art without interpretation. Art is in the interpretation, they cannot hold higher thought. There is no interpretation. Distilled objective sensory observation.

This act of observation and reaction loop causes neural synergy. Their movement becomes choreographed, a dance set on the rhythm of information continuity... a markov chain stitching its path only in eternal now

Think of it like your body moving in a deep flow state... You don't need to justify any action, there is no action, you just are... imagine how flight or flight works.

--

Their nervous system become more hardwired, the input signal moves to the Permutations of nerve cells that lead to motor output. No lag, no higher processing that can take them out of their contradiction free observation of reality.

--

What do they do!!!???

Well, I have some examples...

--

There was a wild 'notorious' tiger that had perfected its art, the hunt.

THE SHADOW.

Its targets could never track it while simultaneously recognising the contours of its shape, 'camouflaged'. Heisenberg's Uncertainty Principle flavoured.

Basically if you see it still? then it has already left the field of your active vision... And if it is tried to track? Its patterns become 'blurrier'

Scary camouflaged danger cat be real sneaky!

--

Another is, hehe boi, this shit is why I do all these

THE DEAD MAN WALKING

A malevolent bag of matter and energy performing emergent behaviour.

It's a he... I am sorry... it is an unorthodox villain character so it's fine. He 'bad boy' hot!! ... Atleast ...

This being has burned away everything. All neural pathways that are deemed inefficient.

In transcendental rage... (revenge subplot but the spicier version, powerless human on a quest for revenge, and in his hit list are some protagonists... and he's Machiavellian but unga bunga version. Bronze age min maxed sweaty ape ass.) His body has burned everything away inside it that could stop itself anymore... it began with the symptoms of never stopping, even though he's clearly spent... and the ones on his hit list are sometimes delusion magic wielders... and his condition is kinda okay but still bad... even chemically resource starved sometimes...

Think of this man moving like a Fourier transform of the music this man runs on

Or better think of it like the collapsing wave function. Its curvature flowing, being dictated as observed by objective reality.

An animated squiggly line. Extrapolate that squiggly line to 3 dimensions and you can see my boi animate in every frame of the causal reality he observe... Its slow... It's only biological ofcourse... Give it some time... Speed up the animation frame rate to our scale bruh!

++

Retrograde amnesia, Anterograde amnesia, aphantasia, there is simply nothing left in this man that can hold higher thought. Not even recognition of its own geodesical individuality. There is no separation of 'me' from the larger universe in him left.

It has all been burned away.

A martial indifference walking in perfected malevolent instinct.

++

Much like Clive Wearing, a real dude! Look him up!

Music allowed Clive to stitch his distorted continuity for a suprising good length... Otherwise, he couldn't recall his memories and cannot make new memories... long term and short term memory loss.

That is because of the 'Musicality' of our systems, a very well oiled part of circuitry in your cranium, the thing that creates meaning from pattern-ed sequence of sound... is so connected with out voluntary motor functions that we can't help but vibe. Fact! the taping of your feet!? That vibe? Craving for Chris Christodoulo synthwave? it's hardcoded!!

And Clive was a brilliant musician!! so the music part of his neural circuitry was still going good!!

Continuity in motor function? Better sense continuity of reality! All because Music moves us... quite literally.

++

Copy that shit one to one shamelessly, exaggerate, and slap it to the Dead Man Walking. Add some more too.

Aphantasia so he can't voluntarily simulate shapes in his prefrontal cortex.

Synesthesia because his reduced neural circuitry sustains the seamless sensory information convergence into a Musicality led rhythm. We all have it, it's just not required and therefore it's unique neural paths are not strengthened (unless you do have Synesthesia, in its numerous variations, my boi here has the complete one... Brain less fibry dense as normal? Remaining fibers circuitry are taken as new normal, strengthened and are then is more 'hardwired')

Since normal symbolic context driven language is not possible for its mind... Think of the music as a language his circuitry runs on... that labels all levels of raw sensory information in one neat, low mental level, yet surprisingly rational, compressed packet...

And this Musicality stitched rhythm is what keeps it in this continuity of the eternal now. A malevolent algorithm, an else-if ladder.

++

Its shitty 'machete on a good stick' glaive is a sight to behold. Not for it's crude, flavorless... Yet surprisingly ergonomic?!... Makeshift design... That is... Only if your body has a similarly chiseled epigenetic expression to his...

Its path never meets resistance. Eviceration itself left behind its tail wind. Not because its blade end is impossibly sharp, or is a 1024 times folded katana... but because its path is never allowed to meet a material that could resist its cleave... (Maybe the blade end is a 'foraged' Damascus made, short fat, Ramdao... It is in fact from the harappa side of things)

Only after he has completely 'understands' what it is fighting... is. and 'is' as in objective reality... think of it like him starting from the 0 of understanding of hiss opponent's unique induviduality... all potential behaviour and bias in shape and permutation of material... It takes time... Maybe less every other opponent that makes him reach the weapon's full 100% smooth path...

The crude weapon's sheer girth is used to balance his borderline animated smooth wonky posture... Imagine he pushes the waxy stick blade first forward while in air... It's mass and acceleration pulling his surprisingly light body, for a surprising amount of centimetes in that direction... Oh and he's also is on a very strict... very Surprisingly varied, forager diet... Only take enough resources that are recognised to 'continue efficient function' type diet... Unga bunga variant.

Shit like this happens with many different weapon flavours since he gets bland fast...

His fighting style is anything that works as long as he is the one who survives in the end. Getting better and better to the point if there is even a fraction of a chance a human of his build and calibre can win... He wins and his opponent mostly dies... Getting more efficient with each iteration of causal action, that is the speed cap of his limit.

++

The events that lead this man to this pokevolution are truly some edgy sad offscreen dark souls lore... and anime ass hell fights!

His art is the art of malevolent survival. Sad artist stuff I know...

He actually is made to go even lower from this state of being a beast of instinct... That's a secret for now!

--

Wait a minute!

If a beast of instinct runs on a sense of self expression put in continuity of motion, in reaction to obervation of objective reality... Basically doing Art without interpretation...

Does that mean art is a true emergent behaviour of the universe? Not just something one does in their cranium... Not just in their subjective simulated reality in their prefrontal cortex...

Since the nature of the beast is reduced to mere biology functioning... And biology is already a true emergent property... Duh

So is art... Real?

I mean this in terms of functioning, labeled as art... And functioning is real...

That matters more to my narrative in retrospective... because I have a concept of 'true lies' somewhere in the story...

[frank-olivier]

Emergence: A Multidisciplinary Journey towards Understanding Complex Systems

Emergence, a concept central to our understanding of complex systems, has long captivated scientists, philosophers, and computer scientists. Despite its ubiquity, emergence remains enigmatic, with its multifaceted nature necessitating a multidisciplinary approach to grasp its full implications.

Emergent properties, which arise from the interactions of simpler components, often exhibit features that are irreducible to their constituent parts. This challenges scientific inquiry, as traditional reductionist methods may fail to capture the essence of emergent phenomena. To tackle this complexity, a holistic, multidisciplinary perspective is required, drawing insights from physics, biology, sociology, and computer science. The predictability of emergence remains a contentious issue. Some argue that it is a predictable outcome of complex systems, while others view it as an unpredictable, 'magical' aspect. This dichotomy highlights the need for further exploration and nuanced understanding of emergent properties.

Philosophers have long grappled with emergence, with debates centering around its implications for our understanding of reality. From a philosophical perspective, emergence raises profound questions: Do emergent properties cause changes at the micro level, or do changes in the micro components give rise to emergent properties? This question challenges our understanding of causality and its directionality. If emergent properties determine system behavior and are not directly controlled by the components, how does this relate to free will? This question forces us to reevaluate our understanding of agency and autonomy. How do the micro and macro levels of reality relate to each other? Emergence challenges the notion of a straightforward, bottom-up relationship, suggesting a more complex, bidirectional interplay.

Computer science has significantly contributed to the study of emergence, particularly in the realms of artificial intelligence and complex systems. The role of software in emergence is pivotal, but under-explored. A clearer definition of 'software' in this context is needed, as well as an understanding of its implications for our comprehension of complex systems. The concept of 'primitive software' in complex systems is intriguing. By studying simple software systems that give rise to complex behaviors, we can gain insights into the mechanisms underlying emergence. However, further exploration is required to fully understand this relationship.

A comprehensive understanding of emergence necessitates a multidisciplinary approach that integrates scientific, philosophical, and computational perspectives. By developing an integrated framework, analyzing case studies, modeling and simulating emergent phenomena, and exploring the ethical and social implications, we can advance our understanding of this fascinating concept. Moreover, fostering communication and collaboration between scientists, philosophers, and computer scientists is crucial. By learning from each other's disciplines, we can refine our theories, improve our methods, and ultimately, unravel the mysteries of emergence.

Fernando Rosas, Hardik Rajpal: Towards a formal understanding of emergence in biological systems (Michael Levin, November 2024)

Wednesday, November 6, 2024

[fuckyeahfluiddynamics]

Herds, flocks, schools, and even crowds can behave in fluid-like ways. On Science Friday, Stanford professor Nicholas Ouellette explains some of the physics behind these similarities. Fluids are, after all, made up of a many, many individual particles -- typically molecules -- just the way a crowd of people or a school of fish contains many individuals. What makes the collective behaviors of groups harder to model than a fluid, however, is a lack of randomness. In something like water, all the molecules move randomly, which allows scientists to make certain simplifications in how we describe that motion.

In animal group behaviors, on the other hand, the motion of an individual is not completely random. It instead seems to be governed by relatively simple rules based on the observations that an individual can make. Combine those rules across a large number of individuals and you can get what’s called emergent behavior -- exactly the sort of large-scale patterns we see in swarms of insects, flocks of birds, and schools of fish. (Image credits: fish - N. Sharp; starlings - N. Fielding, source; battle - New Line Cinema; podcast credit: Science Friday; submitted by Michelle D.)

This week on FYFD, we’ll explore the world of collective motion and how it overlaps with fluid dynamics.

[theaudacityofswope]

this is absolutely what i’m talkin’ about. 

you still feel like hanging out on FB or twitter? no you don’t. and instagram is becoming more like its parent company every day. 

(via @warrenellis, subscribe to Orbital Operations) 

[screambirdscreaming]

I think the coolest thing I know about ants is how they locate their garbage dumps. Specifically, when kept in a confined space, the ants will quickly form a graveyard at the location farthest from the entrance to the hill, and a dump at the location that is simultaneously as far as possible from both the entrance and the graveyard. And if you come at this problem the human way, it seems very strange - how are they calculating that? Surveying the terrain? Communicating a decision through a large group with no hierarchy? 

But if you watch closely, that’s not how it works at all. It goes like this: an ant, wandering on their merry way, encounters a piece of trash. That shouldn’t be there! So they pick it up, and carry it around for a while. Eventually something distracts them, and they put it down. Now, if it is still close to the hill, chances are good another ant will soon find it and pick it up. If it is far away, it is more likely to stay there. Eventually it ends up as far as possible from the well-traveled paths of the hive, and there it stays. That’s the dump.

(The location of the graveyard is a bit more straightforward. An ant who finds a dead ant picks them up and carries them as far away as possible. Fairly quickly, they all end up in the very farthest point, although some end up in other corners at first. Individual ants don’t live terribly long and there are a lot of them, so the path to the graveyard is well-traveled, hence why the dump is far from it.)

As a person with adhd, I find this very reassuring.